Search Results for: poetry

First Chapters: ‘White Oleander,’ by Janet Fitch

Janet Fitch | White Oleander, Little, Brown and Company | 1999 | 19 minutes (4,640 words)

 

Our latest first chapter comes from Longreads contributing editor Julia Wick, who has chosen Janet Fitch’s 1999 novel White Oleander. If you want to recommend a First Chapter, let us know and we’ll feature you and your pick: hello@longreads.com. Read more…

5 Great Stories on the Lives of Poets

Sylvia Plath. Photo via Wikimedia Commons

“If I knew where poems came from, I’d go there.” —Michael Longley

Below are some of my favorite #longreads that fall under the umbrella of “the lives of the poets.” Each is paired with a favorite poem by the poet in question. Quite a few of these stories are personal, not just about the poet, but about the authors of the pieces themselves. Which is unsurprising, especially because, as Billy Collins put it in a 2001 Globe and Mail piece: “You don’t read poetry to find out about the poet, you read poetry to find out about yourself.”

* * *

1. ‘River of Berman,’ by Thomas Beller (Tablet Magazine, Dec. 13, 2012)

David Berman is perhaps best known for his work with the indie-rock band Silver Jews, but his poetry is a thing to behold, as accessible as it is awesome (in the true sense of the word). Beller’s piece, a “tribute to the free-associating genius of the Silver Jews,” delves not just into the beauty of Berman’s free-association, but also his Judaism, his place in the New York literary scene of the 1990s, and his public pain.

Poem: “Self Portrait at 28” by David Berman

2. ‘The Long Goodbye,’ by Ben Ehrenreich (Poetry Magazine, Jan. 2008)

The details of poet Frank Stanford’s life are as labyrinth-like as his most famous work, an epic poem titled, “The Battlefield Where The Moon Says I Love You.” His life was in many ways a series of contradictions: his childhood was divided between the privilege of an upper-crust Memphis family and summers deep in the Mississippi Delta; he was a backwoods outsider who maintained correspondence with poets ranging from Thomas Lux to Allen Ginsberg; and posthumously, he is both little-known and a cult figure in American letters. In seeking to unravel the man behind the myth, Ehrenreich heads deep into the lost roads of Arkansas: the result is a haunting and vivid portrait of both Stanford’s life and his own quest.

Poem: “The Truth” by Frank Stanford

3. ‘Zen Master: Gary Snyder and the Art of Life,’ by Dana Goodyear (New Yorker, Oct. 20, 2008)

Dana Goodyear’s profile of Gary Snyder provides a rich rendering of the Beat poet, Buddhist, and California mountain man.

Poem: “Night Song of the Los Angeles Basin” by Gary Snyder

4. ‘On Sylvia Plath,’ by Elizabeth Hardwick (New York Review of Books, Aug. 12, 1971)

It is likely that if you have made it this far down the list you already know a fair amount about Sylvia Plath, but what makes this piece interesting is Elizabeth Hardwick’s take on her, and her lovely, clear-eyed prose. Hardwick, who co-founded the New York Review of Books, was herself no stranger to the lives of poets, having spent 23 years married to Robert Lowell. It is also—maybe—of interest that the same girls who fall mercilessly hard for Plath at 16 and 21 and often discover Hardwick with a similar fervor a few years down the road (myself included).

Poem: “Cut” by Sylvia Plath

5. ‘Robert Lowell’s Lightness,’ by Diantha Parker (Poetry Magazine, Nov. 2010)

Widely considered one of the most important 20th century American poets, Lowell’s biographer called him “the poet-historian of our time.” Parker’s piece examines a much more personal history, that of Lowell’s relationship with her father, painter Frank Parker.

Poem: “History” by Robert Lowell

Some Thoughts On Mercy

Longreads Pick

The writer, who is black, on how his experience with racism and racial profiling has formed his identity in the U.S.:

“Among the more concrete ramifications of this corruption of the imagination is that when the police suspect a black man or boy of having a gun, he becomes murderable: Murderable despite having earned advanced degrees or bought a cute house or written a couple of books of poetry. Murderable whether he’s an unarmed adult or a child riding a bike in the opposite direction. Murderable in the doorways of our houses. Murderable as we come home from the store. Murderable as we lie facedown on the ground in a subway station. Murderable the day before our weddings. Murderable, probably, in our gardens.”

Author: Ross Gay
Published: Jul 1, 2013
Length: 19 minutes (4,919 words)

Reading List: Wread About Writing

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Emily Perper is a freelance editor and reporter, currently completing a service year in Baltimore with the Episcopal Service Corps.

Salinger’s life is being made into a movie. Someone said writers work best with only one kid. Print journalism is, apparently, still the domain of white men. It’s been an unfortunate week. Here are four pieces to help you refocus on craft and life and journey.

1. “I Did Not Vanish: On Writing.” (Cynthia Cruz, The Rumpus, June 2013)

A tender dream of an essay on writing, risk and choosing life.

2. “Writing About Writers.” (Bob Thompson, The American Scholar, 2009)

In this delightful essay, book reviewer Bob Thompson discusses his interview secret—the “Didion Rule.”

3. “An Interview with Poet Rebecca Lindenberg.” (Elizabeth Clark Wessel, Bomblog, February 2013)

Lindenberg is the poet behind the crucial “Love: An Index,” written after the disappearance of her partner, the poet Craig Arnold. Here, she discusses her experimentation with form, her influences and how she sees her work changing. Parts of this interview are poetry themselves.

4. “To Write About the Button.” (Rachel Aviv, Poetry Foundation, March 2008)

“[Grace Paley] was just the opposite of a Romantic poet … It didn’t interest her to be a poet with a capital P. She was an absolutely ordinary person, and she was proud of it.”

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What are you reading (and loving)? Tell us.

Photo: Joshua Burnett

Reading List: Wread About Writing

Longreads Pick

Picks from Emily Perper, a freelance editor and reporter currently completing a service year in Baltimore with the Episcopal Service Corps. This week’s picks include stories from The Rumpus, The American Scholar, Bomblog, and the Poetry Foundation.

Share your favorite stories in the comments.

Source: Longreads
Published: Jun 23, 2013

Longreads Member Exclusive: Contest of Words, by Ben Lerner

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This week’s Longreads Member pick is “Contest of Words,” Ben Lerner‘s October 2012 essay from Harper’s Magazine. Lerner is author of the award-winning 2011 novel Leaving the Atocha Station and three books of poetry: The Lichtenberg Figures, Angle of Yaw and Mean Free Path.

The story comes recommended by Matt O’Rourke, a longtime Longreads community member and creative director for Wieden and Kennedy in Portland (he also runs the Twitter account @fuckyesreading). Matt writes:

Ben Lerner has such an easy way with words that you almost lose sight of the fact that the guy is clearly a genius. He takes incredibly complex observations, and delivers them in a way that makes you feel like he’s hardly working at it at all.

‘Contest of Words,’ which I discovered in Harper’s last year, is about Lerner’s experience with language as a member of his high school debate team. It’s a piece of writing I re-read every few weeks, as a reminder that the smartest person in the room is only relevant if they can get everyone else to listen. I hope you enjoy the story as much as I have.

Support Longreads—and get more stories like this—by becoming a member for just $3 per month.

Longreads Member Exclusive: Contest of Words, by Ben Lerner

Longreads Pick

This week's Longreads Member pick is "Contest of Words," Ben Lerner's October 2012 essay from Harper's Magazine. Lerner is author of the award-winning 2011 novel Leaving the Atocha Station and three books of poetry: The Lichtenberg Figures, Angle of Yaw and Mean Free Path.

The story comes recommended by Matt O'Rourke, a longtime Longreads community member and creative director for Wieden and Kennedy in Portland (he also runs the Twitter account @fuckyesreading).

Support Longreads—and get more stories like this—by becoming a member for just $3 per month.

Author: Ben Lerner
Published: Feb 21, 2013
Length: 20 minutes (5,243 words)

Longreads Member Exclusive: The Anthologist (Excerpt), by Nicholson Baker

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This week’s Longreads Member pick is Chapter 1 from Nicholson Baker’s 2009 novel, The Anthologistpublished by Simon & Schuster. The excerpt comes recommended by Hilary Armstrong, a literature student at U.C. Santa Barbara and a Longreads intern. She writes:

Someone I love once told me that they don’t understand poetry. It’s all random line breaks and rhythms she can hear aloud, but not read on paper—and what is a poem other than the observer of something beautiful showing off? What is there to condense in a poem that hasn’t been done already? Why is poetry so highfalutin and important?

The Anthologist follows a man who loves poetry but is struggling with it, or, more specifically, struggling to write an introduction to a poem anthology. He talks about poems as song lyrics, as logical progressions, and as the backbeat to all art. He answers the common questions surrounding poetry, and clarifies some of the deeper ones. If you are a writer, reading this book has a similar effect that reading High Fidelity does after a breakup.

In The Anthologist, Nicholson Baker accomplishes something amazing and resonant—reading it feels like having one of those really savory conversations with someone else, someone who ‘gets’ you like no one else at the party does.

Read an excerpt here.

Support Longreads—and get more stories like this—by becoming a member for just $3 per month

 

Illustration by Kjell Reigstad

Longreads Member Exclusive: The Anthologist (Excerpt)

Longreads Pick

This week’s Longreads Member pick is Chapter 1 from Nicholson Baker’s 2009 novel, The Anthologist, published by Simon & Schuster. The excerpt comes recommended by Hilary Armstrong, a literature student at U.C. Santa Barbara and a Longreads intern. She writes:

“Someone I love once told me that they don’t understand poetry. It’s all random line breaks and rhythms she can hear aloud, but not read on paper—and what is a poem other than the observer of something beautiful showing off? What is there to condense in a poem that hasn’t been done already? Why is poetry so highfalutin and important?

The Anthologist follows a man who loves poetry but is struggling with it, or, more specifically, struggling to write an introduction to a poem anthology. He talks about poems as song lyrics, as logical progressions, and as the backbeat to all art. He answers the common questions surrounding poetry, and clarifies some of the deeper ones. If you are a writer, reading this book has a similar effect that reading High Fidelity does after a breakup.

“In The Anthologist, Nicholson Baker accomplishes something amazing and resonant—reading it feels like having one of those really savory conversations with someone else, someone who ‘gets’ you like no one else at the party does.”

Support Longreads—and get more stories like this—by becoming a member for just $3 per month.

Published: Feb 13, 2013
Length: 15 minutes (3,920 words)

Longreads Best of 2012: Andrea Pitzer

Andrea Pitzer is the author of the forthcoming nonfiction book The Secret History of Vladimir Nabokov

Best Innocence Story

“The Innocent Man” (Pam Colloff, Texas Monthly)

What if you were convicted of murdering your wife, and you didn’t do it? What if, after decades in prison, you learned that the prosecution had held proof of your innocence but never let it see the light of day? Lone Star State treasure Pam Colloff once again uses restraint to powerful advantage as she indicts Texas justice.

The last time he had seen her was on the morning of August 13, 1986, the day after his thirty-second birthday. He had glanced at her as she lay in bed, asleep, before he left for work around five-thirty. He returned home that afternoon to find the house cordoned off with yellow crime-scene tape. Six weeks later, he was arrested for her murder. He had no criminal record, no history of violence, and no obvious motive, but the Williamson County Sheriff’s Office, failing to pursue other leads, had zeroed in on him from the start. Although no physical evidence tied him to the crime, he was charged with first-degree murder. Prosecutors argued that he had become so enraged with Christine for not wanting to have sex with him on the night of his birthday that he had bludgeoned her to death. When the guilty verdict was read, Michael’s legs buckled beneath him. District attorney Ken Anderson told reporters afterward, “Life in prison is a lot better than he deserves.”

Best Southern Gothic Nonfiction

“Vietnam vet’s 300-pound emotional support pet — a pig — divides Largo neighborhood” (Will Hobson, Tampa Bay Times)

In just over 1200 words, Will Hobson stages a community drama with all the comedy and horror of a Flannery O’Connor story. Meet Bernie Lodico and his neighbors. You won’t forget them.

“It is our understanding that you have a pot belly pig living in your back yard,” wrote park manager Cliff Wicks on Sept. 26. “This is not allowed. Please place the pig somewhere else.”

Lodico replied with a letter from a psychiatrist at James A. Haley VA Medical Center in Tampa. Lodico, 59, was a Marine who served in Vietnam. The pig is his “emotional support animal,” the letter explained, a pet protected by federal law.

Best Campaign Season Story

“Fear of a Black President” (Ta-Nehisi Coates, The Atlantic)

I can’t come up with another journalist whose insight and ability to think so motivate me to read his work. I know other Longreaders have picked and will pick this piece from two months before the election, but it really has to be included.

Part of Obama’s genius is a remarkable ability to soothe race consciousness among whites. Any black person who’s worked in the professional world is well acquainted with this trick. But never has it been practiced at such a high level, and never have its limits been so obviously exposed.


Best ‘The World Is Not Simple’ Story

“Everyone Is an Immigrant” (Eliza Griswold, Poetry)

In the language of the poet and the conflict journalist that she is, Griswold ponders the business of refugees on the island of Lampedusa.

Luciforo has been driving this bus for more than a year. Before that, he worked for a Christian volunteer group called Misericordia. Workers collected on the dock during refugee season. The name Misericordia is familiar. I realize I heard it last week when I was with fellow Civitella artists touring the Umbrian town of Sansepolcro. There, in the famous Piero della Francesca triptych, a hooded man kneels at the base of the cross. He looks like a hangman, but in fact he’s a member of this group, Misericordia. While they were doing charity work among the sick and dying, they wore black masks to protect against disease, and to protect their identity so they couldn’t be thanked. I imagine Luciforo in his yellow hazmat suit and a hood.

“Luciforo, what have you seen that you can’t forget?” I ask.

“One night, I watched mothers throw their babies into the sea. They popped up like corks,” he says.

Best Story You Thought You Knew But Didn’t

“Did This Man Really Cut Michael Jordan?” (Thomas Lake, Sports Illustrated)

Everyone has heard the story of how Michael Jordan was cut from his high school basketball team by coach Clifton “Pop” Herring. But it turns out we didn’t know the story at all.

We pull up at the ramshackle house and step into a blinding afternoon, 97º, vibrating with the song of cicadas. Pop carries the pizza box in one hand and the bag of King Cobra and cigarettes in the other. We walk toward the picnic table under the spreading oak, where several ragged men cool their heels in the fine gray sand. Collectively they are known as the Oak Tree Boys. They are here morning and night. Some are homeless. One has a wild shock of white hair and another is missing his middle lower teeth, so he seems to have fangs. They have nowhere else to go.

Read more guest picks from Longreads Best of 2012