Elizabeth Logan Harris recalls an incident in ’70s-era Radio City Music Hall when unwanted attention to her teenage body put her in league with her father.
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‘TV Has This Really Fraught Relationship with the Audience.’
Emily Nussbaum talks about why TV’s relationship with its audience has become more intimate, whether we can blame Trump on True Detective, and how a TV critic’s biggest challenge is just figuring out what to watch.
Carrying Histories of Protest
Jaquira Díaz witnesses her father’s rebellious fight for a better life, and her homeland’s fight for its place in the world.
‘I Surprise Myself With This Refusal To Let Go’: Kate Zambreno on the ‘Ghostly Correspondence’
“I thought for sure, I’ll never write about Rilke again. I’m done with Rilke! I’m sick of Rilke! Rilke — no more. But then the other day … I just started researching something about Rilke.”
A Fresh Look at The Smashing Pumpkins’ 1998 Album Adore
Loved and loathed in equal measure, one thing critics can’t take from this influential 90s band is their willingness to evolve musically.
Looking for Carolina Maria de Jesus
For a brief period in the 1960s, the Afro-Brazilian author of the memoir “Child of the Dark” was one of the most well-known writers in the world.
The Danger of Desire
Faylita Hicks considers what it means to be a Black nonbinary activist in the age of Trump — and questions how the social justice movement has changed the way they have sex.
Borrowed Babies
Five months into her first pregnancy, one writer pursues a research project about the history of home economics, as she struggles with her own concerns about motherhood.
Defeating the Celluloid Axis
The invisible language of film permeates Christian Kracht’s “The Dead,” prose that is neutral and shot through with so much darkness, you occasionally can’t find the light.
“I Miss My Body When It Was Ferocious”: The Transfiguration of Paul Curreri
For years, singer-songwriter Paul Curreri was a shouter of singular beauty. Then he went quiet — slowly, at first, then all of a sudden.
