How a hard-not-to-love show glosses over the powers that produced its makeover subjects.
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The Death and Life of Aida Hernandez
In the story of one Mexican-American woman’s life, we can see the whole tragic story of the US-Mexico border’s transformation from a simple chain-link fence to a humanitarian crisis.
Revisiting My Grandfather’s Garden
During a return trip to Tehran, Mojgan Ghazirad searches for her childhood home and witnesses the damage U.S. sanctions have brought to Iranian lives.
Does the Woman in the Painting Have a Secret?
In the wake of her mother’s passing, Dylan Landis wrestles with unanswered questions about love and art, and imagines different possibilities of what could have been.
Twenty-Eight Days on the John Muir Trail
During a month hiking Muir’s “Range of Light,” three young women traversed snowy mountain passes, ran out of food, confronted a gendered wilderness, and learned to deal with each other.
Longreads Best of 2018: Business Writing
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in business writing.
Jill the Ripper
True crime’s massive gender gap (95% of murderers are male) isn’t really one that needs fixing. And yet, since the beginning, a steadfast minority of Ripperologists have argued that Jack was really Jill.
Beyond “Rumble”: Talking with John O’Connor About the Other Link Wray
Journalist John O’Connor talks about writing his epic Oxford American magazine feature on musician Link Wray.
Johnny Rotten, My Mom, and Me
Kimberly Mack recalls the ways in which rock music bonded her with her African American mom, and how those fierce sounds helped them cope with the poverty, violence, and despair both outside and inside their Brooklyn home.
Johnny Rotten, My Mom, and Me
Kimberly Mack recalls the ways in which rock music bonded her with her African American mom, and how those fierce sounds helped them cope with the poverty, violence, and despair both outside and inside their Brooklyn home.
