A selection of 25 successful article-to-film adaptations that made it all the way to the box office.
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Posted inNonfiction
Whiteness on the Couch
Clinical psychologist Natasha Stovall looks at the vast spectrum of white people problems, and why we never talk about them in therapy.
Posted inBooks, History, Nonfiction, Story, Travel
A Three-Day Expedition To Walk Across Paris Entirely Underground
Journalist Will Hunt, who made the crossing with a group of urban explorers, recounts being menaced by rainwater and rats — and meeting fellow subterranean wanderers along the way.
Posted inStory
“I Miss My Body When It Was Ferocious”: The Transfiguration of Paul Curreri
For years, singer-songwriter Paul Curreri was a shouter of singular beauty. Then he went quiet — slowly, at first, then all of a sudden.
Posted inEssays & Criticism, Feature, Nonfiction, Story
When Running Toward Yourself Looks Like Running Away
Amber Leventry recalls how getting sober forced them to confront and reveal important truths about their identity.
Posted inNonfiction
Truly Seeing the River: An Interview with Writer Boyce Upholt
Writing about the culture and beauty of the Mississippi Delta requires seeing the mighty river as more than a line of water.
Posted inBooks, Fiction, History, Profiles & Interviews, Science & Nature, Story
Namwali Serpell on Doing the Responsible Thing — Writing an Irresponsible Novel
“I joke that this is the great Zambian novel you didn’t know you were waiting for.”
Posted inNonfiction
Hello, Forgetfulness; Hello, Mother
Peering into the mirror of her mother, Marcia Aldrich wonders whether she too is sentenced to dementia.
Posted inArts & Culture, Culture, Highlight, Nonfiction, Quote Posts, Quotes
Musicians Come Clean on How They Live, Create, and Thrive While Sober
Chris Heath at GQ interviews nine sober musicians on thriving creatively.
Posted inArts & Culture, Feature, Nonfiction, Story
Shelved: Jeff Buckley’s Sketches for My Sweetheart the Drunk
The posthumous Buckley industry began with this problematic album, proof that the people who control a musician’s estate don’t always have his music in mind.
