“Memoir is a total minefield, as you know. It’s best if you write the book and leave the country.”
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Mike Nichols: 1931-2014
Mike Nichols, the beloved director of stage and screen—from Who’s Afraid of Virginia Woolf? and The Graduate, to Barefoot in the Park and Working Girl— died Nov. 19, 2014 at the age of 83. Here are four pieces on the life of the artist.
‘Living for a Plank and Four Wheels in a Profligate Culture’
My wife, Daphne, got to something I’d been trying to figure out for years when, after reading a particularly asinine article in the February 2003 issue [of Thrasher magazine], she said: “It’s really not OK that these people are using so little of their brains.” “Using so little.” It’s the perfect indictment of everything that’s […]
A Liberated Woman: The Story of Margaret King
Inspired by her governess, the radical feminist philosopher Mary Wollstonecraft, Margaret King cast aside her immense privilege, cross-dressed as a man to go to medical school, and inspired a new generation of women to push against the rigid conventions of their era.
Shame and Survival
Monica Lewinsky’s Vanity Fair essay, now online in full: In my own case, each easy click of that YouTube link reinforces the archetype, despite my efforts to parry it away: Me, America’s B.J. Queen. That Intern. That Vixen. Or, in the inescapable phrase of our 42nd president, “That Woman.” It may surprise you to learn […]
How to Write About Tax Havens and the Super-Rich: An Interview with Nicholas Shaxson
Last year Shaxson published a Vanity Fair article, “A Tale of Two Londons,” that described the residents of one of London’s most exclusive addresses—One Hyde Park—and the accounting acrobatics they had performed to get there.
The Remnants of Maycomb: What Happened to Harper Lee’s Hometown
Maybe it wasn’t just Nelle’s insecurity that held her back from becoming “the Jane Austen of South Alabama,” but also the dismaying decline of the “small-town middle-class” idyll she’d staked her career on documenting. She had, after all, written a historical novel. To Kill a Mockingbird was filmed not in Monroeville but on an L.A. lot. There […]
How to Write About Tax Havens and the Super-Rich: An Interview with Nicholas Shaxson
Last year Shaxson published a Vanity Fair article, “A Tale of Two Londons,” that described the residents of one of London’s most exclusive addresses—One Hyde Park—and the accounting acrobatics they had performed to get there.
Vanity Fair, The Rebirth
Condé Nast executives, editors, designers and writers look back on the 1983 relaunch of Vanity Fair, which originally stopped publishing in 1936 and had been folded into Vogue: As word leaked out that the company was pumping more than $10 million into the magazine, the sniping began. An enterprising Chicago Tribune reporter tracked down Clare […]
The Perils of Writing About Your Own Family: A Conversation with George Hodgman
“Memoir is a total minefield, as you know. It’s best if you write the book and leave the country.”
