At age thirty-two, after years working as an exotic dancer, the daughter of a mysteriously absentee father finally puts together the pieces that had been missing her whole life.
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Total Depravity: The Origins of the Drug Epidemic in Appalachia Laid Bare
In an excerpt from his essay collection, Australian journalist Richard Cooke reports on the American opioid crisis through the astonished eyes of a foreigner visiting steel and coal country.
One Dollar a Word? That’ll Be $28,000
Fresh off Watergate, Carl Bernstein next turned to expose the connection between the CIA and newspapers. For his efforts, he was paid $28,000. Inside one of publishing’s biggest boondoggles.
They Call Her La Primera, Jai Alai’s Last Hope
Three decades ago, Becky Smith wanted to become jai alai’s first woman pro. Now the sport can’t make a comeback without her.
Prog Rock: The Musical Genre That Won’t Die
The “progressive” form of 1970s rock and roll still has as many devoted fans as it does diehard enemies. Why?
The Precarity of Everything: On Millennial (Blacks and) Blues
Reniqua Allen — the author of It Was All a Dream: A New Generation Confronts the Broken Promise to Black America — on Black millennials, millennial burnout, and hope in a time of uncertainty.
While They Were Creating the Album, the Beastie Boys Were Also Creating Themselves
A look at how the Beastie Boys invented themselves with their 1992 album Check Your Head.
A Dispatch From the Fast-Paced, Makeshift World of High-End Catering
The unsung heroes of the food world battle against time and chaos, cooking haute cuisine over lit cans of Sterno in the gloomy back hallways of New York’s civic landmarks.
Stories are Everything: A PJ Harvey-Inspired Reading List
Frank Matt, inspired by PJ Harvey’s 2011 album Let England Shake, shares an article that resonates for each song on the record.
The Gymnast’s Position
Aimee Trepanier was proud to showcase the pose that started her 1993 gymnastics floor routine in a billboard ad off I-15 in Salt Lake City. But when Utahns looked up, that’s not what they saw.
