Search Results for: music

The Man Who Became Big Bird

Photo courtesy of Debra Spinney

Jessica Gross | Longreads | May 2015 | 13 minutes (3,430 words)

 

Caroll Spinney has performed Big Bird and Oscar on Sesame Street since the show launched in 1969, almost half a century ago. A new documentary, I Am Big Bird, follows Spinney’s journey from a somewhat difficult childhood—his father had abusive tendencies, and he was picked on in school—to becoming a childhood icon, not to mention a man in an almost absurdly happy marriage. Spinney’s wife, Debra, sat nearby (laughing and interjecting sporadically) as we discussed the film, the physical and emotional reality of playing these characters, and what kind of guy a grouch really is. Big Bird and Oscar made cameo appearances.

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The film features a lot of old footage that you and your wife, Debra, gathered over the years. What was it like to go through all those old tapes?

We didn’t look at any of it, although Deb had categorized it all. We gave the filmmakers many boxes of videotapes, literally hundreds of hours of television, because we’ve been taking videos since 1978. Before that, starting in 1954, I was taking eight millimeter movies, which is that blurry stuff in the film. An eight millimeter picture is just a little more than a quarter inch wide, so you can imagine when that’s blown up a million times it looks pretty soft. But it kinda makes nice footage for the story.

What was it like for you to watch the film after all that time?

It was interesting to see what they had picked out. We first watched it at home on the flat screen. But the next time I watched it, we were in Toronto in a theater with 300 people on a 60-foot-wide screen, and it’s a very different experience to watch it with other people than with just the two of us. You could hear their emotions, and you could tell they were using Kleenex at certain times. There’s about three moments in the thing that are quite emotional, I think partly due to the wonderful music that was composed for it. Read more…

The Skin I’m In: Stories By Writers of Color

Longreads Pick

I wanted to share these stories about love and music and beauty and family. These stories are also about hair, about plastic surgery, about skin color, about contending with the harmful standards imposed by white privilege. They’re all written by writers of color, whose stories don’t always get the air time they deserve.

Source: Longreads
Published: May 3, 2015

The Skin I’m In: Stories By Writers of Color

I wanted to share these stories about love and music and beauty and family. These stories are also about hair, about plastic surgery, about skin color, about contending with the harmful standards imposed by white privilege. They’re all written by writers of color, whose stories don’t always get the air time they deserve. My inspirations for this list: summer is coming; Arabelle Sicardi’s unique aesthetic; my haircut; Baltimore; and more. I hope you find a writer you love and a story that resonates with you, today.

1. “Hair Trajectory.” (Sharisse T. Smith, The Los Angeles Review, April 2015)

This essay blew me away. Sharisse writes about the history of her hair: the painful braiding process, and how it affects every aspect of her life. The offensive questions from strangers. The nervousness she feels when she finds out she’s pregnant with a girl, and the irony infused in her daughter’s desire to imitate her mom’s many fashions. Read more…

Stevie Nicks, Feminist

Stevie Nicks: The legend from Fleetwood Mac is a rock star, because she’s always been ruthlessly honest and fearless. The first time she picked up a guitar and wrote a song, it was about heartbreak, and when she wrote for Fleetwood Mac, many of those songs were about her doomed relationship with guitarist Lindsey Buckingham. But through all the struggle, Nicks was sexy and sophisticated, and strove for equality by embodying the equal. 

“We fought very hard for feminism, for women’s rights,” Nicks told a crowd at South by Southwest in 2013, according to Rolling Stone. “What I’m seeing today is a very opposite thing. I don’t know why, but I see women being put back in their place. And I hate it. We’re losing all we worked so hard for, and it really bums me out.”

Nicks completely owned her femininity and her vulnerability, all while proving that she could hold her own as a creative contributor to a high-powered popular band. She completely disproved the “man behind the music” myth.

Kate Beaudoin writing for Mic about the fate of the female rock star. For Beaudoin, feminism and female rock stardom are deeply intertwined; she expands on that thesis with a look at four of rock’s greatest feminists.

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See Also: “Stevie Nicks, The Fairy Godmother of Rock” (Jada Yuan, New York Magazine, June 2013)

 

Peggy Lee’s ‘Is That All There Is’ Was Inspired by a Thomas Mann Story

Peggy Lee’s haunting 1969 hit “Is That All There Is”—if you watch Mad Men, you’d recognize it from both the opening and closing of the midseason premiere—was written by Jerry Leiber and Mike Stoller during the 1960s, but its roots date back to an 1896 Thomas Mann novella. In a 2011 Los Angeles Times story on Jerry Leiber, Randall Roberts expanded on the song’s history:

As you’re delighting in Stoller’s landmark instrumentation and structural genius, listen to the lyrics, which as Leiber evolved as a songwriter started drawing ideas from other, unexpected sources. Wonderfully transparent about his inspirations, he didn’t hide the fact, for example, that the words to Peggy Lee’s 1969 hit “Is That All There Is?” were taken from a prose meditation by German writer Thomas Mann called “Disillusionment.”

In Mann’s story, after recounting the numbness of his life experiences, the narrator awaits the ultimate disappointment: “So I dream and wait for death. Ah, how well I know it already, death, that last disappointment! At my last moment I shall be saying to myself: ‘So this is the great experience — well, and what of it? What is it after all?'”

Leiber used Mann’s words nearly verbatim, but with one major difference. Mann dwells on futility until the very end. Leiber though gave it an ironic twist that will echo long after his departure. If that’s it, she sings, “Then let’s keep dancing / Let’s break out the booze and have a ball / If that’s all there is.”

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Bill Withers Has Been Out of the Spotlight for So Long That Some People Think He Died

Bill Withers in a 1976 promotional shot. Photo by Wikimedia Commons

Withers has been out of the spotlight for so many years that some people think he passed away. “Sometimes I wake up and I wonder myself,” he says with a hearty chuckle. “A very famous minister actually called me to find out whether I was dead or not. I said to him, ‘Let me check.’ ”

Others don’t believe he is who he says: “One Sunday morning I was at Roscoe’s Chicken and Waffles. These church ladies were sitting in the booth next to mine. They were talking about this Bill Withers song they sang in church that morning. I got up on my elbow, leaned into their booth and said, ‘Ladies, it’s odd you should mention that because I’m Bill Withers.’ This lady said, ‘You ain’t no Bill Withers. You’re too light-skinned to be Bill Withers!’ ”

Andy Greene, profiling Bill Withers for Rolling Stone. 

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The Soul Man Who Walked Away

Longreads Pick

A profile of Bill Withers, “one of the few stars in pop-music history to truly walk away from a lucrative career, entirely of his own volition, and never look back.”

Source: Rolling Stone
Published: Apr 14, 2015
Length: 13 minutes (3,270 words)

The Top 5 Longreads of the Week

Photo: Charlie Archambault/Center for Public Integrity

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

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People, Let Me Tell You ‘Bout My Best Friend

Photos by Wikimedia Commons

Ringo first met [Harry] Nilsson after the singer did a gonzo version of Ike and Tina Turner’s “River Deep-Mountain High.” “It was bordering on madness, and so we thought, ‘We gotta meet this guy,’ ” says Ringo. While Nilsson’s destructive friendship with Lennon got the ink — they drunkenly heckled the Smothers Brothers at L.A.’s Troubadour, and Nilsson infamously ruined his voice doing a cover of “Many Rivers to Cross” with Lennon sitting at the console — it was the drummer in the world’s most famous band and the songwriter who hated playing live who became inseparable as they drank away the 1970s.

“He was my best friend,” says Ringo softly. “Yeah. I loved Harry.”

The two made an unwatchable Dracula movie together and tried to collaborate through their drug-and-booze haze. “I had one song with 27 verses that I gave to Harry to edit, and he got it down to about eight verses,” Ringo says. “It never got recorded.”

—Stephen Rodrick, profiling Ringo Starr for Rolling Stone.

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Who Wrote ‘Happy Birthday’?

Photo by Pixabay

Most musicologists who’ve traced the origins of “Happy Birthday” agree that its musical score dates back to the work of two Kentucky sisters in the late 19th century: Mildred Jane Hill (b.1859), and Patty Smith Hill (b.1868).

After graduating as valedictorian of Louisville Collegiate Institute, Patty went on to be a central figure in the progressive education movement, endorsing hands-on learning techniques and interactive teaching methods. She invented “Patty Hill Blocks” — a set of large, cardboard bricks that children could use to learn about structural engineering — and then founded the Institute of Child Welfare Research at Columbia University Teachers College.

In 1889, while serving as a kindergarten teacher at a Kentucky grade school, she began working on a set of childrens’ songs with her older sister Mildred, a well-known organist, composer, and “Negro music” scholar. Four years later, the two released their first collection of tunes in a book titled “Song Stories for the Kindergarten.” Among the songs, was a little ditty entitled “Good Morning to All,” which would later be the source of the sheet music for “Happy Birthday.”

Zachary Crockett writing for Pricenomics about who owns the copyright to “Happy Birthday.” Update: On Tuesday, September 22, a federal judge struck down Warner/Chappell Music’s long-standing claim to the copyright for “Happy Birthday.”

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