A conversation between freelancers Eva Holland, Josh Dean, Jason Fagone, and May Jeong about pitching stories, negotiating contracts, and breaking into a tough industry.
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Posted inNonfiction, Profiles & Interviews
How Karina Longworth Is Reimagining Classic Hollywood—and the Podcast—in ‘You Must Remember This’
“I have consciously tried to refocus my attention away from being a film critic and toward being a film historian.”
Posted inNonfiction, Profiles & Interviews
The Man Who Became Big Bird
An interview with Caroll Spinney, who, at 81, has worked at “Sesame Street” as the puppeteer behind Big Bird and Oscar the Grouch for 45 years.
Posted inNonfiction, Story
Can an Outsider Ever Truly Become Amish?
One of the rarest religious experiences you can have in America is to join the Plain.
Posted inNonfiction, Story
The Nine Lives of Cat Videos
Are cat videos mindless distraction or a radical form of pure entertainment? A visit to the Internet Cat Video Festival at the Walker Art Center in Minneapolis.
Posted inNonfiction, Profiles & Interviews, Story
How Karina Longworth Is Reimagining Classic Hollywood—and the Podcast—in ‘You Must Remember This’
“I have consciously tried to refocus my attention away from being a film critic and toward being a film historian.”
Posted inDiscussions, Nonfiction, Profiles & Interviews, Story
The Freelancers’ Roundtable
A conversation between freelancers Eva Holland, Josh Dean, Jason Fagone, and May Jeong about pitching stories, negotiating contracts, and breaking into a tough industry.
Posted inNonfiction, Profiles & Interviews, Story
The Man Who Became Big Bird
An interview with Caroll Spinney, who, at 81, has worked at “Sesame Street” as the puppeteer behind Big Bird and Oscar the Grouch for 45 years.
Posted inEditor's Pick
In Conversation: Jon Stewart
An interview with the Daily Show host about making movies, the 2016 election, and why everybody loves Stephen Colbert.
Posted inNonfiction, Quotes
The Problem With Strong Female Characters in Hollywood Right Now
At the Dissolve, Tasha Robinson discusses why having a Strong Female Character in a film isn’t good enough if her presence is superficial. Robinson cites Valka from How To Train Your Dragon 2 as an example, as well as Strong Female Characters from other recent films: And Valka’s type—the Strong Female Character With Nothing To […]
