New York might be Lou Reed’s most politically active album, especially on tracks like “Halloween Parade,” which functions both as a dirge and call-to-action confronting societal torpidity.
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The New Old Hollywood
The Hollywood establishment used to be dominated by old white men, but that’s changing fast.
Punk Poet Eileen Myles on Combating Trump, Capitalism With Art
A profile of punk poet Eileen Myles, who has a new memoir out, Afterglow, and whose first autobiographical novel, Cool for You, has recently been re-released with an introduction by I Love Dick author Chris Kraus. Myles (who prefers gender-neutral pronouns) has been publishing since the 70s, but has lately been experiencing a new wave […]
Looking for Carolina Maria de Jesus
For a brief period in the 1960s, the Afro-Brazilian author of the memoir “Child of the Dark” was one of the most well-known writers in the world.
The Fault in Our Stars: On Fake Celebrity Interviews
Fake celebrity interviews have been around for years, but Germany has seemingly become one of the largest exporters.
Hellhound on the Money Trail
Standard recording contracts screwed Bluesmen out of royalties in the early 1900s, and the system was no different when Columbia released “Robert Johnson: The Complete Recordings in 1990.”
The Story of Country Music’s Great Songwriting Duo
Before they released “Wichita Lineman,” the greatest unfinished song of all time, Glen Campbell and Jimmy Webb lived surprisingly parallel lives.
Of Safe Words and the Sacred
A BDSM relationship gone wrong helped Britni de la Cretaz find God.
Of Safe Words and the Sacred
A BDSM relationship gone wrong helped Britni de la Cretaz find God.
“I miss my body when it was ferocious” The Transfiguration of Paul Curreri
For years, singer-songwriter Paul Curreri was a shouter of singular beauty. Then he went quiet — slowly, at first, then all of a sudden.
