Search Results for: Smithsonian

Featured Longreader: Derek Preston’s #longreads page. See his story picks from Smithsonian Magazine, London Review of Books, Tehelka, plus more.

The early origins of separation of church and state in America. Williams was a Puritan minister, banished from Massachusetts, before creating the settlement Providence: 

He bought the land from the Narragansett Indians and wrote that “having, of a sense of God’s merciful providence unto me in my distress, [I] called the place PROVIDENCE, I desired it might be for a shelter for persons distressed for conscience.”

By “conscience” he meant religion. His family and a dozen or so men with their families, many of them followers from Salem, joined him. Few as they were, Williams soon recognized the need for some form of government. The Narragansetts had sold the land solely to him, and in all English and colonial precedent those proprietary rights gave him political control over the settlement. Yet he drafted a political compact for Providence, and in it he demonstrated that his thinking had taken him into a new world indeed.

“God, Government and Roger Williams’ Big Idea.” — John M. Barry, Smithsonian magazine

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A brief history of the many attempts during the 19th Century to build a tunnel under the Thames River in London:

Another bridge was out of the question—it would deny sailing ships access to the Pool of London—and ambitious men turned their thoughts to driving a tunnel beneath the Thames instead. This was not such an obvious idea as it might appear. Although demand for coal was growing fast as the industrial revolution hit high gear, working methods remained primitive. Tunnels were dug by men wielding picks in sputtering candlelight.

No engineers had tunneled under a major river, and the Thames was an especially tricky river. To the north, London was built on a solid bed of clay, ideal tunneling material. To the south and east, however, lay deeper strata of water-bearing sand, gravel and oozing quicksand, all broken up by layers of gravel, silt, petrified trees and the debris of ancient oyster beds. The ground was semi-liquid, and at depth it became highly pressurized, threatening to burst into any construction site.

“The Epic Struggle to Tunnel Under the Thames.” — Mike Dash, Smithsonian

See also: “In a House by the River.” Outside, Jan. 14, 2011

Brian Wolly: My Top 5 Longreads of 2011

Brian Wolly is an associate web editor at Smithsonian Magazine.

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1. Tom Bissell’s Breakdown of L.A. Noire on Grantland

When ESPN and Bill Simmons’ Grantland debuted in early June, the knives were out and its initial reaction was mixed at best. Like many, I approached the new project with simultaneous skepticism and optimism, but it wasn’t Simmons or Chuck Klosterman that sold me on the site’s potential. Bissell’s searingly accurate review and analysis of Rockstar’s supposedly groundbreaking video game L.A. Noire was the revelatory pice of writing that said, “Grantland will be around for a long time.” With his wit and contemplative style of placing L.A. Noire in the context of where the video game industry is headed, Bissell brought two much-vaunted products (Grantland and the game) down to Earth.

2. Sarah Stillman on the Invisible Army in Iraq

Perhaps no story from the New Yorker this year was more under-recognized than Stillman’s devastating expose on the third-country nationals working on U.S. military bases. The never-ending strata of deception piled upon political indifference was staggering. Her reportingwas a mash-up between the existential dread of The Wire with Eugene Jarecki’s Why We Fight and it deserves to be recognized for its brilliance.

3. The Film Nerd 2.0 Series on Star Wars: Parts 1, 2, 3, 4, 5, and 6

The six posts that encompass Drew McWeeny’s adventure in introducing his two sons to the six Star Wars films are a joyous series that reawakened the film nerd in me as well. McWeeny does the impossible: he makes me appreciate the Phantom Menace. For any parent (or eventual parent) who dreams of showing their own kids the two trilogies, McWeeny offers an endearing road map for how to do so. For those who want to just show the original trilogy, he’ll show you why you’re wrong.

4. Jonathan Bernhardt on Peter Angelos and the Orioles

In 2005, with the introduction of the Washington Nationals, I had to choose between my hometown’s new team and the team I had grown up rooting for, the Baltimore Orioles. I picked the Nats and have never looked back. Here are Bernhardt’s catalogues of Angelos’ transition from working class hero to the most despised owner in professional baseball. Taken in aggregate, the list of misdeeds gets to the heart of loving a team that will always disappoint.

5. James Fallows on Hacked!

In his Atlantic cover story, Fallows relates what everyone’s biggest nightmare, losing control of their gmail, happened to his wife. I sent the piece around to friends and family, insisting that they implement the steps Fallows recommended. Service journalism at its best.

And quickly, 3 great longreads from Smithsonian.com:

1. A Mega Dam Dilemma in the Amazon

Clay Risen weighs the positives and negatives with the Inambari Dam in Peru — the astounding photos by Ivan Kashinsky are also worth a look.

2. The Beer Archaeologist

Staff writer Abigail Tucker takes on the toughest assignment ever: reporting on Dogfish Head Brewery’s attempts to recreate ancient beer recipes.

3. Minter’s Ring: The Story of One World War II POW

Our new history blog is a great source for so many #longreads, but Gilbert King’s retelling of Minter Dial’s lost ring is a stirring tribute to the “Greatest Generation.”

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The Believer's Karolina Waclawiak: My Top 5 Longreads of 2011

Karolina Waclawiak is a novelist and screenwriter. She is also the deputy editor of The Believer. Her first novel, How To Get Into The Twin Palms, will be out July 2012 from Two Dollar Radio.

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I’ve always been fascinated with religion, Russia, and missing persons stories so these five nonfiction pieces really captured my attention this year. The fallout from The New Yorker‘s Scientology piece turned out to be as compelling as the essay itself—and I had to put The New Yorker on here twice because the recent piece on Vladimir Putin is spectacular and continually evolving. Paul Collins’ piece on missing Barbara Follett was utterly haunting and Paul is a master of uncovering long-hidden mysteries. Everyone should check out all of his work, and I’m sure many have after reading that piece. And really, for the other two, who can turn away from secret cults and dead bodies found on beaches? Not me.

1. “The Civil Archipelago,” David Remnick, The New Yorker

2. “The Apostate,” Lawrence Wright, The New Yorker

3. “The Body on Somerton Beach,” Mike Dash, Smithsonian

4. “Inside ‘The Order,’ One Mormon Cult’s Secret Empire,” Jesse Hyde, Rolling Stone

5. “Vanishing Act,” Paul Collins, Lapham’s Quarterly

BONUS

“Love in a Cold Climate,” Nancy Jo Sales, Vanity Fair

Say what you will of Ms. Love, but she’ll always have a fan in me. 

“To Have and Have Not,” Matt Tyrnauer, Vanity Fair

I found myself endlessly quoting this piece on screen legend Lauren Bacall.

“Judy Lewis, Secret Daughter of Hollywood, Dies at 76,” Paul Vitello, The New York Times

NY Times’ fascinating obituary of Loretta Young’s illegitimate daughter with Clark Gable, Judy Lewis.

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Brain Pickings' Maria Popova: My Top 5 Longreads of 2011

Maria Popova is the founder and editor in chief of Brain Pickings, a writer for Wired UK, Design Observer, and The Atlantic, among others, and an MIT Futures of Entertainment fellow, spending far, far too much time curating the web’s interestingness as @brainpicker.

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I’ve always found reading, writing, and thinking to be so tightly interwoven that, when done correctly, they become indistinguishable from one another. Like architecting your life and your social circle, architecting your mind’s life is an exercise in immersing yourself in an eclectic mix of viewpoints and directions of thought. In that way, longform is like the most intense of friendships, where the time dedication and the active choice to show up far eclipse the noncommittal acquaintanceship of soundbite culture. A healthy longform diet must thus include something that breaks your heart, something that gives you hope, something by someone you find a little self-righteous, something by someone with whom you’re a little bit in love—and, ideally, the inability to fully tell which is which. With this in mind, here are the five finest pieces I laid eyes and neurons on this year, which did for me all of the above, and then some.

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“Mark Twain in Love,” by Ron Powers (Smithsonian)

A bittersweet story about Samuel Clemens, but really about something profoundly and universally human: love, timing, and the often tragic misalignment of the two. And in that story lies a subtle reminder that unless we pursue the heart’s desire with complete clarity of purpose and intention, we’re left forever playing out those could’ve-beens, as Twain did, in our dreams.

“Thus it was Sam’s stubbornness that foreclosed any further encounter with Laura Wright. Yet they did meet, time and again, over the years, in Clemens’ dreams. And dreams, Samuel Clemens came to believe, were as real as anything in the waking world.”

“Post-Artifact Books & Publishing,” by Craig Mod

As both a marginalia obsessive and a hopeless bibliophile torn between the love of books and the mesmerism of the web, I spend a lot of time thinking about the future of books—or, more accurately, about the function books have traditionally served as a medium for arguing and teasing out ideas of significance and cultural gravity. Hardly anyone fuses a bibliophile’s profound respect for books with a designer’s sensitivity to the reading experience and a digital entrepreneur’s visionary bravery more fluidly, articulately, and thoughtfully than Craig Mod.

“Manifested properly, each new person who participates in the production of digital marginalia changes the reading experience of that book for the next person. Analog marginalia doesn’t know other analog marginalia. Digital marginalia is a collective conversation, cumulative stratum.”

“How the Internet Gets Inside Us,” by Adam Gopnik (The New Yorker)

Gopnik is one of my favorite nonfiction authors working today. And this is no ordinary book review of what eventually became my favorite history book of 2011—it paints a riveting connect-the-dots portrait of information’s history and future through such fascinating and surprisingly related subjects as African drum languages, the Morse Code, Marshall McLuhan, and Google.

“Yet surely having something wrapped right around your mind is different from having your mind wrapped tightly around something. What we live in is not the age of the extended mind but the age of the inverted self. The things that have usually lived in the darker recesses or mad corners of our mind—sexual obsessions and conspiracy theories, paranoid fixations and fetishes—are now out there: you click once and you can read about the Kennedy autopsy or the Nazi salute or hog-tied Swedish flight attendants. But things that were once external and subject to the social rules of caution and embarrassment—above all, our interactions with other people—are now easily internalized, made to feel like mere workings of the id left on its own.”

“Lessons According to Salt,” by Liz Danzico

There is something magnificent and magical that happens when we open ourselves up to the poetry of possibility—of “overlookedness,” if you will. (Lesson #1.) 

“The saltbox itself as an object is unremarkable. Alone, it communicates nothing. Says nothing about its role. Its intention. Its history as a gift born out of a romance between my maternal grandparents. Says nothing of its possibilities.

But add people, and it becomes a central iterative device. The license to change, to iterate, to test, to add, to make, to make over, to create (clearly, with food). It gives license and latitude to stray from what has been written (recipes) for those too shy to do. Therefore, it gives strength. It gives iterative powers to those not comfortable with version control. With its subtlety comes comfort in change.

One might say the saltbox, and access to it, is magic.”

“Wikipedia And The Death of The Expert,” by Maria Bustillos (The Awl)

Picking just one of Maria Bustillos’ many brilliant pieces was excruciating, but this meditation on the future of authorship, content curation, and intellectual innovation is simply exquisite, and tickles my own restlessness about the changing currencies and sandboxes of authorship in the age of information overload.

“All these elements—the abandonment of ‘point of view,’ the willingness to consider the present with the same urgency as the past, the borrowing ‘of wit or wisdom from any man who is capable of lending us either,’ the desire to understand the mechanisms by which we are made to understand—are cornerstones of intellectual innovation in the Internet age. In particular, the liberation from ‘authorship’ (brought about by the emergence of a ‘hive mind’) is starting to have immediate implications that few beside McLuhan foresaw. His work represents a synthesis of the main precepts of New Criticism with what we have come to call cultural criticism and/or media theory.”

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Over the past decade or more, Shanghai has grown like no other city on the planet. Home to 13.3 million residents in 1990, the city now has some 23 million residents (to New York City’s 8.1 million), with half a million newcomers each year. To handle the influx, developers are planning to build, among other developments, seven satellite cities on the fringes of Shanghai’s 2,400 square miles. Shanghai opened its first subway line in 1995; today it has 11; by 2025, there will be 22. In 2004, the city also opened the world’s first commercial high-speed magnetic levitation train line.

“Shanghai Gets Supersized.” — David DeVoss and Lauren Hilgers, Smithsonian Magazine

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Within the past five years, museums have returned to the Italian and Greek governments more than 100 artifacts worth nearly $1 billion. The Met gave back 21 pieces, including its celebrated Euphronios krater, a Greek vessel dating to about 515 B.C., which the museum had acquired in 1972 for a then-record $1 million. The Boston MFA returned 13 objects, including a statue of Sabina, wife of the second-century A.D. Roman emperor Hadrian. In no case did a museum acknowledge wrongdoing on its part, and, in a historic shift, the Italian government agreed to make long-term loans of other antiquities to take the place of those that had been repatriated.

The Getty gave back more objects than any other museum—47, nearly a dozen of them masterpieces—and the last piece to go was its iconic goddess. The story of the statue stands as a case study of how longstanding practices in the market for Greek and Roman antiquities were overtaken by changes in attitude, the law and law enforcement.

“The Goddess Goes Home.” — Ralph Frammolino, Smithsonian Magazine

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John Howard Griffin had embarked on a journey unlike any other. Many black authors had written about the hardship of living in the Jim Crow South. A few white writers had argued for integration. But Griffin, a novelist of extraordinary empathy rooted in his Catholic faith, had devised a daring experiment. To comprehend the lives of black people, he had darkened his skin to become black.

“Black Like Me, 50 Years Later.” — Bruce Watson, Smithsonian Magazine

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Most Popular #Longreads, last 7 days: Caravan magazine on India Prime Minister Manmohan Singh, plus Bloomberg Businessweek and Smithsonian Magazine.