On the return of ‘Veronica Mars’ and the power of the solitary woman.
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Posted inNonfiction
It’s Like That: The Makings of a Hip-Hop Writer
Hip-hop was a different kind of music that needed a different kind of writer to cover it. This is how Michael A. Gonzales came of age in a time when Black writers began breaking the white ceiling.
Posted inArts & Culture, Crime, Culture, Current Events, Events, Reading List
What to Read After ‘Leaving Neverland’
A list of longreads to make sense of ‘Leaving Neverland.’
Posted inArts & Culture, Nonfiction, Writing
The End of ‘Rolling Stone’ As We Know It
Jann Wenner created a magazine that lasted for 50 years because he understood nostalgia sells.
Posted inArts & Culture, Nonfiction, Story
Searching for The Sundays
When music writers are also music fans, they can walk a line between appreciative and intrusive.
Posted inArts & Culture, Reading List
The World of Nora Ephron: A Reading List
Seven stories about the journalist and director, on the 20th anniversary of the release of the film, “You’ve Got Mail.”
Posted inBlog Post, Current Events
Fats Domino’s Secret to Writing Great Songs: ‘Bein’ Lucky’
Fats Domino passed away on Oct. 25 at the age of 89.
Posted inArts & Culture, Books, Nonfiction, Story
Three Decades of Cross-Cultural Utopianism in British Music Writing
The history of England’s fertile music press reveals as much about the opinionated English youth who created it as it does the music they covered in the second half of the 20th century.
Posted inEditor's Pick, Essays & Criticism, Nonfiction
Johnny Rotten, My Mom, and Me
Kimberly Mack recalls the ways in which rock music bonded her with her African American mom, and how those fierce sounds helped them cope with the poverty, violence, and despair both outside and inside their Brooklyn home.
Posted inEssays & Criticism, Feature, Nonfiction, Story
Johnny Rotten, My Mom, and Me
Kimberly Mack recalls the ways in which rock music bonded her with her African American mom, and how those fierce sounds helped them cope with the poverty, violence, and despair both outside and inside their Brooklyn home.
