Search Results for: Prison

A Beautiful, Rugged Place: Erosion of the Body

Photo by Jerry Zhang, Book Cover from Sarah Crichton Books

Terry Tempest Williams | Erosion | Farrar, Straus and Giroux | October 2019 | 39 minutes (7,820 words)

 

“We are only lightly covered with buttoned cloth; and beneath these pavements are shells, bones and silence.” —Virginia Woolf, The Waves

 

We had just celebrated my father’s eighty-fifth birthday. Louis Gakumba and I were driving back up to Jackson Hole. My husband Brooke texted me, “I love you. Pull over to the side of the road. Call me.” I knew it was Dan. I had been thinking of him as I was mesmerized by the immense cumulus clouds building in the west.

“Is Dan dead?”

“Yes.”

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The Top 5 Longreads of the Week

Nadia Milleron, whose daughter Samya Stumo, was killed in the crash of Ethiopian Airlines Flight 302, holds a picture of Boeing 737 Max jet crash victims, during the House Transportation and Infrastructure Committee hearing examining the “design, development, and marketing,” of the Boeing 737 Max, on Wednesday, October 30, 2019. (Photo By Tom Williams/CQ Roll Call)

This week, we’re sharing stories from Alec MacGillis, Melissa Brown, Brendan I. Koerner, Christopher Mathias, and Yiyun Li.

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The Alabama “Corrections” System: An American Horror Story

Inmates sit in a treatment dorm at Staton Correctional Facility in Elmore, Ala., Wednesday, Sept. 4, 2019. The Department of Justice has threatened to sue Alabama over excessive violence and other problems in state prisons for male inmates. (AP Photo/Kim Chandler)

The Montgomery Advertiser interviewed more than two dozen men in the Alabama correction system, all of whom report extreme routine violence and “unhinged” drug-induced behavior among those incarcerated — often against elderly and vulnerable members of the prison population. As Melissa Brown reports, rehabilitation is impossible with little access to programs, while guards remain indifferent at best, refusing to enforce prison rules, or at worst, helping to perpetrate heinous acts.

The consistency of experiences — from prison to prison, from lifers to the newly incarcerated, from young and old, from black and white — paint a chilling portrait of corruption, violence and the disintegration of state institutions purported to correct and rehabilitate.

Alabama prison administrators openly flout the department’s stated rules and regulations in an attempt to exert control and discipline prisoners, the Montgomery Advertiser has found after months of reporting and interviews with dozens of men incarcerated across the state.

In the seven months since the Department of Justice released a scathing report on the Alabama Department of Corrections, prison officials have withheld food from men, micromanaging minor disciplinary infractions while violence and unexpected deaths continue unabated, including nine which occurred during the reporting of this story in September and October.

Ma’am, I’ve seen old, elderly people in wheelchairs get jumped on and robbed and get beat real bad. There’s nothing you can do about it. Officers don’t do nothing. I’ve seen a man get beat so bad in here, and the officers dragged him back in and put him in the same dorm.

This place is like a killing ground. It’s like a killing field, and nobody is doing anything about it. When people do get murdered, they say ‘died from natural causes.’

[There’s an older man who] is homeless in prison. He has no mattress, no clothes. He sleeps on the floor. Every time he gets something, they take it from him.

I’ve watched the very ones who are trusted to keep us in custody, safe and prepared for returning home beat, extort and even rape. My experience is one I’d never wish upon my worst enemy.

The humanity of us in here is stripped.

One asks why should the average citizen care about the living conditions in prison? It’s imperative to answer that question in the simplest way. First the taxpayer (average citizen) is the investor of prison life. Next, the investor now becomes a party in the creation of what exits these walls. My question has always been and remains, “What kind of individual would you want me to be once I’m released? A man or a monster? Rehabilitated or an animal?” If one was to really think about the creation of what I am to become along the same lines as the investment of their own personal safety, wouldn’t you want the best assurance money could buy?

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When It Comes to the Climate Crisis, Don’t Forget the Power of the States

Photo by Juniper Photon, Icons by Greer Mosher

Livia Gershon | Longreads | November 2019 | 7 minutes (1,863 words)

My family’s natural gas-fired furnace is 23 years old. That’s aged; the average lifespan of a system like ours is 15 to 20 years. I live in New Hampshire, which gets awfully cold in the winter and, every October, I wonder whether we’ll make it to March. If the furnace fails this year and we replace it with another one like it, we’re committing to burning fossil fuels until about 2042. If my household switches to electricity, which is better for the environment than what we’ve got, our gas bills will nearly double, to around $2,800 every year. Recently, I called Bill Wenzel, who owns a geothermal heating business the next town over from me.

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Brigid, Magdalene, My Mother, and Me

Getty / Photo illustration by Katie Kosma

Carmel Mc Mahon | Longreads | November 2019 | 13 minutes (3,226 words)

The body of a young Irish woman was found outside Saint Brigid’s Church in Manhattan’s East Village. The city had not yet awoken on the frigid Sunday morning of February 20, 2011. Earlier that month, on St. Brigid’s feast day, she had turned 35 years old. The news reports cited alcoholism, homelessness and hypothermia as contributing factors in her death. They said she wanted to be an artist. They said her name was Grace Farrell.

Grace. Origin: Middle English via Old French from Latin, gratia, from gratus, meaning “pleasing” or “grateful.

The following week, I met “Dublin Kevin” at the AA meeting on East 10th Street. “Did you know her?” he asked. We’d left Ireland for New York when she did, in the mid-’90s, right before the economic tide turned. The background noise of sectarian violence, mass unemployment and rising emigration got dialed down. But there remained other things, muted maybe, things that take generations to rise up and reach the throat.

We ran away with a few hundred dollars and a few vague connections to join the lineage of emigrants from Ireland. People used to say, “Could the last one to leave, please turn out the lights!” A joke to lighten the burden of history. In New York, I gravitated to the East Village to be with the other immigrant kids who were writing poems and working in the cafes and bars. I knew, or half-knew, the ones from home, so how did I not know Grace? And how could this happen to one of us, in our own back-yard, at a church built by our own ancestors?

In an Irish radio interview, a cousin says Grace came to New York to find her mother, who had emigrated shortly after her birth. The young parents were not married in the Catholic and conservative Ireland of the 1970s. Grace was given up for adoption; she spent her early years in foster care, and later, in Saint Vincent’s Children’s Home in Drogheda, County Louth.

I do not know the particulars of Grace’s mother’s situation, but I think about her, and my mother, and their mothers before them. The general climate of Ireland was hostile to women. Divorce, abortion and contraception were illegal. Married women were sometimes not permitted to work, and they had no rights to property in a marriage. There was no such thing as marital rape, and the choice, in cases of abuse, was either to remain with their abuser or become homeless. This is the world we were born into. This is the world that shaped us in ways that are continually being revealed.
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Carrying Histories of Protest

Joe Raedle / Getty, Algonquin Books

Jaquira Díaz | Longreads | excerpt from Ordinary Girls: A Memoir | October 2019 | 11 minutes (3,065 words)

 

Puerto Rico, 1985

Papi and I waited in the town square of Ciales, across from Nuestra Señora del Rosario, the Catholic church. He was quiet, stern-faced, his picked-out Afro shining in the sun, his white polo shirt drenched in sweat. Papi was tall and lean-muscled, with a broad back. He’d grown up boxing and playing basketball, had a thick mustache he groomed every morning in front of the bathroom mirror. Squinting in the sun, one hand tightened around his ring finger, I pulled off Papi’s ring, slipped it onto my thumb. I was six years old and restless: I’d never seen a dead body.

My father’s hero, Puerto Rican poet and activist Juan Antonio Corretjer, had just died. People had come from all over the island and gathered outside the parish to hear his poetry while his remains were transported from San Juan. Mami and Anthony, my older brother, were lost somewhere in the crowd.

During the drive from Humacao to Ciales, I’d listened from the backseat while Papi told the story: how Corretjer had been raised in a family of independentistas, how he’d spent his entire life fighting for el pueblo, for the working class, for Puerto Rico’s freedom. How he’d been a friend of Pedro Albizu Campos, “El Maestro,” who my father adored, the Puerto Rican Nationalist Party leader who’d spent more than twenty-six years in prison for attempting to overthrow the US government. How he had spent a year in “La Princesa,” the prison where Albizu Campos was tortured with radiation. After his release, Corretjer became one of Puerto Rico’s most prominent activist writers.
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Records on Bone

Photo courtesy of the author

Tali Perch | Colorado Review | August 2019 | 46 minutes (9,154 words)

 

Vladimir Vysotsky, or the “Russian Bob Dylan,” has been dead for almost forty years, but were he still alive on this day, my father’s sixty-seventh birthday, we wouldn’t be playing his music anyway. We would play the music that made us American — Bruce Springsteen, Michael Jackson, Tina Turner, Neil Diamond — the same music we play now on this television, in this living room, in this beautiful house of my parents’ immigrant dreams. My brothers and I dance uproariously with our children to “Dancing Queen” and “Born in the usa,” and tenderly with our spouses to “Human Nature” and “Heartlight.” As a child I remember dancing with my father to these songs. But back then the parties were in the cramped living room of our tenement apartment near Newark, New Jersey, or in the similar dwellings of other immigrant families we knew. We ate Russian food, for it was the only food the mothers knew how to make, and the men drank vodka, for some habits are too hard to break. But in those early post-immigration years, no one cared to play Russian music or to be otherwise reminded of a past they loathed enough to flee.

Tonight Mom and Dad watch from their separate loveseats, beaming with joy, in a rare peace that has as much to do with wine and vodka as with the frolicking of children and grandchildren. Occasionally they hold the gazes of my two younger brothers, who managed to be born in America and have no memory of the post-immigration chaos that we three endured. I am jealous of how easily they are able to look each other in the eye. For Mom, Dad, and me, eye contact is like an embrace, a tear, or perhaps, one of Vysotsky’s melodies — too intimate. Our eyes are mirrors reflecting truths more easily avoided. Read more…

A Green New Jail

Felix Mizioznikov/iStock/Getty

Will Meyer | Longreads | October 2019 | 14 minutes (3,738 words)

 

“Seen clearly, nature and landscapes are palimpsests of history and social violence more than they are respites from these things,” observes legal scholar and environmental writer Jedidiah Purdy in his new book This Land Is Our Land: The Struggle For A New Commonwealth. This is an echo from his 2015 book After Nature, in which Purdy recalled the role of early American landscape paintings in a project of “collective self-creation”; these paintings, pioneered by the influential Hudson River School painters during the 1830s, obscured the settler violence inherent to the United States’ colonial project while presenting scenes from the fledgling countryside: the vistas, railroads, and faraway cities that were central to early imaginations of the nation. Not only were these images important to constructing a civic identity, they “yoked ideas of nature to nationalist and imperial projects and to new aesthetic and spiritual claims,” Purdy wrote — that is to say, seeing meant believing. Fusing together notions of landscape, nature, and narrative was critical to the success of the settler project — and remains so today, Purdy argues in This Land. Indeed, this violent visual history pulses through the slim book, which aims to make a case for a Green New Deal — “a commonwealth of shared dignity and mutual care.” Read more…

‘I Was Being Used in Slivers and Slices’: On Feminism at Odds With Evangelical Faith

Joe Raedle/Getty Images

Jane Ratcliffe | Longreads | October 2019 | 19 minutes (5,214 words)

 

I first became aware of Cameron Dezen Hammon during a group reading at Powell’s when she filled in for Alexander Chee at the last moment. Lithe and ridiculously hip, her voice as smooth as glass, as soon as she started speaking, I was mesmerized. Cameron read from the first chapter of her book This Is My Body: A Memoir of Religious and Romantic Obsession in which, as worship leader for an evangelical megachurch, she’s guiding the congregation through the flashy funeral of a young girl. Increasingly conflicted about her role as a woman within the church Cameron writes, “We’re both objects in this space, the eighteen-year-old girl and me, two different kinds of painted dolls. We are lit and arranged and positioned to scaffold the belief that women are to be seen in specific, prescribed ways.”

When I finally got my hands on the galleys several months later, I remained enthralled. Cameron’s prose is lean, whittled, spectacularly exact. Yet her world is achingly alive. At twenty-six, a half-Jewish New Yorker, Cameron is baptized into a charismatic evangelicalism in the frigid waters of Coney Island’s Atlantic Ocean during a lightning storm. Soon she’s speaking in tongues and giving testimony and feeling as if she’s, at last, found family. A gifted and ambitious singer, she falls in love with a fellow musician, Matt, and they settle in Texas where they have a child; together they become more and more immersed in various evangelical churches — even serving as missionaries for several months in Budapest — until Cameron and her magnificent voice move up the ranks to worship pastor. Read more…

The Final Five Percent

Illustration by Glenn Harvey

Tim Requarth| Longreads | October 2019 | 27 minutes (6,723 words)

* Some names have been changed to protect the privacy of individuals.

When the motorcycle accident dealt my brother’s brain an irreversible blow, he and his wife were living in their newly purchased farmhouse on the fringes of suburban Chicago. Conway* had been waiting to move out of the city’s inner-ring suburbs for years, and each morning on the forested property he woke up exuberant. Shortly after moving in, he built an extraordinary tree house some 60 feet in the air, spanning two trees, with sliding joists under the floor to accommodate sway and a hammock to lie in during sunsets. He loved riding his motorcycle, and before work he’d sometimes take his bike out for a spin on the open roads just a few miles away. His wife, Caroline, loved antiques, and the area was full of shops. They were in their 50s and living in a house they planned to grow old in together. Then, after dinner on a fall day in 2007, Conway hopped on his Harley Softail Classic to go buy ice cream and cigarettes. A drunk driver barreled into him. Conway’s left femur snapped and his skull struck the traffic-warmed asphalt, splattering blood all the way to the road’s shoulder. 

Conway’s body was battered, but the real threat, the injury warranting a helicopter ride to the closest hospital with a neurosurgeon on call, was a hemorrhage beneath the subarachnoid membrane, a thin sheath of triple-helixed collagen fibers intertwined with blood vessels that protects the brain’s private chemical harbor of cerebrospinal fluid from the open waters of the body’s blood. The sons of a doctor ourselves, my brother and I had heard stories about neurosurgeons called in at midnight, and those stories didn’t have happy endings.

In the weeks after the accident, I watched Conway wake, recognize familiar faces, and begin to walk. Some signs of progress were cause for celebration; other developments were more worrisome. He’d rarely ever raised his voice at Caroline, but now he called her a “worthless cunt” and a “bitch.” He was lewd to the nurses, exposing himself and laughing. When a speech therapist gently reminded him that she would return for another session later that afternoon, Conway retorted, “No you won’t, because I’ll be fucking you in my van outside!”

At first, the doctors assured us that this inappropriate behavior was a passing recovery phase of traumatic brain injury, or TBI. The lewd remarks eventually subsided, but his behavior took another ominous turn. “He always had a wild streak,” Caroline told me. It’s true that before the accident, Conway had loved flouting the rules. He’d cut across an empty park on his motorcycle to avoid traffic, or build a towering bonfire in his backyard for kicks. “But there was no violence,” she said. After the accident, Conway flew into rages so vicious the hospital staff put a cage over his bed to contain him. When he finally left the hospital, Conway attempted to return to his former life, but he struggled to run his business and pay the bills. He and Caroline’s marriage began to fray. Hopes for a full recovery waned, and eventually Conway’s neuropsychologist confirmed our fears that the personality change might be permanent. “He’s recovered 95 percent brain function,” she said, “But the final 5 percent, it might never return.” Read more…