New York midwife Elizabeth Catlin faces 95 individual felony counts at her upcoming trial. For what? For doing her job. Politics and patriarchy make the work of many credentialed, experienced midwives illegal — to the detriment of women and underserved communities.
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Posted inEssays & Criticism, Nonfiction, Quotes
In the Shadow of a Fairy Tale: Overcoming the Evil Stepmother Stereotype
Leslie Jamison explores the fraught role of stand-in parent as she considers her new life as a stepmother to a six-year-old.
Posted inNonfiction
‘TV Has This Really Fraught Relationship with the Audience.’
Emily Nussbaum talks about why TV’s relationship with its audience has become more intimate, whether we can blame Trump on True Detective, and how a TV critic’s biggest challenge is just figuring out what to watch.
Posted inReading List
We All Die In the End, But Our Skin Looks Great: A Reading List
Are you happy and well-rested, or did you just find a great new snail collagen sheet mask?
Posted inNonfiction, Quotes, Unapologetic Women
Reclaiming Our Rage
Here’s to more women embracing their anger instead of defaulting to sadness.
Posted inNonfiction
“The Anger of Women is an Earth-shattering Thing”: Lidia Yuknavitch on Resisting the Hero Narrative and the Body as a Generator of Stories.
“I’m going to say a blasphemous thing, which is we are so fucking done with the hero’s journey. It has been to our peril.”
Posted inNonfiction
The Story of Country Music’s Great Songwriting Duo
Before they released “Wichita Lineman,” the greatest unfinished song of all time, Glen Campbell and Jimmy Webb lived surprisingly parallel lives.
Posted inReading List
Workshopping Workshop: A Reading List
“In workshop, what, if anything, can be written on a syllabus or spoken aloud in class to ensure that each and every participant’s work is read with care?”
Posted inStory
Naked City
Here, everyone hurries but no one arrives, everyone shows up but no one gets in, everyone’s a member but no one belongs.
Posted inNonfiction
The Story of Salvador’s Banda Didá
In a country with violent history and violent politics, Brazil’s first all-female, Afro-Brazilian percussion group drums and dances and changes lives.
