Melissa Berman recalls what was said, and not said, between her and her beloved aunt as they approached her final year.
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The Breakup Museum: Archiving the Way We Were
Essayist Leslie Jamison visits the Breakup Museum in Zagreb, Croatia — created in 2003 after founders Olinka Vištica and Dražen Grubišić ended their relationship — and considers what stories are told by the objects we shared with former loved ones.
Queens of Infamy: Lucrezia Borgia
History may have pigeonholed her as Renaissance Italy’s most notorious seductress, but it’s high time we give the Duchess of Ferrara a closer look.
Longreads Best of 2018: Crime Reporting
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in crime reporting.
The Underground Magazine That Helped Shape Portland, Oregon
Before Portland was a known entity, a group of volunteers and one charismatic editor published an indie arts magazine called Snipehunt. This is its story.
The Last of the Live Reviewers: An Interview with Nate Chinen
Nate Chinen may have been the last full-time jazz reviewer at any American newspaper. He says jazz hasn’t been in a better place since the ’60s — but the commercial infrastructure is broken.
Borrowed Babies
Five months into her first pregnancy, one writer pursues a research project about the history of home economics, as she struggles with her own concerns about motherhood.
“This Halloween is Something to Be Sure”: An Examination of Lou Reed’s New York
New York might be Lou Reed’s most politically active album, especially on tracks like “Halloween Parade,” which functions both as a dirge and call-to-action confronting societal torpidity.
Let Me Show You the World
Almost everything you think you know about Aladdin is wrong.
‘I Spent Two Years Researching Before I Wrote a Single Line’: Geeking Out With Marlon James
Man Booker winner Marlon James immersed himself in African myths and history, so he could use that world as a springboard for a new fantasy series.
