The invisible language of film permeates Christian Kracht’s “The Dead,” prose that is neutral and shot through with so much darkness, you occasionally can’t find the light.
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The No. 1 Ladies’ Defrauding Agency
What a 19th-century scammer can teach us about women, lying, and economic boom-and-bust cycles
The Secrets We Keep Amid All the Sweets
Talking about male bulimia.
‘They Happen To Be Our Neighbors Across the Span of a Century, But They’re Our Neighbors.’
One hundred summers ago, black Chicagoans were terrorized by whites during the Red Summer. Poet Eve Ewing talks about reaching out to her neighbors across time in “1919.”
The Coastal Shelf
June Amelia Rose remembers coming out in her youth to a turbulent family as her mother died of cancer.
Guy Gunaratne on the ‘Push-Pull of Ancestry and Meaning’ in London
Guy Gunaratne’s Man Booker-longlisted “In Our Mad and Furious City” recognizes multiple, overlapping versions of London and its inhabitants, examining the ways violence can bubble up through the city’s fissures.
Behind the Writing: On Research
Sarah Menkedick speaks with Leslie Jamison, Carina Chocano, and Elena Passarello on the art of research.
Elena Ferrante and the “My Brilliant Friend” Adaptation for HBO
Merve Emre interviews Elena Ferrante about an upcoming HBO adaptation of her novel, “My Brilliant Friend.”
Hello, Forgetfulness; Hello, Mother
Peering into the mirror of her mother, Marcia Aldrich wonders whether she too is sentenced to dementia.
‘Victims Become This Object of Fascination… This Silent Symbol.’
Rachel Monroe talks about the pitfalls of the true crime genre. “I had this feeling like I can see the whole thing and nobody else understands… That’s a real trap that we as reporters can fall in.”
