Search Results for: The Morning News

Top 5 #Longreads of the Week: The New York Times, Popular Mechanics, The Morning News, GQ, London Review of Books, plus a guest pick from writer Evan Hughes.

Since I am not married and because my parents are loving and kind, my mother has borne the brunt of my physical and emotional caretaking these past few months as I struggled with decision-making and the eventual decision’s realities. She’s the one who has heard me most often respond to the question, “Do you want me to bring you a book?” with a matter-of-fact, “No, I’d rather watch TV.” Each time I’ve heard myself say this, I’ve watched her try not to judge me out of parental concern.

“Now That Books Mean Nothing.” — Nell Boeschenstein, The Morning News

More #longreads from Boeschenstein: “A Song for Aretha.” The Morning News, Feb. 3, 2011

Lapham's Quarterly editor Michelle Legro: My Top 5 Longreads of 2011

Michelle Legro, longtime Longreader, is an editor at Lapham’s Quarterly.

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“The Age of Mechanical Reproduction,” by Paul Ford (The Morning News)

I doubt there are many people that will remember the December blizzard of 2010 better than Paul Ford, limping through the snow with his wife to their IVF procedure without any form of transportation and only a few hours on the clock to make a baby the new-fashioned way. 

“American Marvel,” by Edith Zimmerman (GQ)

We’ve all been there. Except usually, a movie star isn’t there with you. I had a friend tell me that a fellow writing teacher was using this piece as an example of how NOT to write a celebrity profile. When was the last time I remember reading any kind of celebrity profile? Oh yeah, this time.

“How Carrots Became the New Junk Food,” by Douglas McGray (Fast Company)

First we make the carrots small, then we make them cute, but how do we make them sexy? I love this attempt to make carrots, aka “3D Orange Laser Blasters” into an extreme snack celebrity. 

“Taming the Wild”, by Evan Ratliff (National Geographic)

Sometimes I weigh how much I like a piece with how much it affects my daily life. In this case, I spent a good month weighing the pros and cons of moving to a state where it was legal to own a domesticated fox imported from Siberia. Pros: Wildlife snuggles. Cons: Pretty much everything else. 

And finally, the very first best thing I read in 2011:

“The Incredible True Story of the Collar Bomb Heist”, Rich Schapiro (Wired)

The most incredible, most true, most heisty read of the year. Haven’t read it? There is a bomb around your neck. I am going to force you to go read it right now. 

Comedy is also an industry of paying dues: Many long-time performers regard their first ten years as a kind of clueless wandering, and veteran comics tend to treat newbies like replacement troops: They are young, dumb, and could be gone soon, so it’s best to wait till they survive a while before learning their names. This is all to say that the term “comic” is subjective and nebulous, and even geographically variable: larger cities, with their heightened competition for stage time, are famous for relegating working comics from smaller markets like the Midwest or Florida back to open-mic status, causing many visitors to experience a kind of outraged existential crisis. When two comics meet for the first time, they act like dogs sniffing each other’s butts, asking loaded questions like, “You been doing it long?” or “You been busy?”

“Standup Comity.” — Steve Macone, The Morning News

See more comedy #longreads

Featured Longreader: Barbara Mack, teacher/theologian. See her story picks from The Atlantic, The Guardian, The Morning News, and more on her #longreads page.

A Song for Aretha

A Song for Aretha

Paul Brady: My Top 5 Travel Longreads of 2010

Paul Brady is an editor at Condé Nast Traveler.

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This isn’t a list of the best travel writing of the year, but if this is what travel writing could be every time, the genre wouldn’t have such a shaky reputation. I didn’t pick anything from Traveler because that would be lame.

Pass the Bucks (Steve Boggan, The Guardian, Dec. 11, 2010)

The story of following the same $10 around the country for 30 days could’ve been hokey, but Steve Boggan set aside his own quest to write about the characters he meets, their lives and the places they live.

All Amanda Can Jet (Tumblr)

This was the second year JetBlue released its All You Can Jet pass, spawning a mountain of mediocre tweets and poorly-managed trip-diary blogs. But Amanda Mae got it absolutely right—and the constantly updated “local beers consumed” metric was a nice touch.

My Country, My Train, My K-Hole (Hugh Ryan, The Morning News, June 30, 2010)

I’m a sucker for stories about trains, but this is on the next level: “The train is a liberating K-hole, a moment of suspended animation where it’s entirely acceptable to not answer phone calls … There are an endless number of things you can not do.”

No Country for Old Men? (Ed Vulliamy, The Guardian, Jan. 25, 2009)

This Ed Vulliamy article is from 2009, but the full-length book that grew out of it, Amexica, came out this year. Driving the entirety of the Mexican-American border, he writes a little bit about everything that makes it one of the most fascinating places on the planet: tattoo parlors, Christianity, narcoterrorism, “right-wing windbag talk radio,” and what sounds like the best La Quinta in Texas.

Boom (Sean Flynn, GQ, July 2010)

Probably the best story I read about the biggest story of the year, the oil spill, and while I probably can’t argue that it’s “travel writing,” it certainly evokes a particular place.

Bonus:

The Whistling Language of La Gomera

I have no idea when this was written, but I found it this year while researching… something. I forget. I like it because while we may spend 18 hours a day on the internet, there are still fascinating things to find out about like this utterly unique whistling language invented in and still used in the Canary Islands.

Jay Caspian Kang: My Top 5 Longreads of 2010

Jay Caspian Kang is a fiction writer living in San Francisco. He is the author of The High is Always the Pain and the Pain is Always the High, an essay on gambling addiction that appeared in the Morning News and has been named on several “Best of 2010” lists. 

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In no particular order.

THE LEGEND OF BLACK SUPERMAN — Rafe Bartholomew, Deadspin

I’m typing this in a Starbucks in the Robinson’s Place Mall in Manila. Everywhere I go in this city, I am reminded of Pacific Rims, Bartholomew’s chronicle of the place of basketball in the culture of the Philippines

The excerpt on Billy Ray Bates was my favorite sports read of the year. Any documentary filmmaker who wants a subject…

THE MURDERERS OF MEXICO — Alma Guillermoprieto, New York Review of Books

What else could you possibly ever want out of a journalist? Fearless, measured and whip-smart with an eye for narrative detail that should be the envy of every writer who has ever read her work.

Her reflections, observations and opinions on the war in Mexico should tower over every other work on the subject, the way Orwell towers over the Spanish Civil War. Hopefully, before it’s too late, someone in publishing will drive up to Guillermoprieto’s door with a suitcase filled with money, because if there is going to be another Homage to Catalonia, it will be Alma Guillermoprieto on the Narco Wars.  

INSANE CLOWN POSSE: AND GOD CREATED CONTROVERSYJon Ronson, The Guardian

The perfect companion for the world’s most baffling music video. I wish someone had done this for the Wu, circa 1994.

Ronson also broke open the seal for long-form articles written specifically to explain baffling youtube videos. Like somebody please write 3,000+ words on how they got that fucking bird to dance to that Willow Smith song. Choire Sicha, I’m looking you straight in the eyes and I am saying please. 

PELE AS A COMEDIAN — Brian Phillips, Run of Play

There are so many reasons why this essay should annoy me. It’s about a really kinda bad David Foster Wallace essay, it’s about soccer and it involves a lot of footnotes. And yet, it took me about a paragraph to discard all those hang-ups and just revel in the quality of writing, the intelligence of the mind at work.

RICHARD LAWSON’S AMERICAN IDOL COVERAGE — Richard Lawson, Gawker

The only reason I still watch the show. And, along with temperate weather and Mexican food, one of the three reasons why I love living on the West Coast. Because on Wednesday and Thursday mornings, I can wake up and have Lawson’s mammoth recaps already posted on Gawker.

Sometimes, I find myself typing and deleting twitter messages to Richard Lawson. Mostly, they are about how my day is going. Sometimes, they are jokes about Crystal Bowersox. Once, it was a suggestion he get cloned so he could also write about the Biggest Loser

Andrea Pitzer: My Top 5 Longreads of 2010

Andrea Pitzer is writer and editor of Nieman Storyboard.

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To eliminate some of the choices that have already been popular—hello, David Grann! ;)—I haven’t included anyone I’ve met in person. All stories from 2010.

Rabbi to the Rescue, by Martha Wexler and Jeff Lunden from The Washington Post Magazine

Spiritual longing, the Holocaust, and the bitter line between the truth and a beautiful story.

TVs Crowning Moment of Awesome, by Chris Jones for Esquire

I know, everybody loved the Roger Ebert piece, but check out the surprises here, including an angry Drew Carey.

An Army of One, by Chris Heath from GQ

Meet Gary Faulkner, American patriot and would-be assassin of Osama bin Laden. 

The High Is Always the Pain, and the Pain Is Always the High, from Jay Caspian Kang on The Morning News

Yes, everyone else has already picked it too, but it’s that good. And I bet they didn’t interview him.

The Amazing Tale, by Rick Moody from Details

Read this story to the end. It will blow your mind over and over, and almost never in the way you’re expecting.

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And an honorable mention for an entry that topped my list until I realized it was from December 2009: The Last Vet, by Aminatta Forna in Granta. How much suffering can a country take, and what will it value in the aftermath? An essay on empire, war, and the last vet in private practice in Sierra Leone. 

Alex Pappademas: My Top 5 Longreads of 2010

Alex Pappademas is a staff writer for GQ

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Rules: Nothing not published this year, nothing from GQ, because I work there, and—in the spirit of the assignment—nothing I didn’t first read on my iPhone. (And I realize now, having done this whole thing, that everything on the main list is from a print-based publication, which should not be taken as some kind of a Statement. I still love you, Internet!)

Michael Kruse, Lonely, Stressed and Frustrated: Inside the Mind of the Pinellas Monkey (St. Petersburg Times, May 16, 2010)

Best celebrity profile I read this year, and it’s a write-around. About a monkey. “People who are alone tend to make self-destructive decisions. They might drink too much or not eat right. They start giving up. And the monkey here, he explains, isn’t all that different.”

Mark Harris, The Red Carpet Campaign (New York, 2/7/10)

Reported essay about awards-season swirl and how the pseudo-event sausage of the Academy Awards gets made. The gist: “A good Oscar narrative makes voters feel that, by writing a name on a ballot, they’re completing a satisfying plotline. Only a few of these stories are effective, and every campaign season, movies scramble to own them.” Sprawling yet surgical; managed to make me care, in February, about a subject I’m usually utterly post-give-a-shit about by Thanksgiving.

Rob Tanenbaum, The Playboy Interview: John Mayer (Playboy, March 2010)

Yeah, this is the one where Mayer rendered himself culturally leprous with a few spectacularly ill-advised comments about African-Americans and his weiner— but it’s also the best Q&A with a rock personality I read this year. Speaking as somebody who does this for a living: It’s hard to get something interesting out of a subject who’s reluctant or dumb, but it’s actually way harder to take a quote machine like Mayer— who’s historically used compulsive self-disclosure and meta-acknowledgements of what he knows about the interview process to completely run the table in these situations— somewhere he doesn’t want to go. And, uh, obviously, that’s what happened.

Chris Jones, Roger Ebert: The Essential Man (Esquire, February 2010)

I spent an embarrassing amount of time—like, months—working on a snakebit-from-the-beginning Ebert profile for GQ five years ago. It never ran, mostly because it sucked. Sucked on draft 1, sucked worse on draft 18. (Like Rog once said about certain reviews: “The bad ones take forever.”) So I was all ready to hate this Ebert story just for existing and appearing in a magazine and reminding me of how spectacularly I blew it in 2005—but I didn’t, because it’s so goddamn good it turned off the part of my brain that hates people for being better than me. That part where Ebert gets mad at Disney’s copyright police for taking down YouTube videos of him and Siskel, and because he can’t yell, he makes the font bigger and bigger? “He presses the button again and again and again, the words growing bigger and bigger and bigger until they become too big to fit the screen, now they’re just letters, but he keeps hitting the button, bigger and bigger still, now just shapes and angles, just geometry filling the white screen with black like the three squares. Roger Ebert is shaking, his entire body is shaking, and he’s still hitting the button, bang, bang, bang, and he’s shouting now. He’s standing outside on the street corner and he’s arching his back and he’s shouting at the top of his lungs.” Holy fucking shit.

Joe Hagan, The Return of Governor Moonbeam, And Other Hallucinations From The Golden State (New York, October 10, 2010)

Schwarzenegger, Jerry Brown and Meg Whitman contest the California narrative as the state, fiscally gut-shot by the housing collapse, tumbles broke and stoned into the sea; Hagan weaves Jerry’s free-association and Schwarzenegger’s puny-humans ranting and Meg Whitman’s total carpetbagging bullshit in and out of a bunch of elegant set pieces—the Hyatt-ballroom rally, the pot dispensary, David Boies’ beach house. The obvious comparison to make when you’re talking about a story where a writer tries to comprehend weed-hazy apocalyptic California is Joan Didion, but the real bookend for this one—culturally, decade-wise, whatever—is the series of dispatches Hank Stuever filed from L.A. and Sacramento back in 2003, during the nutsoid recall election that led to Schwarzenegger taking office in the first place. (They’re collected in his book OFF RAMP as one essay, “Recallifornia”; the story about Gary Coleman is here. Read those and Joe’s story back to back, groove on the paradox of Californian perma-decline.)

Honorable mentions, aka “I could have done 15 of these”:

Jay Caspian Kang, The High Is Always The Pain and the Pain Is Always the High (The Morning News, 10/8/10), which I read after everybody else put it on their Top 5 lists, so I’m not counting it, because totally arbitrary rules are rules.

Sean Witzke, Emma Peel Sessions 39 – ‘Have you seen the Lady From Shanghai? Orson Welles… that one makes no sense’ (supervillain.wordpress.com, 7/5/10)

Molly Lambert, In Which We Eagerly Await Aaron Sorkin’s Friend Request (thisrecording.com, 10/7/10)

Michaelangelo Matos, eMusic Q&A: Rob Sheffield (17dots, 8/5/10)

Mary HK Choi and Natasha Vargas-Cooper, On ‘New Moon’: ‘Teenage Female Desire Manifest’ (The Awl, 11/20/10)

Oh, and it’s from 2009, but: Chris Stangl, Ghost Train: The Lost Pauline Kael Review of PLAN 9 FROM OUTER SPACE (1959) (The Exploding Kinetoscope, 7/7/09)