Fourteen years after her memoir about about her father’s death was released, novelist Aminatta Forna still deals with after-effects, both good and bad.
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Posted inArts & Culture, Profiles & Interviews
Living to Create: Talking Music and Writing With Drummer Emily Rose Epstein
Musician Emily Rose Epstein talks about her dual life as a rock drummer and writer.
Posted inEssays & Criticism, Feature, Nonfiction, Story, Unapologetic Women
I’m 72. So What?
Catherine Texier pushes back against society’s dated ideas about older women, claiming her place among those who are determined to remain vibrant and relevant in the last decades of their lives.
Posted inNonfiction
The 19th Century Lesbian Made for 21st Century Consumption
Jeanna Kadlec considers Anne Lister, the historical figure at the center of HBO’s Gentleman Jack, and the influence of other queer women who preceded her.
Posted inBooks, History, Nonfiction, Story
In the Age of the Psychonauts
Three psycho-spiritual “events” of the 1970s — involving Philip K. Dick, Robert Anton Wilson, and Terence and Dennis McKenna — had a strange synchronicity.
Posted inNonfiction
Bearing the Weight of My Grandfathers’ Old Clothes
In adopting outerwear worn by the men who came before him, Aram Mrjoian considers his childhood misperceptions of traditional masculinity.
Posted inEditor's Pick, Essays & Criticism, Nonfiction
The Problem With Nostalgia
Michael Musto argues that wearing rose-colored glasses always leads to an unfair distortion — looking back on the best of the past while comparing it to the worst of the present.
Posted inEssays & Criticism, Feature, Nonfiction, Story
The Problem With Nostalgia
Michael Musto argues that wearing rose-colored glasses always leads to an unfair distortion — looking back on the best of the past while comparing it to the worst of the present.
Posted inBooks, Crime, History, investigations, Nonfiction, Profiles & Interviews, Story
A Manson Murder Investigation 20 Years In the Making: ‘There Are Still Secrets’
‘Everything that Manson did with his women was exactly what the CIA was trying to do with people without their knowledge, in the exact same time, at the exact same place.’
Posted inEssays & Criticism, Feature, Nonfiction, Story, Unapologetic Women
The Cost of Reading
Ayşegül Savaş contemplates the way women’s and men’s time is valued and the uneven burden taken by women writers in literary citizenship.
