He is one of the greatest comic actors alive. A man who’s navigated his career with a peerless instinct for quality and self-respect. The man behind movies—from Caddyshack to Stripes, from Rushmore to Lost in Translation—that seem to have defined a dozen different moments in our cultural life. But he is also a man beholden […]
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Tabloid Takedown
Tabloid Takedown The John Edwards tale began, like so many National Enquirer investigations, with a phone call. When the tip line rang in the paper’s Santa Monica office, reporters often raced to answer it. Rick Egusquiza grabbed it late one afternoon in fall 2007, knowing full well that nine out of 10 calls were worthless, […]
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The Day the Movies Died
The Day the Movies Died “Fear has descended,” says James Schamus, the screenwriter-producer who also heads the profitable indie company Focus Features, “and nobody in Hollywood wants to be the person who green-lit a movie that not only crashes but about which you can’t protect yourself by saying, ‘But at least it was based on […]
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‘Quebrado’: The Life and Death of a Young Activist
“If you survive me, tell them this: I never gave up.”
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Alex Pappademas: My Top 5 Longreads of 2010
Alex Pappademas is a staff writer for GQ. *** Rules: Nothing not published this year, nothing from GQ, because I work there, and—in the spirit of the assignment—nothing I didn’t first read on my iPhone. (And I realize now, having done this whole thing, that everything on the main list is from a print-based publication, […]
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Tabloid Takedown
Tabloid Takedown The John Edwards tale began, like so many National Enquirer investigations, with a phone call. When the tip line rang in the paper’s Santa Monica office, reporters often raced to answer it. Rick Egusquiza grabbed it late one afternoon in fall 2007, knowing full well that nine out of 10 calls were worthless, […]
Posted inUncategorized
The Day the Movies Died
The Day the Movies Died “Fear has descended,” says James Schamus, the screenwriter-producer who also heads the profitable indie company Focus Features, “and nobody in Hollywood wants to be the person who green-lit a movie that not only crashes but about which you can’t protect yourself by saying, ‘But at least it was based on […]
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“The junior executives’ office at Thinkscope Visioncloud was nicer than any room within a fifty-mile radius of the “Office” studio. After I finished pitching one of my ideas for a low-budget romantic comedy, I was met with silence. One of the execs sheepishly looked at the other execs. He finally said, ‘Yeah, but we’re really […]
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What may remain obscure, even now, is why people would choose to play D&D, all night, night after night, for years.[4] Why intelligent human beings would find the actions of imaginary fighters, thieves, dwarves, elves, etc., as they move through a space that exists only notionally, and consists more often than not of dimly lit […]
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From the moment Kael began as a film critic at The New Yorker, at the start of 1968, she presided over the movies in the manner of Béla Károlyi watching a gymnast on the balance beam—shouting directives, excoriating every flub, and cheering uncontrollably when a filmmaker stuck his landing. She spent much of her career […]
