What gave the Black and White Ball “its intoxicating piquancy,” according to Amy Fine Collins, was the fact that Capote’s guest list had “flung together, in a gilt-edged melting pot, the most alluring power brokers in the worlds of high society, politics, the arts, and Hollywood—disconnected universes that collided, if not for the first time that evening, then at least with unprecedented force.”
The Ball also found an unlikely chronicler in Gloria Steinem, an invited guest who had made Capote’s acquaintance after she interviewed him for Glamour the year before. Steinem wrote a feature on the party for Vogue in January 1967 in which she described the luminaries, feathers, masks, ball gowns, and jewels all whirling around the room: “The effect was like some blend of Hollywood, the Court of Louis XIV, a medieval durbar, and pure Manhattan.”
