Search Results for: Outside

The Life and Murder of Stella Walsh, Intersex Olympic Champion

Stella Walsh, training in Cleveland, April 1, 1932 for the Olympic games. (AP Photo)

Rob Tannenbaum | Longreads | August 2016 | 63 minutes (15,868 words)

 

On the night she was murdered, Stella Walsh was in a great mood. The Cleveland resident spent much of December 4, 1980, thinking about her two passions: sports and Poland, the country she ran for when she won two Olympic medals. There was a women’s basketball match the next week between Kent State and the Polish national team, which Walsh helped arrange. Mayor George Voinovich asked her to be his proxy, and his office gave her a key to the city, which she planned to present at the game.

Walsh had planned to leave for Atlanta that day, on a trip with her co-workers at the recreation department, but two days earlier, she’d canceled her ticket, which she said was too expensive for her. She skipped work, slept late, went to the nearby Lansing Tavern in the early afternoon, then returned to the tiny home she shared with her bedridden 84-year-old mother Veronica. After dinner, without saying goodbye, she drove off to buy ribbons for the visiting Poles. She had a lot of money in her pocket, which rarely happened.

In Walsh’s brilliant career as a track and field star, she’d won 41 Amateur Athletic Union (AAU) titles and set 20 world records in a range of events, from sprints to the discus throw. She was the first superstar of women’s track and field, a dominant performer who intimidated her competitors, and the only woman of her era whose box-office appeal matched a man’s. Walsh “is to women’s track what Babe Ruth is to baseball,” one journalist wrote.

In 1980, long after her last world record, Walsh was working for Cleveland’s recreation department at an annual salary of $10,400, which was the most she’d ever earned. She bought a bag of ribbons at the Broadway Avenue location of Uncle Bill’s, a chain of Ohio discount department stores, on the city’s southeast side. In the parking lot, men approached her, one of them holding a .38. Walsh, 69, was still remarkably strong. As she tried to grab the gun, a bullet scratched through her stomach and intestines, and severed an artery in her pelvis. The thieves ran off without checking the pants pocket where she had her money.

Walsh was unconscious when a policeman working security inside Uncle Bill’s found her face down in the parking lot. As the officer turned her over, a wig fell off, and he recognized it was Stella Walsh. He asked for an ambulance to be called, but the nearest one had a flat tire, which created a delay in her care. Instead, a police station wagon came for Walsh, and officers took her to St. Alexis Hospital, less than a mile away, where she died on the operating table. A hospital inventory of her personal property included $248.17 in cash, a 1932 Olympic ring, and a pair of falsies, as they were called, for padding her bra.

In the 25 years prior to her murder, little had been written about Walsh. Born as Stanislawa Walasiewiczowna—that’s the story she told reporters, though, like many aspects of her life, it turned out to not be true—in the rural Polish town of Wierzchownia, she’d had a groundbreaking athletic career. But she also had little charisma, made bad copy, and kept to herself. Although she’d lived in the U.S. since she was 15 months old and spoke almost without an accent, she’d won her Olympic medals for Poland. Even her nickname, “The Polish Flyer,” identified her as an alien. She didn’t experience any of the twilight glory that often comforts athletes late in life; there was no documentary about her, no Congressional Medal of Honor. While she was working for the city, handing out softball permits, her fellow pioneer and ’36 Olympic contestant Jesse Owens was making speeches and earning more than $100,000 a year.

“One of the great women of sport was murdered last night,” Walter Cronkite intoned on the CBS Evening News. “Stella Walsh, who was 69, was shot and killed in a Cleveland parking lot. No suspects have been arrested.” In Slavic Village, the Polish-American neighborhood where she spent most of her life, everyone knew and loved Walsh. She tended bar at a local tavern, coached young athletes, and was viewed as an example of Polonia’s greatest virtues. “Children were her life,” one friend said. “She loved to train them, and she always trained them to be winners.” She’d been “a Cleveland institution,” Mayor Voinovich told a reporter.

Because Walsh had been murdered, an autopsy was required. On the eve of her funeral, a Cleveland TV station went on the air with a news bulletin that rattled the city, then the country, then the world: Stella Walsh was a man.

The station’s claim about Walsh was incorrect. It was neither the first nor the last mistruth told about her. Because women athletes were carelessly documented in her era, and because she cultivated mystery, there are lots of conflicting statistics and incompatible stories about Walsh, ranging from when she arrived in the U.S. to how she died. As best as these tales can be sorted out or disproven, here’s the first full account of her incredible life. Read more…

The House Where You Live Forever

Photo courtesy of Alan Prohm.

Amelia Schonbek | Longreads and The Awl | August 2016 | 28 minutes (7,065 words)

This story was co-published with The Awl and funded by Longreads Members.

 

On a bright afternoon in October 2013, Madeline Gins walked into the office of her architecture practice, in an unrestored loft building on the edge of SoHo, slightly out of breath. Before she arrived, the space—a large open room occupying the fourth floor of the building—had been so still that it was almost possible to forget about the two architects staring into computer screens near the back windows. Gins entered, and the atmosphere began to buzz.

“Is Joke here?” she called out, referring to her project manager — a Dutch architect named Johanna Post — by her nickname (pronounced yo-ka). Post had stepped out, but another colleague informed Gins that she would return before their next meeting. Gins exhaled and nodded. She and the small staff of architects who work in her office, called the Reversible Destiny Foundation, had been in a state of heightened urgency for months. They were rushing to complete a new project, commissioned by the high-fashion store Dover Street Market, which would soon open a location in a Beaux-Arts building in Manhattan’s East 30s. The facade would remain unchanged, but the interior would become a mish-mash, combining the work of a number of different artists and architects. Gins would build a large covered stairway connecting the building’s open-plan third floor to the mezzanine above. But Dover Street had given Gins far less space to work with than she initially thought she would have; her team was scrambling to make sure the project would both live up to her standards and be able to fit.

Assured that preparations for the meeting were under control, Gins walked over to a large table near the front of the room, stacked high with books and papers. In the center, a heavy glass orb sat on top of a slender vase; next to it was a fish tank filled with neon bouncy balls. The wall nearby was plastered with renderings of a project called the Reversible Destiny Healing Fun House. From a distance, it looked like a cluster of spheres and tubes, painted in red, pink, yellow, and blue. The interior view showed that these structures were hollowed out, and that together they formed the walls of the building, surrounding a big open room filled with mountainous, rammed-earth terrain. “Here, feel this,” Gins said as she sat down at the table, tossing me a piece of fluffy yellow stuff. “It’s natural sponge.” It had been a couple weeks since I’d first met Gins, and I asked her how she’d been. “Ummm.” She thought for a moment. “I’ve been everything.”

Gins, in her early seventies, gave the impression of a child trying to impersonate her grandmother: her blonde hair was fastened in pigtails, and her small frame was draped in too-big clothes in shades of deep red. Her face was clear-eyed and rosy, even as wrinkles rippled across her cheeks. She exhaled again. “You know, I have huge responsibilities,” she continued. “Pressing ones.” Most architects generally want to design comfortable, visually interesting buildings for their clients. Gins found that aspiration boring. Instead, her goal was to build spaces that would keep people from dying.

According to Gins’s elaborate theory of Reversible Destiny, developed over the course of a forty-five-year collaboration with her husband and artistic partner, Shusaku Arakawa, death may not in fact be inevitable. People are lulled into believing it is because they focus only on what has come before — the “thus-far obligatory downhill course of life,” according to Gins. Their brightly colored, disorienting dreamworlds, which look more like surrealist playgrounds than traditional buildings, are intended to jolt people out of their normal routines and force them to move through life differently. If people are unable to fall back on their physical and mental habits, Gins and Arakawa said, they will be open to new ideas, including the possibility that they can lengthen their lives and, eventually, resist death entirely. Read more…

The Duo That Dominates Dressage

Longreads Pick

Inside the fanciful world of dressage and how one outsider athlete and her unruly horse set a new standard in the little-known equestrian sport.

Author: Sam Knight
Source: The New Yorker
Published: Aug 1, 2016
Length: 23 minutes (5,761 words)

Take a Hike: Seven Stories About Heading Outdoors

Photo: Jo Simon

Here’s how I feel about hiking:

When I was 17, in my last year of high school, I took a statistics class. Notoriously bad at math, I braced myself for a semester of angst. Instead, I found that I understood the course material, loved my classmates and had great rapport with my teacher. Encouraged, I signed up to take the Advanced Placement statistics course and corresponding exam the next semester. My parents were understandably wary; they’d witnessed a decade of temper tantrums and failed math tests. But, I stood my ground. I wanted to take this class, and I did. The class was tough, but not impossible. I passed the exam. Now, almost a decade later, this is one of my proudest moments. No one thought I could do the thing, and I did the thing anyway.

My recent fascination with hiking is ridiculous: I am an indoor kid. I love Netflix, snacks, sleeping, that Bubble Spinner game and owning a thousand books. Sweating makes me panic. I have never gone on a run for fun. I’m scared of bugs and the dark. I’ve never peed outside. What possible success could I have on the trail?

I want to prove to myself that my soft, pale, weird body can do hard things. I want to rise to the occasion of living. I want to learn to love the outdoors before I get some life-altering injury, or become too addicted to my phone, or die, or something else. I want to be able to say, I did that. I can do that, too. I am strong. I am capable. Honestly, I don’t know if I’m stable or hardy enough to learn to love hiking, but I want to give it a fair shot. I owe myself that much.

I can’t hike right now (excuses, excuses) because I’m out of town for a wedding. So I’m reading about hiking. Below are seven stories about the outdoors, outdoor apparel, hiking buddies, bodily transformation, body image, abuse and sufferfests. Read more…

The Summer People of Shirley Jackson and Kelly Link

Shirley Jackson and Kelly Link
Shirley Jackson and Kelly Link. (Link: Copyright 2014 Sharona Jacobs Photography)

Black Cardigan is a great newsletter by writer-editor Carrie Frye, who shares dispatches from her reading life. We’re thrilled to share some of them on Longreads. Go here to sign up for her latest updates.

* * *

There’s a wonderful, creepy Shirley Jackson story—you may already know it—called “The Summer People.” It’s about a couple from New York City who decide to stay at their little cottage on the lake for a month past Labor Day instead of returning as usual to the city right after the holiday. The story starts out with Mrs. Allison, age 58, doing her shopping in the nearby village and announcing her and her husband’s change in plans. The first person she tells is the grocer: Read more…

Letter to an Ex, on the Occasion of His Suicide

Illustration by: Katie Kosma

Masha Hamilton | Longreads | August 2016 | 24 minutes (5,851 words)

 

It was morning, after another rough night. You’d barely slept on the floor in Bill’s cave of an apartment, where you’d spent the last three nights watching the hour of the wolf stretch to become every hour that was dark or semi-dark. Now, though the apartment remained as stale and murky as it had been at 1 a.m., then 2 a.m., then 3, you knew it was light outside. A long way from the kind of light you loved, when clouds turn pink from the rising sun, water-coloring men who make coffee in tin kettles with long handles over an open fire. That was Africa—Rwanda or the Congo or maybe Madagascar. This was Manhattan. Fucking Manhattan.

You ate plenty, like a man with plans: two lemon drop cookies, a lemon yogurt and half a pint of strawberry ice cream. That’s what Bill had in his kitchen. You watered the mix with coffee. Then you spilled out the bullets to reduce your payload to two. One was all you truly needed, but somehow you thought it right to have a spare. On any op, the best-laid plans turn to mush once it starts, you’d often said. Contingencies were critical.

You set off, walking toward the East River where dumped bodies, grim blossoms, push their way up each spring once the water thaws. It took only five or six minutes to reach Sutton Place Park, even moving slowly as you do now—did then—with the pain in your hips and feet. You passed East Side professionals on their way to work and the ornate, obscenely expensive brownstones built by Effingham Sutton, who raked it in during the 1849 California Gold Rush. I can imagine you making fun of his first name.

The river drew you first, the park only secondarily. You’d been talking for days about going to the river, though it seemed metaphorical and was never clear what you meant. You chose a bench with a view, not because it mattered, but because, legs cemented in place, they all have views.

Did you take it in? No; you moved too quickly for that, your mind too focused on its end goal, and besides you were way over the city, way beyond wanting to appreciate light cast by an urban sun, the oily shine on the river, the trees insisting even here on renewal. Screw the miracles of life. Yes, you were one; you had been one. That was then. This was now. Read more…

RNC vs. DNC: A Reading List Examining the Conventions

In the past two weeks, Cleveland, Ohio hosted the Republican National Convention and Philadelphia, Pennsylvania hosted the Democratic National Convention. Donald Trump and Hillary Clinton earned the nominations from their respective parties; they will face off in November. Not everyone is thrilled with this outcome. Ted Cruz urged delegates to vote with their conscience and didn’t endorse Trump, and Bernie Sanders supporters walked out of the DNC or protested outside the convention. I’m equally intrigued and exhausted by the political realm right now, so I’m relying on the thoughtful analyses and on-the ground reporting by talented writers.

1. “The R.N.C. on TV: Ivanka’s Weaponized Graciousness.” (Emily Nussbaum, The New Yorker, July 2016)

The dangerous choices of the postergirl for the Family Trump, who, you know, probably isn’t actually a Republican. If you haven’t read Chimamanda Ngozi Adichie’s short story about Melania Trump, read that, too. Read more…

The Miseducation of John Muir

Muir, pictured later in life, seated on a rock. Photo: Library of Congress

Justin Nobel | Atlas Obscura | July 2016 | 14 minutes (3,431 words)

Atlas ObscuraOur latest Exclusive is a new story by Justin Nobel, co-funded by Longreads Members and published by Atlas Obscura.

It’s quite possible that America’s future was changed on the evening of March 6, 1867, in a factory that manufactured carriage parts in the booming railroad city of Indianapolis.

The large workroom, typically smoky and bustling with workers, was near empty. Factory manager John Muir’s task was simple: The machine’s drive belts, which looped around the vast room like the unspooled guts of a primordial beast, needed to be retightened so the following morning they’d run more efficiently. Muir had already made a name for himself as an impressive backwoods inventor. His “early rising machine” was an intricate alarm clock that tipped the sleeper onto the floor. His “wood kindling starting machine” used an alarm clock to trigger the release of a drop sulfuric acid onto a spoonful of chemicals, generating a flame, igniting the kindling. For the carriage factory, this unique mind was a boon. Muir had already improved wheel design and cut fuel costs.

In the darkening workroom he grasped a file and grinded it between the tightly-woven threads of the leather belt. The file slipped, sprang up pointy end first, and sank deep into the white of Muir’s right eye. Out dripped about a third of a teaspoon of ocular fluid. “My right eye is gone!” he howled back at his boarding house, “closed forever on God’s beauty.” In fact, thanks to a mysterious immune response known as sympathetic blindness, his left eye was gone too. The promising young machinist was blind. Read more…

The Case for More Female Cops

Betty in uniform for the Wichita Police Reserve, 1977. (Photo courtesy of Sarah Smarsh)

Sarah Smarsh | Longreads | July 2016 | 20 minutes (4,886 words)

 

Betty was in the bathroom dyeing her platinum hair black while the kids played with her teenage sister down the hall. Betty had recently left Bob. He’d beaten her, which was officially a crime, but there wasn’t any use in calling the cops. A hometown boy and typesetter for the Limon Leader, Bob knew everybody in their small Colorado burg on the plains, from the police station to the butcher. Betty, my future grandma, was a 23-year-old outsider from Wichita—a social challenge likely not helped by her unapologetic wearing of miniskirts in 1968.

Two years prior, Betty had blown into Limon, 90 miles west of the Kansas border, with her four-year-old daughter, Jeannie, and a pair of go-go boots. Her mom, Dorothy, and little sisters, Polly and Pud (as in “puddin’”) were along, too. Betty and Dorothy both had just washed their hands of Kansas men. Back in Wichita, Dorothy’s third husband, Joe, had strangled her. Betty’s jealous first husband, my biological grandfather, routinely beat her up and, Betty suspected, had paid someone to throw gasoline on her male friend’s face and set it on fire. So Betty and Dorothy piled the kids in a jalopy and headed west, destination unknown, to start over.

“Why Limon?” I asked her once.

“It was where our car broke down,” Betty said with a shrug.

Betty and her daughter Jeannie at City Park in Denver in the mid-1960s, when she worked as a highway-diner waitress in Limon, Colorado. (Courtesy of Sarah Smarsh)

Betty and her daughter Jeannie at City Park in Denver in the mid-1960s, when she worked as a highway-diner waitress in Limon, Colorado. (Courtesy of Sarah Smarsh)

Betty and Dorothy took jobs working in diners along the highway that cut through town. Betty waited tables, her mom cooked specials. Before too long, Betty hooked up with a customer named Bob. Then she got pregnant. She drove past the chapel the first time and left him at the aisle, but on the second try they got married. She gave birth to a son, Bo. Then Bob hit her and snapped his belt at Jeannie one too many times. After just a couple years of marriage, she moved out and filed for divorce.

Now Betty had a 6-year-old daughter with a dangerous Kansas man, a 2-year-old son with a dangerous Colorado man, and a divorce decree pending at the courthouse. Custody of their child, Bob had assured her, would go to him. He’d make sure the judge knew what kind of woman she was.

She had the dye worked into her hair when the phone rang. A voice warned that Bob was on his way over, and he was mad. There wasn’t time for Betty to rinse her hair. She wrapped a towel around her head. Dark dye dripped down her neck as she and Pud put the kids in the car. They rolled through town until the road turned into a highway.

Then, sirens and flashing red lights. Read more…

The Top 5 Longreads of the Week

Illustration By Javier Jaén for the New Yorker

Below, our favorite stories of the week.

Sign up to receive this list free every Friday in your inbox. Read more…