“She was always afraid of my voice. That was the defining factor of our relationship — fear of what I would say and write and do. She’s afraid of … the narrative that I possess.”
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Posted inEditor's Pick
The Constant Consumer
The world as platform: In Amazon’s dream universe, we’re all customers by virtue of existing.
Posted inNonfiction
“The Anger of Women is an Earth-shattering Thing”: Lidia Yuknavitch on Resisting the Hero Narrative and the Body as a Generator of Stories.
“I’m going to say a blasphemous thing, which is we are so fucking done with the hero’s journey. It has been to our peril.”
Posted inStory
Fashions Fade, But Fleabag Is Forever
The jumpsuit is great, but it won’t get you a hot priest or a BAFTA — you’re not Fleabag (or Phoebe Waller-Bridge).
Posted inCommentary, Feature, Story, Unapologetic Women
How to Tell Your Husband You’re a Witch
Witches we need you. Now more than ever. In the time of COVID-19 we can find respite in place-based reverence, plant magic and the divine feminine. So writes Lisa Richardson, who came to witchiness with nothing but white hetero straight-lacedness and a crush on a yoga teacher.
Posted inNonfiction
The Women Characters Rarely End Up Free: Remembering Rachel Ingalls
The recently re-appreciated novelist Rachel Ingalls passed away last month. She was among a cohort of twentieth-century women writers who were ‘famous for not being famous.’
Posted inNonfiction
A Fresh Look at The Smashing Pumpkins’ 1998 Album Adore
Loved and loathed in equal measure, one thing critics can’t take from this influential 90s band is their willingness to evolve musically.
Posted inBooks, Essays & Criticism, Nonfiction, Story
Kissed a Girl
Vickie Vértiz maneuvers her way around teenage love, friend envy, and being outed by her Mexican mother.
Posted inNonfiction
We Are All We Have
While caring for her mother post-surgery and her grandmother during her final days, Megan Stielstra wonders who’s really taking care of who.
