Search Results for: food

‘Exposure Is Bullshit’: Who Should Get Paid for Live Storytelling Events?

The Moth
The Moth in Sydney. Photo by itsnotyouitsbri

Rick Paulas | Longreads | August 2016 | 12 minutes (2,986 words)

The storytelling show Mortified was created in 2002 by Dave Nadelberg, and the show has a clever angle: Performers share “their most mortifying childhood artifacts,” along with a running behind-the-scenes commentary from their younger selves. It’s show-and-tell meets #tbt, and the results are hilarious. The show’s so beloved by performers and audiences that there are now nearly a dozen Mortified shows performed each month throughout various “chapters” around the world: eight in the U.S., eight abroad. Tickets range between $10 and $20-plus.

They also don’t pay performers, at least not in money. Mortified, like The Moth, Upright Citizens Brigade, and even TED Talks, is one of the hundreds of live events around the world that have sprouted up during an era in which experiential entertainment, or the IRL economy, were supposed to grow more cherished (and more lucrative) as entertainment products became digitized and commoditized. There’s just one problem: Live events exist in the same way many independent publishers exist—on a shoestring budget in which the performer is usually the last to be paid. Read more…

On Being Fat

Illustration by Hana Jang (CC BY-NC-ND 2.0).

Sara Benincasa’s essay “Why Am I So Fat?” was one of our top five reads last week, and with good reason — it was honest and cutting in all the right ways. It was brash and unapologetic and funny as hell (and also suggests that perhaps Fader was slightly premature in declaring, earlier this year, that “fat shaming is dead”).

It was also problematic, and many fat women applauded the piece while also wishing it had pushed harder and skirted some problematic tropes. Luckily, many other writers, scholars, and activists have also been publishing wonderful pieces on fatphobia: their experiences, the cultural and institutional ways it is entrenched, and more. They might not have gone viral, but their voices are important — and just as honest, cutting, brash, and funny.

Read more…

The Secret Nazi Attempt to Breed the Perfect Horse

Commemorative stamp for the Olympic summer games in Berlin. Via Wikimedia Commons

Elizabeth Letts | The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis | Ballantine Books | August 2016 | 19 minutes (4,567 words)

 

The excerpt below is adapted from The Perfect Horse, by Elizabeth Letts. The book describes an American colonel’s quixotic mission in the waning days of World War II: to rescue Europe’s purebred horses from a secret Nazi stud farm mere hours before the starving Soviet army arrived and likely slaughtered the animals for food. In this excerpt, Letts explains the origins of the Nazis’ secret horse breeding project. This story is recommended by Longreads contributing editor Dana Snitzky.

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Like Hitler himself, the horses, once quintessentially Austrian, would be given a distinctly German stamp.

A herd of mares left Austria in October 1942. The herd made the 350-mile trip northwest from Piber to Hostau, Czechoslovakia, without incident, and were settled into the Third Reich’s most sheltered stud farm, located in Bohemia, just a few miles from the Bavarian border. Beyond the farm’s serene green pastures, golden valleys stretched toward distant mountains crested by dark waves of evergreens. The Böhmerwald, or Bohemian Forest, served as more than a beautiful backdrop for the farm; it formed a natural barrier between Germany to the west and Austria to the south and had withstood invasion and attack for centuries. During the Nazi era, this locale was known as “the Bohemian bastion.” Among Germans, it was thought to be the safest place to ride out the war, least likely to be invaded from east or west. It was here that Gustav Rau had secreted the Lipizzaner, as well as the finest Arabians from Janów, including Witez. Even in the middle of a war, here, all was deceptively tranquil.

Quiet villages dotted this part of Bohemia, each graced by a Catholic church with an onion-domed spire. Flanking each cluster of tidy whitewashed houses were well-kept farms growing crops that thrived in the region’s rich agricultural soil. But in the wake of Hitler’s annexation of the area following the Munich Agreement of 1938, its bucolic appearance was deceiving. Once a multicultural region where Czechs, Germans, and Jews lived side by side in peace, Bohemia, now called the Sudetenland, had turned into a firm cornerstone of Hitler’s Third Reich. When the Nazis annexed the area in September 1939, the local German-speaking population had lined the streets cheering to welcome Hitler’s forces. Local Czechs and Jews had either fled or been forcibly evicted. Those who remained had been transported to concentration camps. By 1942, when the first Lipizzaner arrived in Hostau, the local Nazi apparatus held a firm grip on the region, but Czech partisans also operated in the area, finding refuge in the hideaways offered by the Bohemian Forest. Though the border with Bavaria, Germany, was less than fifteen miles to the west, the mountainous barrier made it seem much more remote.

The stud farm at Hostau, located next to the village of the same name, had been known for breeding cavalry horses long before Hitler’s time. The most prominent local landowners, the Trauttsmansdorff family, had historically served as imperial equerries for the Habsburg Crown. In addition to the main complex of stables adjacent to the village, there were pastures in three neighboring villages—the entire establishment covered fifteen hundred acres and could accommodate more than a thousand stallions, mares, and foals. All in all, it was more than twice as big as Alfred Vanderbilt’s showplace, Sagamore Farms, which Rau had visited in 1938.

Rau had selected this expansive facility to put into motion the most exalted part of his grand plan. Throughout 1942, he had systematically transported all of the purebred Lipizzaner from the stud farms of Italy, Austria, and Yugoslavia to this sheltered location for safekeeping. He had also sent a personal emissary on a mission to purchase purebred Lipizzaner from wealthy noblemen who raised smaller strings of purebreds for private use. By the end of 1942, Rau had gathered almost every Lipizzaner in the world into a single location.

Austrian-born Hitler’s goal, expressed in Mein Kampf, was to bring all of the German-speaking peoples of Central Europe, including Austria, into the fold of the Third Reich. Just as Hitler aimed to eliminate “impure strains” and combine the different Germanic groups into a single “Aryan race” of people, so Rau planned to use the science of selective breeding to erase the individual differences characterizing the several strains of purebred Lipizzaner that had emerged since the end of World War I and replace them with a single mold: pure white, imperial, identical, and ideally suited for military use. Like Hitler himself, the horses, once quintessentially Austrian, would be given a distinctly German stamp. Read more…

The Mask of Deception: The Ultimate Test to My Recovery From Porn Addiction

Illustration by: Katie Kosma

Benjamin Obler | Longreads | August 2016 | 24 minutes (5,908 words)

 

When we first talked, it was on tenuous terms. That is, both telling implicit lies.

My lie was wearing a leather jacket and smoking cigarettes that night, which cast me as carefree and rebellious. In reality, I was a bookish Senior Editor with an educational publisher, a teacher, and a writer with aspirations. I loved my tennis and workouts—usually kept fit.

Her lie was the exact opposite: she cast herself as more straight-laced and serious than she was, and literary, noting that she was reading a challenging novel in the literary realism vein. But she wasn’t really of a literary disposition. I would learn soon that she was much more visually oriented, a photographer. She liked to go dancing, and to shoot guns at a range just for the thrill.

On the surface, these lies were harmless, but they masked deeper deceptions. She had no idea I was a recovering porn addict. I had no idea she was into taking semi-nude photos of herself and posting them online.

Her name was Franny, and I fell madly in love with her. Read more…

The Life and Murder of Stella Walsh, Intersex Olympic Champion

Stella Walsh, training in Cleveland, April 1, 1932 for the Olympic games. (AP Photo)

Rob Tannenbaum | Longreads | August 2016 | 63 minutes (15,868 words)

 

On the night she was murdered, Stella Walsh was in a great mood. The Cleveland resident spent much of December 4, 1980, thinking about her two passions: sports and Poland, the country she ran for when she won two Olympic medals. There was a women’s basketball match the next week between Kent State and the Polish national team, which Walsh helped arrange. Mayor George Voinovich asked her to be his proxy, and his office gave her a key to the city, which she planned to present at the game.

Walsh had planned to leave for Atlanta that day, on a trip with her co-workers at the recreation department, but two days earlier, she’d canceled her ticket, which she said was too expensive for her. She skipped work, slept late, went to the nearby Lansing Tavern in the early afternoon, then returned to the tiny home she shared with her bedridden 84-year-old mother Veronica. After dinner, without saying goodbye, she drove off to buy ribbons for the visiting Poles. She had a lot of money in her pocket, which rarely happened.

In Walsh’s brilliant career as a track and field star, she’d won 41 Amateur Athletic Union (AAU) titles and set 20 world records in a range of events, from sprints to the discus throw. She was the first superstar of women’s track and field, a dominant performer who intimidated her competitors, and the only woman of her era whose box-office appeal matched a man’s. Walsh “is to women’s track what Babe Ruth is to baseball,” one journalist wrote.

In 1980, long after her last world record, Walsh was working for Cleveland’s recreation department at an annual salary of $10,400, which was the most she’d ever earned. She bought a bag of ribbons at the Broadway Avenue location of Uncle Bill’s, a chain of Ohio discount department stores, on the city’s southeast side. In the parking lot, men approached her, one of them holding a .38. Walsh, 69, was still remarkably strong. As she tried to grab the gun, a bullet scratched through her stomach and intestines, and severed an artery in her pelvis. The thieves ran off without checking the pants pocket where she had her money.

Walsh was unconscious when a policeman working security inside Uncle Bill’s found her face down in the parking lot. As the officer turned her over, a wig fell off, and he recognized it was Stella Walsh. He asked for an ambulance to be called, but the nearest one had a flat tire, which created a delay in her care. Instead, a police station wagon came for Walsh, and officers took her to St. Alexis Hospital, less than a mile away, where she died on the operating table. A hospital inventory of her personal property included $248.17 in cash, a 1932 Olympic ring, and a pair of falsies, as they were called, for padding her bra.

In the 25 years prior to her murder, little had been written about Walsh. Born as Stanislawa Walasiewiczowna—that’s the story she told reporters, though, like many aspects of her life, it turned out to not be true—in the rural Polish town of Wierzchownia, she’d had a groundbreaking athletic career. But she also had little charisma, made bad copy, and kept to herself. Although she’d lived in the U.S. since she was 15 months old and spoke almost without an accent, she’d won her Olympic medals for Poland. Even her nickname, “The Polish Flyer,” identified her as an alien. She didn’t experience any of the twilight glory that often comforts athletes late in life; there was no documentary about her, no Congressional Medal of Honor. While she was working for the city, handing out softball permits, her fellow pioneer and ’36 Olympic contestant Jesse Owens was making speeches and earning more than $100,000 a year.

“One of the great women of sport was murdered last night,” Walter Cronkite intoned on the CBS Evening News. “Stella Walsh, who was 69, was shot and killed in a Cleveland parking lot. No suspects have been arrested.” In Slavic Village, the Polish-American neighborhood where she spent most of her life, everyone knew and loved Walsh. She tended bar at a local tavern, coached young athletes, and was viewed as an example of Polonia’s greatest virtues. “Children were her life,” one friend said. “She loved to train them, and she always trained them to be winners.” She’d been “a Cleveland institution,” Mayor Voinovich told a reporter.

Because Walsh had been murdered, an autopsy was required. On the eve of her funeral, a Cleveland TV station went on the air with a news bulletin that rattled the city, then the country, then the world: Stella Walsh was a man.

The station’s claim about Walsh was incorrect. It was neither the first nor the last mistruth told about her. Because women athletes were carelessly documented in her era, and because she cultivated mystery, there are lots of conflicting statistics and incompatible stories about Walsh, ranging from when she arrived in the U.S. to how she died. As best as these tales can be sorted out or disproven, here’s the first full account of her incredible life. Read more…

The House Where You Live Forever

Photo courtesy of Alan Prohm.

Amelia Schonbek | Longreads and The Awl | August 2016 | 28 minutes (7,065 words)

This story was co-published with The Awl and funded by Longreads Members.

 

On a bright afternoon in October 2013, Madeline Gins walked into the office of her architecture practice, in an unrestored loft building on the edge of SoHo, slightly out of breath. Before she arrived, the space—a large open room occupying the fourth floor of the building—had been so still that it was almost possible to forget about the two architects staring into computer screens near the back windows. Gins entered, and the atmosphere began to buzz.

“Is Joke here?” she called out, referring to her project manager — a Dutch architect named Johanna Post — by her nickname (pronounced yo-ka). Post had stepped out, but another colleague informed Gins that she would return before their next meeting. Gins exhaled and nodded. She and the small staff of architects who work in her office, called the Reversible Destiny Foundation, had been in a state of heightened urgency for months. They were rushing to complete a new project, commissioned by the high-fashion store Dover Street Market, which would soon open a location in a Beaux-Arts building in Manhattan’s East 30s. The facade would remain unchanged, but the interior would become a mish-mash, combining the work of a number of different artists and architects. Gins would build a large covered stairway connecting the building’s open-plan third floor to the mezzanine above. But Dover Street had given Gins far less space to work with than she initially thought she would have; her team was scrambling to make sure the project would both live up to her standards and be able to fit.

Assured that preparations for the meeting were under control, Gins walked over to a large table near the front of the room, stacked high with books and papers. In the center, a heavy glass orb sat on top of a slender vase; next to it was a fish tank filled with neon bouncy balls. The wall nearby was plastered with renderings of a project called the Reversible Destiny Healing Fun House. From a distance, it looked like a cluster of spheres and tubes, painted in red, pink, yellow, and blue. The interior view showed that these structures were hollowed out, and that together they formed the walls of the building, surrounding a big open room filled with mountainous, rammed-earth terrain. “Here, feel this,” Gins said as she sat down at the table, tossing me a piece of fluffy yellow stuff. “It’s natural sponge.” It had been a couple weeks since I’d first met Gins, and I asked her how she’d been. “Ummm.” She thought for a moment. “I’ve been everything.”

Gins, in her early seventies, gave the impression of a child trying to impersonate her grandmother: her blonde hair was fastened in pigtails, and her small frame was draped in too-big clothes in shades of deep red. Her face was clear-eyed and rosy, even as wrinkles rippled across her cheeks. She exhaled again. “You know, I have huge responsibilities,” she continued. “Pressing ones.” Most architects generally want to design comfortable, visually interesting buildings for their clients. Gins found that aspiration boring. Instead, her goal was to build spaces that would keep people from dying.

According to Gins’s elaborate theory of Reversible Destiny, developed over the course of a forty-five-year collaboration with her husband and artistic partner, Shusaku Arakawa, death may not in fact be inevitable. People are lulled into believing it is because they focus only on what has come before — the “thus-far obligatory downhill course of life,” according to Gins. Their brightly colored, disorienting dreamworlds, which look more like surrealist playgrounds than traditional buildings, are intended to jolt people out of their normal routines and force them to move through life differently. If people are unable to fall back on their physical and mental habits, Gins and Arakawa said, they will be open to new ideas, including the possibility that they can lengthen their lives and, eventually, resist death entirely. Read more…

A Simpler Cup of Coffee

Although I love the aroma, I don’t drink coffee. I’m a tea person. But I brew coffee every morning for my other half, Rebekah. “Sometimes I think you married me just because I make your coffee,” I told her recently.

She smiled without looking up from her magazine. “That, and you clean the mug.”

She’s one of those people who can’t function without coffee. “It’s a drug,” she says. “I need it. I want the good stuff, but I’ll take whatever’s around.” Rebekah works in medicine, and medicine runs on caffeine. But the ridiculousness of modern coffee culture and its demanding, expensive, rarified preparation turned her against her favorite drink and sent her into the arms of a lesser lover: instant. Yes, the granules.

Read more…

Wasted In San Francisco

Longreads Pick

Forty percent of all American-made food never gets eaten. A number of innovative “food waste warriors” are working to reverse that.

Published: Jul 25, 2016
Length: 16 minutes (4,111 words)

Mass Extinction: The Early Years

American bison skulls, mid-1870s. Via Wikimedia Commons.

Ashley Dawson | Extinction: A Radical History | OR Books | July 2016 | 13 minutes (3,487 words)

 

Below is an excerpt from Extinction: A Radical History, by Ashley Dawson, who argues that contemporary mass extinction is a result of the excesses of the capitalist system. In this chapter, Dawson gives a brief history of the ecocidal societies that came before ours. This story is recommended by Longreads contributing editor Dana Snitzky.

* * *

“Gilgamesh listened to the word of his companion, he took the axe in his hand, he drew the sword from his belt, and he struck Humbaba with a thrust of the sword to the neck, and Enkidu his comrade struck the second blow. At the third blow Humbaba fell. Then there followed a confusion for this was the guardian of the forest whom they had felled to the ground. For as far as two leagues the cedars shivered when Enkidu felled the watcher of the forest, he at whose voice Hermon and Lebanon used to tremble. Now the mountains were moved and all the hills, for the guardian of the forest was killed.”
The Epic of Gilgamesh (2500–1500 BCE)

When did the sixth extinction begin, and who is responsible for it? One way to tackle these questions is to consider the increasingly influential notion of the Anthropocene. The term, first put into broad use by the atmospheric chemist Paul J. Crutzen in 2000, refers to the transformative impact of humanity on the Earth’s atmosphere, an impact so decisive as to mark a new geological epoch. The idea of an Anthropocene Age in which humanity has fundamentally shaped the planet’s environment, making nonsense of traditional ideas about a neat divide between human beings and nature, has crossed over from the relatively rarified world of chemists and geologists to influence humanities scholars such as Dipesh Chakrabarty, who proposes it as a new lens through which to view history. Despite its increasing currency, there is considerable debate about the inaugural moment of the Anthropocene. Crutzen dates it to the late eighteenth century, when the industrial revolution kicked off large-scale emission of carbon dioxide into the atmosphere. This dating has become widely accepted despite the fact that it refers to an effect rather than a cause, and thereby obscures key questions of violence and inequality in humanity’s relation to nature. Read more…

A Reading List of International Nonfiction Comics

Below is a guest reading list from Daniel A. Gross, a journalist and public radio producer who lives in Boston.

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Comic books bridge continents. Superman spin-offs are a hit in China; Japanese manga trickled into American culture through Frank Miller’s Ronin and even the Teenage Mutant Ninja Turtles. The Adventures of Tintin was translated from French into more than 50 languages. Alongside the superhero franchises and funny pages, a thriving genre of nonfiction comics has created new audiences and new appreciation for everything from war reporting to memoir. Here are five modern classics whose intricate illustrations have shaped the form.

1. Joe Sacco, “The Fixer and Other Stories”

The Fixer is a war story set in peacetime. In 2001, Joe Sacco traveled to Sarajevo, hoping to find the interpreter who’d helped him during the Yugoslav Wars. By this time, correspondents had cleared out and soldiers had become civilians. Memories of atrocity were starting to slip beneath the surface—but Sacco’s book excavates them. During one flashback, Sacco portrays his wartime arrival to Sarajevo, and it’s styled like film noir: hulking architecture, empty streets, long shadows. In a surreal scene at the Holiday Inn, the concierge points to the hotel on a city map. “This is the front line,” she says. “Don’t ever walk here.” Then, in the lobby, Sacco meets his fixer. Read more…