In this personal essay, Laura Jean Baker finds that being a feminist married to a progressive man isn’t a fail-safe against sexism occasionally intruding in their marriage.
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Posted inEssays & Criticism, Feature, Nonfiction, Story
Witness Mami Roar
Sonia Alejandra Rodriguez remembers growing up undocumented in the shadow of her mother and father’s tumultuous relationship.
Posted inEditor's Pick
The Next Level of Commitment: Revealing Our Money Secrets
A personal essay in which Vanessa Golenia contemplates the ins-and-outs of merging finances as the higher earner — and bigger spender — in her (heterosexual) relationship.
Posted inEssays & Criticism, Nonfiction, Story
Making Peace with Selective Reduction
When risks arise in her partner’s pregnancy with triplets, Amber Leventry discovers that letting go of one life doesn’t have to mean losing faith, or love.
Posted inEditor's Pick
How to Stay Married After Your Baby is Born, or, I’m not Divorced Yet
An excerpt of “Now My Heart is Full,” Laura June’s memoir, about the challenges new parenthood placed on her and her husband — and their marriage.
Posted inNonfiction
Queens of Infamy: Joanna of Naples
If you thought four (mostly) crappy husbands, vengeful Hungarian cousins, and the Black Death could cramp this queen’s style, think again.
Posted inNonfiction, Top 5
The Top 5 Longreads of the Week
This week, we’re sharing stories from Tiffany Stanley, Raj Telhan, Alex Pareene, Nico Muhly, and Chris Heath.
Posted inArts & Culture, Culture, Essays & Criticism, Nonfiction, Story
A Long, Lonely Time
“It’s strange to think that the Righteous Brothers outlive my mother. Sometimes I pretend they are singing to her.”
Posted inUncategorized
A Birth Plan for Dying
In this personal essay, Hanna Neuschwander grapples with ending a wanted pregnancy, and finds that “right” or “wrong” fail to describe the moral reckoning.
Posted inBooks, Culture, Essays & Criticism, Feature, Nonfiction, Story, Unapologetic Women
In Jo’s Image
Jeanna Kadlec considers the impact of Little Women’s matriarchy — and its heroine — on the formation of her own queer identity.
