Search Results for: Sports Illustrated

Five Stories About Sports for People Who Hate Sports

OK, “hate” is too strong a word. But I fundamentally do not get sports. Playing them, yes, fine. But knowing players’ names, arguing that this one guy is better than that other guy, keeping a little Excel sheet of strikes and yards and rebounds in my head? Baffling.

But that doesn’t mean, as it turns out, that stories about sports can’t be fascinating. The economics! The moral gray areas! The egos! It’s like a reality show in there.

I’m not going to start watching sports anytime soon, but thanks to these stories, I’m starting to see why other people do.

Does Football Have A Future? The N.F.L. and The Concussion Crisis

Ben McGrath | The New Yorker | Jan. 31, 2011

This story has moved on quite a bit since 2011—there is now a book, a movie and something called The Concussion Blog—but McGrath’s story is a good primer on the issue of football players suffering severe mental damage in old age, and foreshadows both the huge pressure on the NFL and its head-in-the-sand response.

Read more…

The Top 5 Longreads of the Week

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This week, we’re sharing stories from Lauren Smiley, Reid Forgrave, Susan Casey, Michael Rosenberg, and Lucy Jones.

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1. The True Story of the Antifa Invasion of Forks, Washington

Lauren Smiley | Wired | October 8, 2020 | 36 minutes (9,000 words)

A false report on Twitter about violent leftist activists traveling by bus exploded into a call to arms. Then a bus, carrying a family and two dogs, rolled into a remote Northwestern town best known as the setting for the Twilight series. Chaos ensued.

2. Lives, on the Line

Reid Forgrave | Star Tribune | October 2, 2020 | 43 minutes (10,816 words)

Six lives changed forever, as COVID-19 swept across Minnesota.

3. How Iceman Wim Hof Uncovered the Secrets to Our Health

Susan Casey | Outside | October 12, 2020 | 19 minutes (4,900 words)

“In a world addicted to comfort, it isn’t easy to convince a vast audience that what they really need is to take teeth-chattering swims and ice baths—but Hof has managed to do this.”

4. USC’s Dying Linebackers

Michael Rosenberg | Sports Illustrated | October 7, 2020 | 24 minutes (6,000 words)

In 1989, USC had a depth chart of a dozen linebackers. Five have died, each before age 50. Football was inextricably tied to their mortality. These are their stories.

5. Pathways in the Urban Wild

Lucy Jones | Emergence Magazine | July 27, 2020 | 8 minutes (2,120 words)

“As Lucy Jones and her daughter encounter wildflowers in a housing development, Lucy considers the healing benefits of an attentive relationship with the living world and the complex barriers to that relationship within urban areas.”

25 Movies and the Magazine Stories That Inspired Them

Constance Wu and Jennifer Lopez on the set of 'Hustlers' in New York City. (Photo by Jose Perez/Bauer-Griffin/GC Images)

As more publications pursue blockbuster stories with film and television potential, producers in Hollywood and the magazine industry are taking their inspiration from successful article-to-film adaptations of the past that have achieved box office success.

Here are 25 gold-standard film adaptations of magazine articles, published over the course of half a century as cover stories, features, or breaking news, as well as direct links to read all 25 stories online.

Legacy magazines with well-known print editions dominate this list, as do the nonfiction writers that legacy magazines accept and champion. Many of these writers’ names will be familiar to readers, as will the majority of the magazines and films themselves, in many cases because celebrated journalists inspired these major motion pictures at the peak of their careers as writers and reporters. Name recognition in one industry reinforces name recognition in another, and — despite the incredible diversity of feature-length nonfiction being published today by new voices most mainstream audiences have yet to discover — institutional support still tends to elevate known veterans.

While the talents of all of the writers on this list are undeniable, there are also well-documented structural biases that account for why so many of the writers represented here are overwhelmingly male, white, or Susan Orlean. These stories belong on any narrative nonfiction syllabus on their own merit, but I hope these samples are still just the beginning, and that new filmmakers and magazine writers can start to work together far more often on a greater breadth of material, with sufficient editorial guidance and studio backing to support them.

This list is by no means exhaustive. I’ve limited this roundup to favor adaptations (loosely defined) based primarily on magazine-style features, including only a couple of films based on award-winning newspaper investigations. The list of new film and television adaptations based on popular books or podcasts, let alone reporting that has helped support the explosion in streaming documentary formats, would run even longer.

It takes time, access, imagination, and resources to be able to realize ambitious true stories like these in their original form as narrative magazine features. It would be a welcome change to see greater diversity in the production pipeline in the coming years: in the subjects of narrative stories, in the publications considered for exclusive source material, in the creative teams that are given studio support, in the agencies brokering deals, in the awards and recognition that elevate new work, and in the storytellers who are given the resources to write long.

Writers are the lifeblood of all of these industries, and will always play a pivotal role in any production that is based on a true story.

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A Beautiful Day in the Neighborhood (2019)

Based on Can You Say…Hero? by Tom Junod (Esquire, 1998)

Once upon a time, a man named Fred Rogers decided that he wanted to live in heaven. Heaven is the place where good people go when they die, but this man, Fred Rogers, didn’t want to go to heaven; he wanted to live in heaven, here, now, in this world, and so one day, when he was talking about all the people he had loved in this life, he looked at me and said, “The connections we make in the course of a life—maybe that’s what heaven is, Tom. We make so many connections here on earth. Look at us—I’ve just met you, but I’m investing in who you are and who you will be, and I can’t help it.”

Hustlers (2019)

Based on The Hustlers at Scores by Jessica Pressler (The Cut, 2015)

While evolutionary theory and The Bachelor would suggest that a room full of women hoping to attract the attention of a few men would be cutthroat-competitive, it’s actually better for strippers to work together, because while most men might be able keep their wits, and their wallets, around one scantily clad, sweet-smelling sylph, they tend to lose their grip around three or four. Which is why at Hustler, as elsewhere, the dancers worked in groups.

Beautiful Boy (2018)

Based on My Addicted Son by David Sheff (The New York Times Magazine, 2005)

Nick now claims that he was searching for methamphetamine for his entire life, and when he tried it for the first time, as he says, “That was that.” It would have been no easier to see him strung out on heroin or cocaine, but as every parent of a methamphetamine addict comes to learn, this drug has a unique, horrific quality. In an interview, Stephan Jenkins, the singer in the band Third Eye Blind, said that methamphetamine makes you feel “bright and shiny.” It also makes you paranoid, incoherent and both destructive and pathetically and relentlessly self-destructive. Then you will do unconscionable things in order to feel bright and shiny again. Nick had always been a sensitive, sagacious, joyful and exceptionally bright child, but on meth he became unrecognizable.

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Finding Answers about Life and Love in the Mountain Death Zone

Sunset over Nuptse and Lhotse summits. Solu Khumbu. Nepal. (Photo by: Godong/Universal Images Group via Getty Images)

He lost his wife and children in a plane crash. Her marriage had crumbled. James Morrison and Hilaree Nelson were brought together by death and loss but united in love — for each other, for self challenge, and for the mountains — in their attempt to become the first adventurers to summit Lhotse and ski down. As Chris Ballard reports at Sports Illustrated, little did the pair know they’d be plagued by equipment delays, as well as adverse weather and avalanches as they made their historic attempt in the death zone.

Above them loomed the jagged outline of Lhotse, rising 27,940 feet, and, to the north, the shadow of Everest. Below stretched a vast expanse of white—ravines and gullies, frozen rivers of ice—and beyond that Nepal. Somewhere over the horizon lay everything the pair often tried to escape: the cities and highways, the clatter, the dark memories.

They communicated without words, conserving energy, James Morrison in front and Hilaree Nelson a few steps behind. Alpine ski blades framed their packs. They’d need to move fast at the summit; according to Morrison’s calculations, they had 12 hours before weather arrived. If they made it, though—if the chute was passable, if they maintained an elevated pace, if the winds held—they’d have a shot at doing something no human had: summiting and then skiing the Dream Line, a track of snow down the western side of the peak. Among mountaineers, it had become a Holy Grail.

Morrison and Nelson wanted to be the first to descend it, of course, but that was only one of the reasons they had traveled to the other side of the world, assuming risks some peers felt too great.

Their other motives were more elemental. And more complicated.

Though the fourth-highest peak in the world, Lhotse bears little of the cachet of its neighbor, Everest. Movies are not made about Lhotse. Thrill seekers do not crowd it. Swiss climbers first summited it in 1956, but its middle peak remained the highest unclimbed spot on the planet until 2001. Lhotse holds particular appeal for skiers due to its unusual architecture. Under the right conditions, a thin ribbon of snow traces a jagged line off the peak, curving through a narrow rock chute for 1,500 vertical feet before emptying out onto the 5,000-foot Lhotse Face.

Read the story

Open Secrets: Celebrity Sexuality and Athletic Abuse

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Editor-in-Chief Mike Dang, Contributing Editor Danielle Jackson, Culture Columnist Soraya Roberts, and The Believer’s Deputy and Co-Interview Editor Niela Orr share what they’ve been reading and working on.

This week, the editors discuss the gender politics of music criticism, how young womxn drive conversations around cultural figures, a new memoir by Whitney Houston’s best friend, and institutionalized discrimination in sport.


Subscribe and listen now everywhere you get your podcasts.


1:31 Longreads’ upcoming Hive music series written by womxn. 

5:02 A Song for You: My Life with Whitney Houston by Robyn Crawford

9:30 Loving and Losing Whitney Houston: Robyn Crawford Speaks (November 20, 2019, Talking Red Table Talk Podcast) 

16:43 Robyn Crawford Opens up to Lena Waithe About Her Relationship With Whitney Houston (November 12, 2019, Oprah Magazine)

21:00 The Longreads team’s favourite Whitney Houston songs.

25:19  I Was the Fastest Girl in America, Until I Joined Nike. (Mary Cain, November 7, 2019, The New York Times)

Inside the Toxic Culture of the Nike Oregon Project ‘Cult.’ (Chris Chavez, November 13, 2019, Sports Illustrated)

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Produced by Longreads and Charts & Leisure.

I Had a Friend. He Dreamed of Israel.

Illustration by Eléonore Hamelin

Michael Shapiro | Longreads | October 2019 | 28 minutes (7,073 words)

This essay is published in collaboration with The Delacorte Review. You can read a longer, complete version here.

I told people that I was returning to Israel for the first time in thirty-five years to visit a grave and this stopped them, mercifully, from asking why I had been away for so long. This was true; I was going to visit the grave of my best friend, Jonathan Maximon, who had died in 1984 when he was thirty-one. It was also true that I could have gone back in all the years since but for reasons I could not explain to anyone, including myself, I had stayed away.

My wife had twice gone for work, and though we had traveled with our children, we did not take them to Israel, nor send them on Birthright. Then, not long ago, my daughter mentioned that she might be going and while I did not want to intrude on her time, overlapping by a day or so felt like the pretext I needed. Her plans changed but by then I had my ticket.

Jonnie was buried at Yahel, the kibbutz at the southern end of the Negev desert that he had helped found in the late 1970s. I had not been in touch with his wife, Aliza, since his death. I emailed the kibbutz and asked if my message could be passed along. She replied almost immediately. “I am still in Yahel,” she wrote. “Mark my husband, and myself will be happy to meet you.” She and Mark had four grown children. Moriyah, her daughter with Jonnie who had been a year old when he died, now lived in the north and was married with two young sons. He would have been a grandfather.

I was 66 and had not made this trip since Jonnie’s brother called to tell me he was gravely ill. I had just gotten married and was preparing to move to Tokyo. My wife, Susan, told me, “Go.” I had last seen Jonnie seven months earlier. Susan and I were traveling in Egypt and Israel. We took the bus from Jerusalem four hours south to Yahel, which then, like now, felt as if it was in the middle of nowhere. I was so excited to see him that I left my leather jacket on the bus. Hanging over my desk as I write this is a snapshot from that visit. He and I are leaning on a white jeep. He is wearing a San Francisco Fire Department t-shirt that is tight across his broad shoulders. He was always nuts about fire fighters. Together with Aliza and Susan, we went on our only double date to see ”Play it Again, Sam” in the kibbutz cafeteria and as we walked back to their apartment Jonnie told me that I’d be an idiot not to marry Susan because if I didn’t someone else would and quickly. I do not recall his saying this with a smile. Nor was he one to elaborate.

The next time I saw him he was lying in a bed in a dismal ward at Tel HaShomer Hospital near Tel Aviv. A tumor in his spine had paralyzed him from the waist down. His hair was falling out and he was skeletal. Another patient told him, “Get out of this place.” He did, but only to a private room.
Read more…

Location, Location, Location: Six Stories on Moving House

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 In “Goodbye to All That,” Joan Didion muses on how her perception of New York City –– and who she is as a result of living there –– has evolved over the span of eight years. When she first arrives in New York City she describes herself as “twenty, and it was summertime, and I got off a DC-7 at the old Idlewild temporary terminal in a new dress which had seemed very smart in Sacramento but seemed less smart already, even in the old Idlewild temporary terminal, and the warm air smelled of mildew and some instinct, programmed by all the movies I had ever seen and all the songs I had ever heard sung and all the stories I had ever read about New York, informed me that it would never be quite the same again.”

Didion’s exquisite sentence brims with a preemptive nostalgia, one that I have experienced often but struggle to put into words. When I was a child, I used to look forward to moving because it meant for a brief period of time –– during the miles that unfurled between the sticky heat of Louisiana and the crisp blue summer sky of Alaska, for example –– I could suspend myself in the allure of who I might become in any new place. I would often dream that I might shed my tendencies toward introversion or that I would find my true self reflected back to me in ways I didn’t know existed, not realizing that I had to do the work of growth on my own. Before I learned language for any geography and before I sullied the dream of myself with who I was in reality, I could exist as a figment of imagination passing through an unfamiliar world. 

Like the shine of any silver exposed to too much air, the idealized version of myself –– and any new place I came to –– was inevitably tarnished the longer I lived anywhere. But then my family would move again, and I would be free to once again imagine that a place would be enough to change me. My childhood was one of moving boxes and beige walls; divide my age by the number of places I’ve lived, and the answer comes to 2.25. And I have not stopped moving: I attended college in North Carolina, graduate schools in Oregon and Oklahoma, and now live in Pennsylvania, where I hope to put down roots. But even here, I live in an apartment with unpainted walls. A hallway downstairs is stacked with plastic bins and boxes I keep telling myself I’ll unpack soon, though it’s been months since I moved in. And I still use a GPS to get to the grocery store, some sign I’m scared of committing to knowing this geography, the many circuitous routes that point toward home.

What does it mean to always be leaving a place –– and the sense of self created there? What does it mean to have the privilege to move? How do we idealize locations –– both where we are and where we hope to be? What effect does perpetual transition –– both desired and undesired –– have on a person? A family? A community of people? 

1.  This Hell Not Mine: On Moving From Nigeria to America (Kenechi Uzor, July 7, 2017, Catapult)

After Kenechi Uzor leaves his home in Lagos, he wonders if the opportunities advertised about the U.S. –– opportunities, literary magazines, freedom, safety –– are really what they’re made out to be. Uzor bears witness to injustices against “brown souls and unknown bodies, and trans and cis and more. All suffering from the other” and weighs the cost of a life lived in the U.S.

So we sought escape, convinced that to leave was to live. We fled for dry eyes, for a sigh, for firm handshakes and raised heads, for two closed eyelids, we fled. For our babies and grannies. For light.

2.  Two Moms Share Stories of Migration and Breastfeeding (Sarah Mirk, August 5, 2019, Bitch Magazine)

Realizing that stories about migrating across borders during parenthood are underrepresented, a group of Portland-based Latina and Indigenous immigrant parents created a bilingual exhibit, Amamantar y Migrar, to share their stories through audio narratives, videos, and photographs. Sarah Mirk curated two narratives –– one from Minerva, whose mother made the difficult decision to leave her in Mexico for a time, and Maria Elena, who was taken to an immigration center even though she was breastfeeding –– for this multimodal piece. 

I tried to breastfeed, but since I didn’t get enough to eat, I didn’t have breast milk to feed my baby. We arrived here, I gave birth to my third daughter, and nine months after she was born, immigration agents showed up at my work. I was still breastfeeding my daughter.

3.  Location, Location, Location (Jeannie Vanasco, October 15, 2017, The Believer)

Part personal memory of her upbringing in an uneven saltbox house, part reflection on the significance of a moveable dollhouse her late father built for her, and part history of the house moving industry in Chicago –– and the violences that accompanied such an industry –– Jeannie Vanasco explores what it means when the stable walls of a home become transportable, and what types of grief exist in both the construction and loss of a place. 

Pressured to accept food, whiskey, and cash, they signed the 1833 Treaty of Chicago, agreeing to move west of the Mississippi River within the next two years. The wigwams and wooden lodges would be replaced with thousands of new homes for white people. White men would become rich moving them.

4. The Barriers Stopping Poor People From Moving to Better Jobs (Alana Semuels, October 12, 2017, The Atlantic)

The percentage of people who move within the U.S. has been cut nearly in half since the 1950’s. Why? As Alana Semuels reports, factors like zoning in certain states, lack of incentives for low-income workers, and proximity to family affect people’s decisions on whether or not to move, and have led to shifts in the populations of cities across the country.

The supply of workers isn’t increasing fast enough in the rich areas to bring wages down, and isn’t falling fast enough in the poor areas to bring wages up. Why is this? Why have people stopped moving? The reason, economists believe, is that while there are good wages in economically vibrant cities like New York and San Francisco, housing prices are so high that they outweigh any gains people stand to make in earnings.

5. They’re Fed Up With America’s Racism. So They’re Moving to Africa. (Mark Beckford, May 20, 2019, Narratively)

When Lakeshia Ford decided she was going to pack up her life and her budding career and move from New Jersey to Ghana, her family could not understand why she wanted to make the trek to a country thousands of miles from home. Even more surprising, to some, was Ford’s reason: the shooting death of Michael Brown by a police officer in Ferguson, Missouri.

Ghana’s fast-growing economy and “Year of Return” initiative in 2019, under which the Ghanaian government hopes to encourage people of African descent to move to Ghana, have attracted many African-Americans to the country. As Mark Beckford reports, Lakeshia Ford is one of a growing number of African-Americans relocating to Ghana in search of community, job opportunities, and freedom from the violence prevalent in the United States. 

6. Keep Moving: The Nomadic Life of an Assistant Basketball Coach (Michael Croley, November 12, 2014, Sports Illustrated)

What does it take to be a Division I head coach? What sacrifices is a person willing to make –– in regard to uprooting family, turning down other lucrative career options, etc., –– to vie for an elusive spot? Michael Croley, in this profile of assistant coach Gus Hauser, who has moved six times in 11 years, seeks to answer these questions and more.

Like their colleagues in academia, they give up nearly all control of their life in order to move where the jobs are and more often than not, like Gus, uproot their families every two or three years. The sight of Brown, the success he’s had and the stir his presence caused, leads me to believe every single coach, except for a handful, is always working for his next job, and that next job will be dependent upon who he can sign, how many of those signees he steals from the other men in the gym that day, and then if they can turn those guys into players within their system.

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Jacqueline Alnes is working on a memoir about running and neurological illness. Her essays have been published in The New York Times, Guernica, Tin House, and elsewhere. You can find her on Instagram and Twitter @jacquelinealnes.

It’s Getting Hot in Here, So Take Off All Your Constructs

Bone Collector / Juicy J, Photo by Elsa / Getty, Photo illustration by Longreads

Soraya Roberts | Longreads | August 2019 |  7 minutes (1,984 words)

 

The album art for Megan Thee Stallion’s “Hot Girl Summer” has her riding a bottle of Hennessy like a bronco, with Nicki Minaj strapped in behind her. Both rappers have their arms up, their boobs out, their hair down. The flames around them are redundant. Before it was a song, Hot Girl Summer was a meme, with the 24-year-old freestyle genius dropping the mixtape Fever a month ahead of the summer solstice. That art is even better, a throwback to the flyest of fly blaxploitation: “She’s thee hot girl and she’s bringing thee heat” (more redundant flames surround her). Named Stallion for her statuesque beauty and with fans known as Hotties, Megan rebranded the aestival months as Hot Girl Summer. In the August issue of Paper magazine, she calls it a movement. The rapper told The Root that being a hot girl is not about being a certain type of sexy — it’s about “women, and men, just being unapologetically them.” But there are clear parameters here, which encompass a look — 5’11’’, hourglass — and a personality: “You definitely have to be a person that could be like the life of the party, and, you know, just a bad bitch.” Hot Girl Summer isn’t Taraji P. Henson in spectacles quietly doing actual rocket science, it’s Halle Berry in an orange bikini popping up out of the surf as Bond gawks. While Hot Girl Summer rejects the idea that a woman, notably a black woman, has to be answerable to anyone — a poignant reminder in a climate of rampant misogyny — the movement still implies a sexy young object of someone else’s desire. Read more…

Flagrant Foul: Benching Teen Moms Before Title IX

Illustration by J.O. Applegate

Britni de la Cretaz | Longreads | August 2019 | 27 minutes (6,922 words)

Before the pregnancy, before the ineligibility, and before the lawsuit, Jane Christoffer was one of the best basketball players in the basketball-loving state of Iowa. As a freshman in 1968–69 at Ruthven Consolidated High School, a school of just 106 students located in northwest Iowa, the 5-foot-11 Christoffer averaged 35 points per game, leading Ruthven to the state tournament for the first time in more than a decade. She upped her scoring average the next season to 47 points, and was named third team all-state, which prompted Richard Barber, her coach at Ruthven, to say, “Jane’s as good a player as we’ve had in the 20 years I’ve been here.” Read more…

Sex Work and Workers: A Reading List to Get You Beyond Law & Order SVU and Pretty Woman

A group of sex workers and supporters are seen holding a banner during a demonstration in the Netherlands (Photo by Ana Fernandez / SOPA Images/Sipa USA)(Sipa via AP Images)

Sara Benincasa is a quadruple threat: she writes, she acts, she’s funny, and she has truly exceptional hair. She also reads, a lot, and joins us to share some of her favorite stories

The world’s oldest profession remains the most stigmatized, and it recently occurred to me that I still don’t actually know much about it. I have some friends who are very public about their sex work, but perhaps because I still have a certain post-Catholic prudishess, I’ve never watched any of their films or webcam stuff — I figure I’d either get squeamish seeing my friends in a sexual situation, or I’d ask a million very basic questions after, like, “So is there somebody to touch up your hair and makeup on set?” and “Do you get craft services and is it good?” and “How do you keep your nails that long and still do that?”

In addition to my out-and-proud pals who work in the adult film industry, I probably have some friends who do sex work and have never told anybody other than their clients. And I understand — they might face harsh criticism and even shunning by family and friends, the loss of their other jobs, eviction from their homes, and more.

You probably have some friends like that, too. The umbrella term “sex work” encompasses a wide variety of occupations. Dancing in strip clubs. Sugar daddy relationships. Street prostitution. Traditional, fully produced porn films. Personalized private images and videos in exchange for Amazon wish list fulfillment. Webcam sessions, old-school peep shows, erotic ASMR videos, and more. None of these things is exactly like the other.

The portraits of sex workers in popular film and television are typically idealized and sanitized or irrevocably grim and sex-negative. In researching this column, I wanted to focus on first-person accounts by sex workers from a variety of ethnic and cultural backgrounds. And I was fortunate to find a relatively rare example of good reporting on sex workers.

1. “We Are Kinda Unbreakable” (Raye Weigel, Baltimore City Paper, September 2017)

Street prostitution, while loosely categorized under the same “sex work” umbrella as mainstream porn, is clearly more dangerous, more stigmatized, and potentially more punishing than most other professions. It is not glamorous. It is not highly lucrative. It is certainly not Pretty Woman.

Weigel introduces us to Rhue Cook, at her own desk in the Gay, Lesbian, Bisexual, and Transgender Community Center of Baltimore (GLCCB), ready to start her evening as leader of the Transgender Action Group community outreach night. According to Weigel, “The Human Rights Campaign compiled statistics about 53 known transgender homicide victims from 2013 to 2015. The number may be higher, however, due to a lack of accurate data collection on the subject or misgendering in reports. Forty-six of the victims were people of color, and at least 34 percent were likely engaged in survival sex work at the time of their deaths.”

Weigel, Cook, and a sex worker walk the streets, handing out condoms, support, and advice. The writer does a journalist’s most important job in a story like this: turning these community figures into living, breathing humans, and making them real to strangers who may read this article five minutes or 5,000 miles away from GLCCB HQ. 

2. “The Massage Parlor Means Survival Here: Red Canary Song On Robert Kraft(Red Canary Song, Tits and Sass, April 2019)

The sex work blog Tits and Sass was far and away the outlet most cited when I asked friends and Twitter followers for their favorite sex work essays. This author, Red Canary Song, is not an individual person but “a New York City based collective that supports Asian migrant massage and sex worker organizing in Flushing, Queens.”

The opinion piece addresses, in part, the high-profile arrest of Robert Kraft in early 2019. Kraft, owner of the New England Patriots, was charged with solicitation at a Florida massage parlor in a case law enforcement called a landmark human trafficking sting meant to rescue women victimized by an international criminal ring.

Like Charlotte Shane in Sports Illustrated, Red Canary Song calls bullshit, writing, “If this case was such a dire example of human trafficking, why [did the sting operation take] eight months? Why entrap and arrest ‘victims?’ This demonstrates either a lack of regard for the suffering of Chinese massage workers, or disingenuous targeting of high profile men through false claims of immigrant exploitation.” As usual, the sex workers face greater consequences than the clientele.

Red Canary Song advocates for “the funding of affordable housing, affirming healthcare, and food and cash assistance,” rather than throwing money at agents of what it sees as a sexist, white supremacist state and expecting said agents to treat migrant sex workers with decency. 

3. “What Mother’s Day is Like When You’re a Sex Worker & a Mom” (Maxine Holloway, Broke-Ass Stuart, May 2019)

Holloway, a new mom, is pretty happy to be a mother. But she faces particular stressors as a sex worker. She writes, “As I schedule appointments with pediatricians, talk with child care providers, and meet other parents at postpartum groups, I realize how grateful I am to be surrounded by people who love and support sex workers — and how difficult it is to open up.” She convenes a panel of sorts, interviewing three other moms who are also sex workers about everything from how to tell their kids about their profession to how to deal with parents who might judge their careers.

It’s really illuminating and I want you to read all the great quotes for yourself! But here’s one from adult performer Lotus Lain, whose daughter is in middle school:

“My friend Ana, who is also in the industry, is like a real sister, aunt, family member, and has seen my kid grow up since she was five. She has a cute nickname for my kid, helps with child care, and takes us to the beach when we are sad. I just didn’t expect that kind of depth and friendship out of this industry when I first started. “

Ckiara Rose, an environmental activist, sex worker, and mother to a 25-year-old son, speaks openly about a history that includes being stalked, enduring assault, suffering from drug addiction, and more trauma. But the temporary loss of her son to foster care looms larger than any of these struggles — which makes her current healthy relationship with him shine even brighter.

Gia DiMarco actually found her way to porn and other sex work because she was a mother who needed to provide for two small kids. She tells Holloway, “For me, being a sex worker has made me a better mom because it’s given me the ability to almost be a stay-at-home mom and still earn a good income.” Like Rose, DiMarco has experienced a custody battle in which her work in porn was used against her. She speaks about the extra need for privacy online, her self-conscious effort to never appear “too sexy” when picking her kids up at school, and the division of her personal life and her professional life.

4. “Sex Workers Are Not A Life Hack for ‘Helping’ Sexual Predators” (Alana Massey, Self, November 2017)

In an essay tagged to the then-recent New York Times article on Louis C.K.’s history of masturbating in front of women without their consent, Massey issues a powerful reminder that sex workers don’t exist to manage the hurtful impulses of men who want to violate boundaries. As a comedy writer, I found this line most poignant: “Sex workers are some of comedy’s most disposable people, which is made even worse by the fact that it’s a reflection of reality.” Massey’s own history of sex work puts her opinion into the grounded reality of her lived experience.

5. “Stoya: I Thought Female Sexuality Was An Okay Thing?” (James Reith, The Guardian, June 2018)

While I wasn’t on the phone when Reith interviewed the actress, author, producer, director, dancer, essayist, and activist known as Stoya, I know how difficult it is to distill the insights of a talkative, brilliant person into a finite number of words! And having worked with Stoya as well as having read some of her writing, I do believe she is both those things. This is a very good introduction to her philosophy and approach when tackling fraught subjects like sexism and sex work. She’s self-deprecating, thoughtful, funny, and accessible. She’s an intellectual, but she’s not a snob.

6. “What I Want to Know Is Why You Hate Porn Stars” (Conner Habib, The Stranger, March 2014)

Conner Habib is my friend, so there’s your full disclosure. He’s one of the smartest people I’ve ever met, and I’ve been fortunate to meet a lot of them. In fact, he’s currently pursuing a Ph.D. program in sunny Ireland. A life in academia does not necessarily denote intelligence, emotional or otherwise, but Conner is deeply intelligent in many ways. He’s also been an award-winning gay adult performer.

In this essay for The Stranger, he writes movingly of lost love and of the seemingly fruitless effort to convince a boyfriend that porn is not inherently evil: “To him, me being in porn seemed out of place in the rest of my life. I’m a spiritual person and I went to grad school. I taught college English courses and studied science. The porn, for him, didn’t match up with all of that. I started to grow quiet. I didn’t like that I was growing quiet; after all, it was my big chance to talk about my job and my choices. But framed this way, in the form of contradictions, it didn’t seem right. ‘Contradictions’ was a word that meant I’d already lost the battle.

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Years ago, I was invited to co-host an adult film awards ceremony with Stoya. She was an absolute delight, which always makes a job more pleasant. But I had never done comedy in front of a crowd of 400 sex workers (or any out sex workers, so far as I knew) so I asked her if she had any thoughts on what might suit this particular audience.

She gave me a great piece of advice, which I can summarize as follows: Never assume anything about sex workers — not their politics, not their family structure, not their religion or lack thereof, not their history with or without trauma, not their income, nothing.

From a hosting perspective, the show went brilliantly. The room was warm, friendly, smart, and silly. The sponsor, the blog and news website Fleshbot, made everything fun and good-hearted (thanks in no small part to then-site owner Lux Alptraum, a gifted writer and editor.) But I didn’t go on to learn much more about sex work afterward, not really. Not until now.

This particular column was an excellent reminder to me that if I say I respect someone or I say that I’m their friend, I ought to learn more about what they do, why they do it, and how it makes them feel. But that’s not just true for folks I’ve met and personally like — it is true for anyone from a community that I purport to regard with dignity and decency.

The work of unpacking one’s prejudices and fears never really ends, unless you end it. It can be tiring, annoying, and inconvenient. That’s good. Growth is often uncomfortable, physically and otherwise. But if it makes one a better friend or happier human, I’d say it’s more than worth it.

For more on sex work, more than I could possibly provide here, please become a reader of Tits and Sass.

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Sara Benincasa is a stand-up comedian, actress, college speaker on mental health awareness, and the author of Real Artists Have Day JobsDC TripGreat, and Agorafabulous!: Dispatches From My Bedroom. She also wrote a very silly joke book called Tim Kaine Is Your Nice Dad. Recent roles include “Corporate” on Comedy Central, “Bill Nye Saves The World” on Netflix, “The Jim Gaffigan Show” on TVLand and critically-acclaimed short film “The Focus Group,” which she also wrote. She also hosts the podcast “Where Ya From?”

Editor: Michelle Weber