In the wake of her mother’s passing, Dylan Landis wrestles with unanswered questions about love and art, and imagines different possibilities of what could have been.
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Lurve You? Or Loathe You?
Maybe Woody Allen’s romantic comedies weren’t terribly romantic after all.
How ‘Austin Powers’ Became the First Cult Hit of the DVD Era
The film, which turned 20 this week, feels incredibly out of step with our dystopian present.
Sam Lipsyte on ‘Mental Archery,’ the Quest for Certainty, and Where All the Money Went
“It’s difficult to say what you really think. You’re too aware of the traps, the dead ends, the cul-de-sacs of utterance: all the ways we let clichĂ© steer us in a certain direction, force us to say not quite what we mean…”
The House on Mayo Road
Dur e Aziz Amna considers the year in Pakistan when everything changed.
A Childhood in Cars
How one young man cut against the grain of American masculinity and freed himself from car culture.
Is This House Haunted, or Is That Just a Drunk Guy on the Lawn?
The owners of the real-life Amityville Horror house had to have the street address changed to avoid the real terror: tourists.
Alexa de Paris
Miles Marshall Lewis remembers a love of Prince and Paris.
Shooting For Truth
Adam Skolnick visits director Chris Weitz on the set of his new film, Operation Finale.
How the Guardian Went Digital
Remaking itself from a little leftie newspaper to a powerhouse of internet journalism required experimentation, transparency, and embracing uncertainty.
