There’s no “I” in “Disco.” Oh wait, yes there is. This is why we can’t have nice things.
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Learning from Perimenopause and a Kpop Idol
Struggling with fluctuating hormones, Wendy Gan is inspired by the musician Mino to stop muting herself and return to writing.
Thumbing a Ride: What I Learned from Siskel and Ebert
Dipti S. Barot pays homage to the two irreplaceable voices who informed her love of good movies.
Deconstructing Disney: The Princess Problem of ‘Frozen II’
Audiences wanted Disney to give Elsa a girlfriend. But the Frozen franchise is at the center of the corporation’s latest princess project, whose nationalist concerns are decidedly here for the gay agenda.
Captive Audience
When you live alongside anything for a long time — any person, any character, any narrative structure, any screen flicker — you become a part of it and it becomes a part of you.
How ‘Cops’ Became the Most Polarizing Reality TV Show in America
What one of TV’s longest-running reality shows says about race and our relationship with the police.
How ‘Cops’ Became the Most Polarizing Reality TV Show in America
What one of TV’s longest-running reality shows says about race and our relationship with the police.
Sight and Insight
After a childhood filled with intrusive medical interventions for misaligned eyes, Liane Kupferberg Carter wrestles with learning to see herself and others clearly.
How ‘Cops’ Became the Most Polarizing Reality TV Show in America
What one of TV’s longest-running reality shows says about race and our relationship with the police.
Is ‘RuPaul’s Drag Race’ the Most Radical Show on TV?
In her first cover piece for the New York Times magazine, Jenna Wortham profiles RuPaul, making note of the ways in which he — and his 9-year-old reality competition TV show — have had to evolve along with shifting understandings of gender, and the politics around it.
