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“The way forward had to be with open eyes and with hearts exposed to injury. We’d seen the price we paid when we failed to bear witness.” Hello, weekend, c’mon in! The light is slowly returning to the Northern Hemisphere, and with it the promise of brighter days ahead. First up, Amory Rowe Salem writes […]
Two scammers, a web of betrayal, and Europe’s fraud of the century.
“It felt like a homecoming but in retrospect seems more like a goodbye: a last great musical act before leaving that period of my life. It felt romantic, anyway, to record in a barn. We set the drums next to the tractor, tried to coax the chickens into cooing for the microphone, and had a […]
“I explain my original plan to catch a ferry into Nova Scotia and ride the Cabot Trail on the province’s northern reaches. I don’t tell him that I can’t go home until I learn something. What, I don’t know. Nevermind how.” Hello and welcome to the weekend! We’ve got a new feature, an excerpt, and […]
Featuring standout reads from Ian Urbina, Hanif Abdurraqib, Sallie Tisdale, Brad Rassler, and Adam Reiner.
On the one-year anniversary of a rampage in which eight people, including six Asian women, were killed, May Jeong meticulously reconstructs the crime, tells the stories of the victims, and places it all in the sprawling context of racism, immigration, and U.S. foreign policy: Before the immigrant becomes an immigrant, before this single act comes […]
This week we’re showcasing stories from Mari Cohen, Brenna Ehrlich, Grace Glassman, Tad Friend, and Imogen West-Knights.
A reading list on how museums reflect culture.
“Mario’s father had gone by many names. Luis Archuleta. Lawrence Pusateri. The man the son knew as Ramon was just a fraction of his way into what may be one of the longest fugitive runs in U.S. history — a 50-year game of cat-and-mouse that played out across the West, from the streets of Colorado […]
“When the show began, a constellation of folks who’d known Alfredo, including many people he’d screwed over, mingled over his work. At first he’d turned art into crime. Now he was turning his crime into art. Prison was ‘the best residency Alfredo could have dreamed of,’ says Fuentes.”
