Search Results for: music

The House Made of Sugar

Silvina Ocampo, 1973.

Silvina Ocampo | The House Made of Sugar: a short story from the collection Thus Were Their Faces | NYRB Classics | January 2015 | 13 minutes (3,235 words)

 

Our latest Longreads Exclusive is a newly translated short story from Thus Were Their Faces, a collection by Silvina Ocampo, as recommended by Longreads contributor A. N. Devers, who writes: 

“Long before ‘Real Housewives of New Jersey’ castmember (and Danbury Federal Correctional Institution Inmate) Teresa Giudice infamously stated, ‘I don’t want to live in somebody else’s house. That’s gross,’ the late Argentinian writer Silvina Ocampo wrote “The House Made of Sugar,” a story about a woman named Cristina who is too superstitious to live in a house that had been previously occupied. Her husband deceives her and when they move into their dream home based upon his lie, strange and worrisome things start to happen that suggest Cristina’s fears were warranted. Newly translated into English by Daniel Balderston, with a preface by Borges, Ocampo’s stories are unsettling and off-kilter, revelatory and readable. Novelist Helen Oyeyemi writes in the collection’s introduction, ‘Love is as fearsome in an Ocampo story as it is in Wuthering Heights; emotion has a way of sealing us into a charmed circle that makes us incomprehensible to everyone who stands outside it.'”

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The Art and Science of Failure

We are excited to share a reading (and watching!) list on science and failure from guest contributor Louise Lief. In 2014 Louise Lief began the Science and the Media project, an initiative that explores how science relates to our everyday lives. She is the former deputy director of the International Reporting Project. Read more…

Giving Visibility to the Invisible: An Interview With Photographer Ruddy Roye

Longreads Pick

With over 100,000 Instagram followers, photographer Ruddy Roye came of age in Jamaica, and has lived in New York City since 2001. He has photographed dancehall musicians and fans, sapeurs of the Congo, the Caribbean Carnival J’ouvert, recent protests in Ferguson and in New York, and the faces of the many people he meets and observes every day.

Source: Longreads
Published: Feb 12, 2015
Length: 17 minutes (4,489 words)

Giving Visibility to the Invisible: An Interview With Photographer Ruddy Roye

Lucy McKeon | Longreads | February 2015 | 18 minutes (4,489 words)

 

With over 100,000 Instagram followers, photographer Ruddy Roye came of age in Jamaica, and has lived in New York City since 2001. He has photographed dancehall musicians and fans, sapeurs of the Congo, the Caribbean Carnival J’ouvert, recent protests in Ferguson and in New York, and the faces of the many people he meets and observes every day. Roye is perhaps best known for his portraits taken around his neighborhood in Bedford-Stuyvesant, Brooklyn—pictures of the homeless, the disenfranchised, and those who Roye believes aren’t often fully seen.

In Roye’s Instagram profile, he describes himself as an “Instagram Humanist/Activist,” and when looking at his portraits, the phrase that comes to mind is “up close.” Roye is closer to his subjects—who he calls his “collaborators”—than is typical in street photography, in terms of actual proximity as well as identification. Each picture, he says, contains a piece of him. With this closeness, Roye creates images that can be harrowing, disturbing, joyful and striking. If they are sometimes difficult to look at, one has more trouble looking away. Read more…

The Return of the Cassette Tape: Our College Pick

Journalists write about things they don’t have prior knowledge of all the time, but that doesn’t make it any less challenging—especially when what you’re covering seems so odd and obsolete. But through reporting, research, and a lot of listening, Spencer Hall writes convincingly of the appeal of cassette tapes, a media format that predates even his parents’ dusty old CD collection. To write such a story takes not only journalism skills, but also a pure love of music and its various subcultures. Good journalists can write about anything, but great journalists usually love what they write about.

Tape Collectors: Keepin’ it Reel

Spencer Hall | The Columbia Chronicle | January 26, 2015 | 1,851 words (7.5 minutes)

Glamorous Crossing: How Pan Am Airways Dominated International Travel in the 1930s

Meredith Hindley | Longreads | February 2015 | 18 minutes (4,383 words)

 

In August 1936, Americans retreated from the summer heat into movie theaters to watch China Clipper, the newest action-adventure from Warner Brothers. The film starred Pat O’Brien as an airline executive obsessed with opening the first airplane route across the Pacific Ocean. An up-and-coming Humphrey Bogart played a grizzled pilot full of common sense and derring-do.

The real star of the film, however, was the China Clipper, a gleaming four-engine silver Martin M-130. As the Clipper makes its maiden flight in the film, the flying boat cuts a white wake into the waters off San Francisco before soaring in the air and passing over a half-constructed Golden Gate Bridge. As it crosses the Pacific, cutting through the clouds and battling a typhoon, a team of radiomen and navigators follow its course on the ground, relaying updated weather information. The plane arrives in Macao to a harbor packed with cheering spectators and beaming government officials. Read more…

‘It’s Yours’: A Short History of the Horde

Illustration by: Kjell Reigstad

Eva Holland | Longreads | February 2015 | 10 minutes (2,458 words)

 

Ta-Nehisi Coates started blogging for The Atlantic on August 4, 2008. His first post was titled “Sullivan… McArdle… Fallows… Coates???” and it laid down his terms from the start: “My only rule, really, is simple,” he wrote. “Don’t be a jerk to people you disagree with.” He’d been hired to fill the slot left in the magazine’s roster of bloggers by Matt Yglesias, and he addressed how he’d be coming at the role differently. “Matt has a fairly amazing ability to comment, from a left perspective, on a wide range of issues… Knowing my own limits, I’ll take a different tack. On things I’m not so sure on, I’ll state my opinion rather gingerly and then hope my commenters can fill in the gaps.”

The blog would soon be widely lauded for the keenness and clarity of its ideas, the power of its language, and for its unexpected ability to host real, substantive conversations in the comments—an extreme rarity on big-name websites. Coates, then a relatively unknown writer, would go on to win a 2013 National Magazine Award for “Fear of a Black President,” an essay published in The Atlantic’s print edition, while a selection of nine posts from his blog would be named a 2014 finalist in the National Magazine Awards’ “columns and commentary” category.

So how did Coates foster a comment section in which—wonder of wonders—intelligent adults thoughtfully share ideas and knowledge, and where trolling, rudeness and bad faith aren’t tolerated? I asked Coates and other players in the blog’s success—editors, moderators and commenters—to look back on what makes it work. Read more…

How the NFL Is Like a Blockbuster Movie Franchise

The industry term for or a blockbuster movie franchise is a “tentpole”—it’s the asset that holds the whole operation up. At the height of mass culture, in the second half of the 20th century, it was enough to be on television to command an audience in the tens of millions. But as channels multiplied, the difference between those properties that could command such audiences and those that merely gathered under the shelter they provided began to fall into relief. Tentpoles are harder and harder to find in the movie business today, and those that do exist are as frequently a result of 3D ticket prices as they are of any organic appeal. In music, too, a few big stars give life enough for a universe of micro-ecologies where many artists barely make a living. Against this backdrop the NFL stands out as the last fortress of mass culture. Today, nothing is watched by everybody, but the thing that comes closest is the NFL.

This power was on display in its demand that this year’s Super Bowl halftime performer pay the NFL for the privilege, in the form of cash now and a percentage of tour revenues later. All three of the finalists—Rihanna, Coldplay and Katy Perry—refused, and apparently Perry was chosen anyway. But the message was clear: No show is bigger than the NFL, not the biggest pop star, nothing.

Stephen Squibb writing for n+1 about the problems plaguing the NFL.

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Long Live Grim Fandango

Scene from Grim Fandango.

Jon Irwin | Kill Screen | January 2015 | 17 minutes (4,253 words)

 

Below is a new Longreads Exclusive from Kill Screen, the videogame arts and culture magazine. Writer Jon Irwin goes inside the resurrection of the videogame classic Grim Fandango. For more from Kill Screen, subscribe.

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Friendship Is Complicated

Illustration by Pat Barrett

Maria Bustillos | Longreads | January 2015 | 15 minutes (3,706 words)

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