Why Karen Carpenter Matters

Karen Tongson | Why Karen Carpenter Matters | University of Texas Press | May 2019 | 20 minutes (4,070 words)
Maria Katindig-Dykes and her husband, Jimmie Dykes, had finished a six-month stint at the Hyatt Regency in Singapore and were about to wrap up a six-month residency at the Playboy Jazz Club at Silahis International Hotel in Manila when a telegram appeared under the door early one morning in our Manila suite. It was for Jimmie: MOTHER ILL. CALL HOME. It was sent by his older brother Lee.
My dad called home to find out that his mother, Marion Dykes — the woman who sternly scattered the kids taunting me on the lawn during my first visit to Riverside, California; the woman who plied me with my very first taste of stewed tomatoes — was dying of brain cancer. It was late January 1983, and we made our preparations to leave Manila, unsure of whether or not we would return right away, or ever. I remember turning to my mom on one of the first nights we were in Riverside and asking her in Tagalog if we were ever going back home. She said she didn’t know, and we both cried quietly so as not to interrupt the other more urgent processes of loss and mourning happening under the same roof.
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