In our latest Longreads Exclusive, Kiera Feldman and Tulsa-based magazine This Land Press went deep into the downfall of the Oral Roberts family dynasty—how Richard Roberts went from heir to the televangelist’s empire, to stripped from his role at Oral Roberts University. Feldman, a Brooklyn-based journalist, and This Land Press have worked together before—her story […]
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Posted inMember Pick, Nonfiction, Story
Platinum: A Singer Visits a Women’s Prison
“You have to carry your truth into reality.”
Posted inEditor's Pick
All Together Now
The Spice Girls were the biggest, brashest girlie group ever to have hit the British mainstream. Kathy Acker was an avant-garde American writer and academic. They met up in 1997 to swap notes—on boys, girls, politics. They are here to rehearse for an appearance on Saturday Night Live. Not only is this their first live […]
Posted inEditor's Pick
Life, After
TV reporter Miles O’Brien’s first-person account of what it’s like to lose your arm: I’d always heard amputees talk about the stares and the acute awareness of being viewed as different. During my first shoot for the NewsHour with one arm, I was wearing a blazer when I met a researcher I was to interview. […]
Posted inEditor's Pick
Inside Europe’s Last Dictatorship
The crisis in neighbouring Ukraine has rattled Alexander Lukashenko’s authoritarian regime. But with the opposition in retreat and the media silenced, can Belarus escape his grip? In the pantheon of great dictators, Lukashenko is a curiosity. The man known as ‘Batka’ (father of the nation) leads the country’s absurd TV news night after night, whether […]
Posted inEditor's Pick
Comedy and the Single Girl
An excerpt from Armstrong’s book Mary and Lou and Rhoda and Ted, on how Treva Silverman helped create TV’s most memorable characters: One night in 1964, Silverman was playing at a piano bar in Manhattan’s theater district—it was another one of those dark, smoky places, but this one had a well-tuned baby grand. She took […]
Posted inEditor's Pick
Miss American Dream
How Britney Spears went to Vegas and became a feminist role model. No, really. Fifty stories above all this, Britney Spears was working. She didn’t know about the wind or the dancers or the fire-breather or about the old lady whose day she had fucked up immeasurably, the one who might be the Queen of […]
Posted inBooks, Nonfiction
The Art of Running from the Police
A young man concerned that the police will take him into custody comes to see danger and risk in the mundane doings of everyday life. To survive outside prison, he learns to hesitate when others walk casually forward, to see what others fail to notice, to fear what others trust or take for granted.
Posted inNonfiction, Profiles & Interviews
How Karina Longworth Is Reimagining Classic Hollywood—and the Podcast—in ‘You Must Remember This’
“I have consciously tried to refocus my attention away from being a film critic and toward being a film historian.”
Posted inNonfiction, Quotes
Eight Days In a Hong Kong Hotel Room With Edward Snowden
Snowden watches the global fallout from Greenwald’s stories on the TV in his hotel room. Snowden’s girlfriend, Lindsay Mills, whom he left behind in Hawaii without a word of explanation, writes him that police have come to question her. He is shaken, imagining her realization that “the person that you love, that you spent the decade with, may not be coming back.” He types something on his laptop—presumably, a reply to Mills—but Poitras, respecting his privacy, doesn’t move the camera to show its content. As the days go by, Snowden’s anxiety increases, and the room becomes claustrophobic. A fire alarm keeps going off—routine testing, he’s told. The bedside phone rings—“I’m afraid you have the wrong room,” he says, and hangs up. “Wall Street Journal,” he explains. His chin is stubbled and his hair won’t lie flat. He seems to be growing visibly paler, and the many stretches of silence last longer; Poitras’s camera stays close to him, at once exposing and protective. In such a small space, from which there’s no exit, the presence of a camera has a distorting effect, and it turns Snowden into a character in a play. Unlike Dr. Riyadh and his family, who went about their lives as Poitras trailed them, Snowden can never forget that he’s being filmed. There are few moments of self-betrayal.
