Search Results for: Obama

The Arsonist Was Like a Ghost

An abandoned house in Accomack County, Virginia. Beginning in 2012, dozens of fires were set in the area, where the poverty rate is around 20 percent. (Bonnie Jo Mount/The Washington Post via Getty Images)

Monica Hesse | American Fire: Love, Arson, and Life in a Vanishing Land | LiverightAugust 2017 | 17 minutes (4,100 words) 

In the middle of the night on December 15, 2012, Lois Gomez sat up in bed. She thought she heard something. She listened. Nothing. Maybe she was wrong, maybe she hadn’t heard anything. She went to the kitchen for a drink of water. It was two or three in the morning, only a few hours before her shift at Perdue and her husband’s shift at Tyson. Now she definitely heard something. A banging on her front door — which in itself was odd; friends and family knew they always used the side entrance — and someone yelling: “Your garage is on fire! I’ve already called 911!”

She stood frozen in the kitchen trying to process the information. Christmas lights, she thought. Her outdoor Christmas lights were halfway up, but she and her husband had recently decided to visit his family in Texas for the holiday and she’d been trying to figure out whether to bother with the rest of the decorations, which were meanwhile stored in the family’s detached garage, which was now on fire. Christmas lights, along with the expensive music equipment for her son’s rock band.

It had been a rough couple of months. For one thing, she wasn’t getting along with her next-door neighbors. She’d been close with the woman who’d owned that house before, Susan Bundick. They brought each other dinner sometimes, or stood and chatted in their backyards. But one Sunday afternoon, Lois was outside emptying the aboveground backyard pool to close out the summer season, and she saw the police were at Susan’s house. They told Lois her neighbor had died. Now, Susan’s daughter lived in her mother’s old house and things weren’t as pleasant. Tonya was fine, kept to herself, but Lois had a few run-ins with Tonya’s new boyfriend, a squirrelly redheaded guy whose name she didn’t know. He’d done a few little things, like dumping a bunch of branches on their lawn instead of disposing of them like he was supposed to. Once he’d accused her of making racial slurs against Tonya’s kids. The accusation was ridiculous. Lois’s husband was from Mexico, and her four grandchildren were partly black.

She’d also been having nightmares about the arsonist. In one dream, she went into her kitchen late at night and saw someone racing through the yard, an intruder wearing dark-colored sweat pants and a hoodie. “What are you doing?” she called. The figure turned and looked at her but she still couldn’t see his face, and he eventually disappeared behind her detached garage. She woke up and realized it wasn’t real.

This night wasn’t a dream, though.

Read more…

A Transgender-Military Reading List

Transgender former US Navy Seal Senior Chief Kristin Beck. (Credit: NICHOLAS KAMM/AFP/Getty Images)

On Wednesday, President Donald Trump announced, via Twitter, a ban on transgender people serving in the United States military.

His tweeted justification was that “our military must be focused on decisive and overwhelming victory and cannot be burdened with the tremendous medical costs and disruption that transgender in the military [sic] would entail.”

It was, several Twitter users noted, an odd way to mark the 69th anniversary of President Harry Truman signing an executive order that ended racial discrimination in the military. There are currently thousands of transgender people serving in the nation’s all-volunteer military.

Read more…

The Colorblind Whitewashers of American History

(Mark Wilson / Getty)

Law professor and critical race theorist Kimberlé Williams Crenshaw, writing in The Baffler, considers the elections of Barack Obama and Donald Trump, and the way that  declarations of America as “post-racial” or “colorblind” serve to diminish our history of racial violence. To those who understand Obama’s success as owing to his race-neutrality, she offers a sharp rebuke.

In the same way that elite institutions have congratulated themselves as sites where merit flourished, American society held up Barack Obama as conclusive evidence that power is indeed colorblind. Yet Obama’s election proves very little about the triumph of colorblindness either as a tactic for gaining power or as a frame for how it is exercised. In fact, upon closer inspection, the election of Obama supports the opposite inference. Despite the common refrain that Obama made history as the nation’s first post-racial Black candidate, the Obama campaign reflected the ongoing salience of race-consciousness among the electorate, the pundits, and the candidates. Obama’s steadied posture of racial avoidance was actually one of highly selective racial engagement, showcasing the candidate’s talent for deftly navigating the complex terrain of race and emerging with a reassuring tale of individual uplift—a moral, as it happens, best illustrated by the candidate’s own life story. The public image of Obama’s so-called race neutrality masked an intensely race-conscious campaign to counter Obama’s racial deficit on the electoral map. In key swing states such as Pennsylvania and Ohio, whites were mobilized to talk about race with other whites to neutralize Obama’s racial disadvantage. Even the celebration of Obama as “race-neutral” was obviously not colorblind, but rather a reflection of the opposite impulse. Voters and pundits of all races engaged in a complex assessment of Obama’s racial performance to determine what kind of Black Obama was going to be.

Read the story

Despair All Ye Who Enter Into the Climate Change Fray

(jcrosemann / Getty)

A New York Magazine story on climate change is making the rounds on the internet, frequently being shared by people characterizing it as a “terrifying” “must-read.” “It is, I promise, worse than you think,” writes David Wallace-Wells, who goes on to tell his readers that even the most anxious among them are unaware of the terrors that are possible “even within the lifetime of a teenager today.”

What many readers seem to be overlooking is how frequently words like “may” appear in the text of Wallace-Wells’ article. “May” is in there seven times; “suggest” six times, “possible” and its variants a few more. Wallace-Wells is, of course, referencing the positions of scientists, whom he says have become extra cautious due to “climate denialism,” steering the public away from “speculative warnings” that could be debunked by future scientific progress, weakening their own case and giving weight to their opponents.

Read more…

An Unforgiving Legal System Welcomes Black Immigrants to America

Carl Lipscombe, the deputy director of the Black Alliance for Just Immigration, helps black migrants navigate legal and racial complexities in the U.S. ( Photo by John Michael Kilbane)

Hawa Allan | Longreads | July 2017 | 3500 words (14 minutes)

Words are said to have settled meanings, yet their formal definitions are often eclipsed by the images they give rise to in our minds. An “immigrant,” for example, is defined as a person who moves to live in a foreign country. Yet in the United States this word has often come to symbolize persons of Mexican, or Central or South American descent. The term “white immigrant” has a dissonant ring; those who move to the U.S. from parts of Europe or Australia are often casually referred to as “expats,” connoting a leisurely freedom of movement not typically conferred to an immigrant. A “black immigrant” is deprived of easy free associations. Black immigrants are unmarked, indivisible from African Americans whose lineage extends to the country’s inception.

The Black Alliance for Just Immigration (BAJI) has been working since 2006 to identify the distinct legal issues black immigrants face, and the burden of racial discrimination they share with African Americans in the United States. Last year, BAJI published a report with NYU Law School that provides a detailed statistical analysis of the country’s estimated 3.7 million black immigrants. This population is often caught at the intersection of racial profiling and the unforgiving immigration laws that target those with criminal records for removal. Although black immigrants make up 5 percent of the unauthorized population in the U.S., they make up 20 percent of the population facing deportation on criminal grounds. Black immigrants, according to the report, have suffered disproportionately under Clinton-era immigration legislation aimed at sorting “good” immigrants from “bad” immigrants associated with crime or terror.

I recently spoke with BAJI’s Deputy Director Carl Lipscombe about the state of black immigration in America. This is the first in a series for Longreads about the challenges faced by lawyers working during the Trump administration.

***

Hawa Allan: What is the mission of the Black Alliance for Just Immigration?

Carl Lipscombe: BAJI tackles issues affecting black immigrants using a few different approaches. One way is organizing. We work with members of our community on issues that are important to them and we empower them to take action on their own behalf. We also do advocacy, working in partnership with other organizations towards policy change on local, state and federal levels. We have staff in New York, Los Angeles and Atlanta, and we also have a policy manager based in Washington D.C. who educates elected officials about broad topics affecting black immigrants. And we have two attorneys on staff that I supervise and who provide direct legal services to members of our community.

HA: So there are three aspects to BAJI’s work — public policy advocacy, organizing, and direct legal services. Was this three-pronged mission present at BAJI’s inception or did it develop organically over time?

CL: We were started in 2006 by civil rights and racial justice leaders, veterans who saw immigration as a continuation of the racial justice struggle. They soon realized that the immigrants’ rights movement was definitely not black-oriented. There were rarely black people at the center of immigrants’ rights cases, which were very Latino-focused, so they added the aspect of engaging black immigrants with the struggle for immigrants’ rights.

HA: At least anecdotally, I’m aware of tensions between black immigrant communities African American communities, although persons outside both groups tend to lump them together on a purely visual basis.

CL: I think the issues are still the same. There is obviously a distinct impact of harsh immigration policies on black immigrants, but both groups face criminalization, economic inequality, lack of access to adequate health care, and educational inequities.

HA: I suppose I was thinking about how competition over already meager resources can tend to pit groups that should otherwise be aligned against each other. How black immigrants, being newcomers who are uninitiated in America’s racial issues, think they can somehow “rise above” discrimination.

CL: Yes, I think those are historic tensions. But from our perspective, a lot of these tensions are manufactured by elected leaders, and by corporations in order to pit black people against one another. I think these tensions are fueled by outsiders and from the media. In reality, black immigrants and African Americans are similarly situated in certain contexts. When a black person is walking down the street and a cop stops them, they’re not going to be asked “Are you an immigrant or are you African American?”

HA: Of course.

CL: Last fall, we released a report on the State of Black Immigrants. Even though black immigrants have high educational attainment rates on par with Asian immigrants, they still have the highest unemployment rates and the highest poverty rates among all immigrants. They are over represented in the deportation system, we believe, largely because of their race. Black immigrants represent only about five percent of immigrants in the country but over twenty percent of those in deportation facilities.

Apart from refugee communities, black immigrants mostly live interspersed with African Americans in cities and face the same issues when it comes to criminalization: over-policing and the ramifications of broken windows policing.

HA: When you’re organizing, do you find you’re trying to convince black immigrants and African Americans that they have more in common than they think?

CL: We’re getting people to realize that we have a shared struggle. We have this amazing program at our national conference held every couple of years called the African Diaspora Dialogues, which gets people in small groups — black immigrants and African Americans — to share their migration story and how they experience race in the U.S. So we do a certain amount of work to break down those barriers.

HA: In terms of police brutality, some of the major figures who have symbolized the gravity of this issue include black immigrants, like Amadou Diallo, who was from Guinea, and Abner Louima from Haiti. And there was a more recent case on the West Coast…

CL: Yes, a Ugandan immigrant, Alfred Olango outside of San Diego. One thing that I find striking is that over the last couple of years, there have actually been quite a few black immigrants who have been killed by police. But their cases haven’t gotten as much publicity. Alfred Olango’s sister called the police because—he wasn’t necessarily violent, she just called them to calm him down.

HA: He had a mental health issue.

CL: And he wasn’t threatening her. She didn’t feel as though she was physically in danger but thought maybe the police could help her. Alfred was killed within moments of the police arriving. He was a black refugee, he was a chef, he was from Uganda, and the spin, the immediate spin, was “Oh he had a mental illnesses.”

HA: Right, the media narrative…

CL: It was also reported that he had been arrested before for traffic violations. Because he has been arrested before it means the police should show up and kill him?

HA: When organizing around police brutality do you find that you have to provide a different level of awareness to black immigrants as opposed to African Americans?

CL: I think because of the amazing work of Black Lives Matter over the last few years and the attention that police abuse has gotten, people get it. And that’s across the board. All black people get it. Any time I’m in a taxi or I’m on one of those ride-hailing services and I talk to the drivers, who are often black immigrants, and I tell them what I do, they talk about police brutality. What I find interesting is that they always talk about immigration along with policing. So I think people get it.

HA: I was wondering whether black immigrants who are very recent residents of the United States don’t have the same understanding of how their presence is threatening to the police.

CL: America has a very unique brand of racism. I think that a lot of black immigrants are just not used to it in their home countries where are ethnic tensions, xenophobia, even racism to a certain degree — but racism in the U.S. is very different.

HA: I’m thinking about bodily movements, gesticulation. People especially from the African continent…many have rather large presences, right?

CL: Yes, our communities talk with our bodies. Our voices are loud sometimes and those types of things can seem threatening — black people who are animated.

HA: There is a certain, I believe, experiential education you get from being a black person growing up in the United States. You learn to move your body in a certain way, how to move through the world.

CL: Yes, to make yourself smaller.

HA: Make yourself smaller and make yourself safer. But as a newcomer to this American situation you don’t have that kind of education, and that can put you in danger.

CL: I was born here and I grew up in the Bronx. I was taught how to deal with the police by my family. I was told to always carry my ID to the point that I thought I had to carry ID by law. I was taught to always speak respectfully to the police so that nothing happened to me, so I didn’t get arrested or worse. A lot of immigrants aren’t taught this. They aren’t taught to cower to the police or to be afraid of the police.

HA: I was just thinking about Amadou Diallo reaching for his wallet…a simple movement like that obviously doesn’t justify the violence that followed. But I imagine him thinking that all he had to do was to prove who he was and everything would be fine.

CL: Yes.

HA: From the report on the State of Black Immigrants, I was surprised to learn that the United States Citizenship and Immigration Service doesn’t track immigration data by race, only by country of origin.

CL: I was at a conference recently where the history of immigration was being discussed. There were a number of court cases defining whiteness, and it’s surprising, given the history of our immigration laws, that we don’t track this data by race. It actually makes research on black immigrants very difficult because we have to use a combination of USCIS data and census data.

HA: Which makes the category of “black immigrant,” as defined in the report, both over-inclusive and under-inclusive.

CL: Specific communities were particularly difficult to track. For example, it is very hard to get an accurate number of Afro-Latinos in the country because some Afro-Latinos don’t self-identify as black. Latinos generally don’t self-identify as black in U.S. Census surveys.

Even among those who might self-identify as black, many of their home countries are only recently starting to recognize that some of their residents are black. It was only a year or two ago that Mexico acknowledged that there were black Mexicans.

HA: It’s fascinating that a country that was organized around race, both in the context of slavery and immigration, wouldn’t be tracking this data.

CL: Well, if they did track this data by race, it would make it a lot easier for attorneys to sue for discrimination.

HA: So BAJI was founded in 2006, and I understand that particularly damaging immigration laws discussed in the report came into effect in 1996 — crystallizing the link between the criminal justice system and immigration enforcement. Would you mind discussing this legislation: the Anti-Terrorism and Effective Death Penalty Act (AEDPA) and the Illegal Immigration Reform and Immigrant Responsibility Act (IIRIRA)?

CL: I think it’s important the two bills are taken together. The first one, IIRIRA, expanded the criminal grounds for deportation as well as mandatory detention. Originally, there were only less than a dozen offenses that could get one deported. And even in those cases, judges had discretion over whether or not to detain someone and to ultimately deport them.

After 1996 those grounds expanded to about two dozen. IIRIRA expanded the grounds for deportation and AEDPA was terrorism-related. It established a means of restitution for victims of “terrorist activity” and enabled the federal government to detain individuals believed to be involved in terrorist activities.

Up until the passing of these laws, the U.S. removed on average maybe a couple of thousand people a year. While Obama was in office, we removed on average 375,000 people a year. Obama removed more people in eight years than in the entire history of the U.S. going back to 1892.

HA: Obama used the rhetoric about wanting to keep “families” in the country and get “felons” out — the good immigrant versus bad immigrant.

CL: What a lot of people don’t realize is that the definition of “felon” under immigration law is expansive. A teenager who throws an orange at a teacher—if they are charged with assault — would be considered an aggravated felon.

HA: In your view, are these the laws that created this nexus of racial profiling and the over representation of black immigrants in deportation proceedings?

CL: Yes, they are. These laws were passed during the Clinton years, but the administrative infrastructure for their enforcement was really set up during the Bush years, after 9/11 when immigration was moved under the newly-established Department of Homeland Security.

HA: Immigration effectively became an issue of national security.

CL: Yes, and Obama further funded Bush’s administrative infrastructure.

HA: And now, of course, we have Trump.

CL: Yes — now we have Trump.

HA: His rhetoric might be bolder—

CL: But he’s using the same laws and infrastructure as Obama.

HA: After immigration was placed under this anti-terror rubric, we now have the so-called Muslim ban. With respect to the Supreme Court recently reinstating certain portions of the ban, does BAJI have any specific response?

CL: Yes—well, for a start, Trump wanted all citizens from those countries to be banned from entry, which he didn’t get and which is good. But I think the Supreme Court did create confusion by carving out an exception for individuals that have a “bona fide” relationship with a person or entity in the U.S. The definition of that term is very unclear. The administration last week issued guidance on what they considered a bona fide relationship to be. It’s limited to immediate family and fiancés and stepchildren, so grandparents will be unable to enter the U.S. As you know, a lot of this community, particularly the black community, don’t come from nuclear families. We come from cultures where the entire community is involved with child rearing and care-taking.

HA: There was a very interesting editorial in the Washington Post that used the recent Supreme Court decision as a basis for refuting the idea that lawyers alone could save us in the age of Trump.

CL: Oh yes, I saw that.

HA: When the travel ban was first instituted, there were a lot of lawyers who went to airports to represent affected persons. Then lower courts decided the travel ban was unconstitutional. There was this hope, especially with figures like Sally Yates, that maybe the law could curb the excesses of the Trump administration.

CL: I agree with that general sentiment — that the law is an important protection for immigrants and a strategic tool that can support those in crisis — but we definitely need more than the law. If we’re really going to change the system, we need to organize, we need to change the leadership, we need to change those who are creating the laws and those that are enforcing them in this harsh, egregious way.

HA: Two of the countries affected by the travel ban are in sub-Saharan Africa: Somalia and Sudan. When Trump was campaigning in Minneapolis, he called the Somalis who resettled there terrorists.

CL: Yes.

HA: Of course people have focused on Trump’s statement about Mexicans being rapists and the idea of criminalizing immigrants in general, but can you speak to his statements about not only Somalis but also Haitians with regard to TPS (Temporary Protected Status)?

CL: Historically, when we’ve talked about Latino immigration, the context has been the “valedictorian” and the “Dreamer,” the business owner and the immigrant worker—the person who is here to work. But the narrative about black immigrants has been similar black people in general: That Black immigrants are charity cases who are here to take advantage of whatever resources there are in the U.S.

HA: So when Donald Trump’s administration said they were going to review whether or not to extend temporary protected status for Haitians who fled here after the earthquake….

CL: Yes, one thing that they did, which was unprecedented, was Trump had his administration look into the criminal backgrounds of Haitians. That has never happened before.

HA: I wanted to ask you about your personal history. I see that you started off as a labor organizer and then you were a public defender, and then you moved onto doing communications for social justice organizations.

CL: I started off in labor organizing when I was in college. I was active at Brooklyn College with adjunct faculty that was organizing. I was in student government and they came to us for support. I started getting interested in the labor movement because I just saw the power of unions and that we could actually make changes in our workplace and shift power dynamics. After undergrad, I interned with an organization called Jobs With Justice, which is a coalition of unions, students, faith groups and community organizations.

What I liked at Jobs With Justice was that we worked at different intersections. It was broadly a worker’s rights and economic justice organization, but we worked on those issues as they impacted immigrants and black people and the environment and healthcare and so on. So I was exposed to these different issues. And I have always had an interest in fighting on behalf of black people and immigrants, that’s why I got into this work. When I got burnt out from organizing I decided to go to law school.

HA: Is that because you wanted to address these issues from a legal perspective?

CL: I think that legal advocacy and organizing compliment one another. When I was an organizer, we often had to work with lawyers on policy — experts and what not — and I found a lot of them just didn’t understand my community, and saw it as their jobs to tell us what we can’t do and what isn’t possible.

When I was an organizer, I felt as though the job of lawyers was to take our power away. They took power away from communities rather than adding to it. And I thought to myself that it would be great to have that skill set and to really be able to use it in a way that merged with organizing and complimented organizing. So I became a public defender after law school. And I’m from the Bronx, so I was fortunate enough to be able to work as a public defender in the Bronx.

I saw that there just weren’t attorneys who were experts in the issues affecting black immigrants. There weren’t many attorneys who were expert at litigating in immigration court, or representing immigrants with criminal backgrounds or with mental illness or histories of substance use.

When I was a public defender, I realized a lot of my clients were black immigrants and I didn’t know that there were legal organizations devoted to black immigrants. There were a lot of organizations focused on Latino immigrants and Asian immigrants but not black immigrants. I was the first person at BAJI with a legal background, so I was able to get our legal program off the ground.

HA: Progressive movements often have to be reactive because they respond to the immediate needs of people who have the least access to resources to defend themselves. Right-wing movements, to the extent that we can call them movements, tend to be more ideological: the purpose of taxes, or questions about “liberty.” They’re not immediately responding to the needs of particular groups of people.

Is there a sense that BAJI in particular, or progressive movements in general, are implementing a vision for moving society forward? Is this even possible when progressive movements are constantly on the defense?

CL: You’re right that progressives are responding to crises. We’re trying to protect the few decent laws that we have on the books, or at least prevent the worst from happening. But at the same time this work is tied to a broader vision of the world that we want see—a world where black people, immigrants, Muslims, woman, trans and queer communities are able to live with freedom and dignity.

I think that we need to keep our eye on the long-term goals. There are times when the people we work with are facing an emergency and we want be there for them, but we do it in the context of fighting for our dreams. Working with other organizations, and being a part of the Movement for Black Lives and other similar groups, I can say the same thing for them. We’re all working toward a broader vision.

Building a World of Acceptance: A Conversation with DeRay Mckesson

DeRay Mckesson, who was seeking the Democratic nomination to run for mayor of Baltimore, chats with campaign volunteers in Baltimore. (AP Photo/Patrick Semansky, File)

Cody Delistraty | Longreads | July 2017 | 9 minutes (2392 words)

 

It was one o’clock in the morning on August 16th, 2014. In Minneapolis, DeRay Mckesson watched the news on television and scrolled through Twitter. “I saw what was happening on CNN; I saw what was happening on Twitter, and they were telling two different stories. And I said, ‘I just want to go see for myself.’” Exactly one week before, Ferguson, Missouri police officer Darren Wilson had killed Michael Brown, an unarmed, black teenager. The television narrative highlighted protesters’ supposed unrest and Wilson’s self-defense claim. The narrative on Mckesson’s Twitter timeline was quite different: police brutality and murder.

That morning, Mckesson drove nine hours from Minneapolis to St. Louis to protest in the streets. The Ferguson protests not only propelled to the national stage the Black Lives Matter movement — originally sparked after George Zimmerman shot and killed Trayvon Martin, another unarmed, black teenager, in 2012 — it also launched Mckesson’s political activism career — one which he amplifies via social media.

Mckesson makes news in every direction. In March 2015, he quit his job in human resources at Minneapolis Public Schools to devote himself to full-time activism. He helped launch a police-reform initiative called Campaign Zero. He ran for mayor in his hometown of Baltimore. He started a podcast about policy and social justice called Pod Save the People, for which he recently interviewed Edward Snowden and Katy Perry. And he is currently finishing his term as interim chief human capital officer at the Baltimore City Public School System.

He has been tear gassed and arrested during a protest (with charges later dropped). His Twitter following, at around 1,000 in 2014, is now over 800,000 today, and he has become a sought-after guest and speaker. The only constant: Mckesson’s puffy, blue Patagonia vest — his sartorial trademark. But the question on everyone’s mind for the 31-year-old is simple: what’s next?

Read more…

The Press Has Always Been a Guest in the President’s Home

President Ronald Reagan at a 1986 White House press briefing. (Ronald Reagan Library/Getty Images)

Cameras snap, laptops click, recorders flip on and reporters lean forward. On one side, the White House Press Secretary; on the other, the media — gladiators of free speech or mad dogs out for blood, depending how you see them. The great American press briefing is an ecosystem with its own traditions and its own inscrutable rules that has survived, in one form or another, for more than a hundred years. Under the Trump administration, the White House press briefing may not survive the summer.

It’s easy to forget that the the modern press briefing — in which a member of the government routinely meets with select members of the press — is a relatively new custom in the history of the presidency. It’s also easy to forget its informality has always been an illusion.

Read more…

Zadie Smith Takes on Black Pain With a Light Touch

(Brian Dowling/Getty Images)

At the start of the summer I turned down an invitation from a friend to see a play in Manhattan called 3/Fifths. Written and produced by James Scruggs, a black man, featuring a mostly black cast, 3/Fifths is a work of interactive theater that immerses its audience in a dystopian theme park called SupremacyLand. The actors mill about the stage wearing mammy costumes or blackface. They tie ropes into nooses and stand behind prison bars while encouraging the audience to join in on race-themed carnival games. The goal is, to me, straightforward satire, and 3/Fifths seems earnest enough. Theater-goers can experience what it feels like to walk around in a heightened, racially-charged world with the hope they can connect the dots between past and present horrors of slavery, Jim Crow, and mass incarceration.

I didn’t really feel like spending an evening like that. Living as a black woman in the aftermath of the presidential election, unable to block out the news cycle of police shootings, acquittals, and assaults, my nervous system is frayed enough by new and old wounds. I’m in my thirties with a job, student debt, dreams still on the horizon, aging parents, family spread out all over the country, and a niece about to go to college. I don’t need a simulacrum of my experiences to understand what’s at stake.

The use of satire and comedy to have difficult conversations about race has a long history and isn’t problematic in and of itself. Kara Walker does it in silhouette and sculpture; playwright Branden Jacob-Jenkins did it in his play An Octoroon; Ishmael Reed has done it in his novels; Dave Chappelle became a household name doing it. It’s just that on the day of the invitation I was feeling exhausted, more in need of fun and laughter than anything else. When I declined, I said something to my friend like, “Take me to the show the playwright makes about black joy.”

Just a couple of months before, I learned of the visual artist Dana Schutz’s painting Open Casket, then on display at the Whitney Biennial, from the writer and artist Hannah Black’s widely-circulated open letter to the curators, which was co-signed by 47 artists, curators, and critics. I knew of Black’s work from an essay she wrote in the White Review that touched on Brandy’s 2002 album Full Moon. Brandy is probably one of the most important American pop vocalists of the past thirty years, and is underappreciated in the mainstream. Black’s piece treated Brandy’s work with the care I felt she deserved, so I felt a sense of trust in Black’s approach to black aesthetics. In her letter, Black demands the removal of Schutz’s painting, an abstraction of a 1955 photograph of 14-year-old lynching victim Emmett Till in his coffin at his funeral. His bludgeoned, disfigured face is rendered in impressionistic brush strokes.

Schutz — a white woman born in 1976 in a suburb of Detroit, and educated at the Cleveland Institute of Art and Columbia University — does not own the subject matter, Black argues.

Although Schutz’s intention may be to present white shame, this shame is not correctly represented as a painting of a dead Black boy by a white artist — those non-Black artists who sincerely wish to highlight the shameful nature of white violence should first of all stop treating Black pain as raw material. The subject matter is not Schutz’s; white free speech and white creative freedom have been founded on the constraint of others, and are not natural rights. The painting must go.

Black goes on to explain the reverence that black Americans have for Till.

Emmett Till’s name has circulated widely since his death. It has come to stand not only for Till himself but also for the mournability (to each other, if not to everyone) of people marked as disposable, for the weight so often given to a white woman’s word above a Black child’s comfort or survival, and for the injustice of anti-Black legal systems. Through his mother’s courage, Till was made available to Black people as an inspiration and warning.

It was, after all, Till’s grieving mother, Mamie Till Mobley, who insisted her son’s remains be returned to Chicago after his lynching in Money, Mississippi and drowning in the Tallahatchie River. It was his mother who demanded his remains be displayed in an open casket during a funeral that was widely photographed. She wanted the world to “see what she had seen,” to bear witness to the horror, to grieve for her boy. Only the black publications Jet and the Chicago Defender published the photos. The image enraged and emboldened black folks, and it is considered among a long list of catalysts for the Civil Rights activism of the mid-twentieth century.

In “Getting In and Out,” Zadie Smith writes about the consumption of black pain for Harper’s by looking at Schutz’s painting and Jordan Peele’s film Get Out. Smith doesn’t mention Emmett Till much, and she doesn’t mention his mother, without whom we would have nothing to discuss. Smith never writes the words “Tallahatchie River,” nor does the word “Mississippi” appear. She says that Schutz’s painting didn’t provoke any profound feeling in her when she went to see it at the Biennial, and that doesn’t surprise me; it’s a mediocre painting, technically fine but emotionally removed. What surprises me about Smith’s essay is that she questions the “logic” and sentiment of Black’s letter, and writes it off as absurd. I found Black’s letter heartfelt. Its request that the “painting be destroyed and not entered into any market or museum” felt less important to me than her care for Emmett Till’s story, and the ongoing, present-day brutality against black bodies.

I think the conversation about race in America is a shared one, with multiple points of entry. In my mind pretty much anyone can talk about it, or make art about it, because everyone is somehow a part of it — impacted, implicated, or some combination therein. Race doesn’t really matter here in a straightforward sense. It’s too arbitrary a construction, as Smith painstakingly points out, and complicated by too many factors.

I was born in Memphis in the 1980s, so I am both a black American and southern. I remember the story of Till told to me as a child by adults who still used hushed voices. I went to integrated public schools, and then university on the east coast, and have a middle class life. I have always moved among blacks and whites, Latinx and Asians, and everybody else freely. My mother was also born in Memphis, but she remembers colored water fountains, trips to the zoo only on feeding days when there were no animals to see, swimming pools that were drained instead of integrated. Her sense of racial terror is at once more at the surface and deeper than mine—there are things she fears that I never will. She remembers Till’s lynching. My grandmother was born in the Mississippi Delta, picked cotton, and had a male cousin who was lynched. So the story of racial suffering is my grandmother’s even more than my mother’s or mine. We could go on like this, parsing out generational differences and class dynamics forever.

About Zadie Smith: I love her. I have considered her one of my favorite contemporary writers for at least a decade. In her third novel, On Beauty, she talks about American blackness in a way that doesn’t feel offensive or removed as if she thought us boorish. Her 2009 essay “Speaking in Tongues,” where she lets herself gush over Obama’s ability to code switch, and “Their Eyes Were Watching God: What Does Soulful Mean?” are two of my favorite pieces of writing of all time. Writing about her first encounter with Zora Neale Hurston’s book, I love how Smith is able to be her critical, writerly self, and still engage with her blackness, bringing all parts to the page to create this beautiful cohesive whole.

Fact is, I am a black woman, and a slither of this book goes straight into my soul, I suspect, for that reason. And though it is, to me, a mistake to say, “Unless you are a black woman, you will never fully comprehend this novel,” it is also disingenuous to claim that many black women do not respond to this book in a particularly powerful manner that would seem “extraliterary.” Those aspects of Their Eyes Were Watching God that plumb so profoundly the ancient buildup of culture reside that is (for convience’s sake) called “Blackness” are the parts that my own “Blackness,” as far as it foes, cannot help but respond to personally. At fourteen I couldn’t find words (or words I liked) for the marvelous feeling of recognition that came with these characters who had my hair, my eyes, my skin, even the ancestors of the rhythm of the speech…She is my sister and I love her.

But in the Harper’s essay, except in the places where she talks about the genius of Jordan Peele and the black artists at the Biennial whose work was overshadowed by the Schutz controversy, it doesn’t really feel like Smith is engaging in the subject matter with much care or heart. It disappointed me. I do not think it is because she is British-born and I am African American. She said in the piece that she assumed a transnational black identity when questioning herself about whether she was black enough to commemorate Till in a piece of art. I agree with parts of this. Blackness has long been a transnational project, a conversation that transverses and troubles national boundaries.

It is just that the question is wrong. All human beings have rights, in my mind, to the vast array of human experiences. But why does it seem like everyone wants to mine black pain? When I think about work like Open Casket and 3/Fifths, what I wonder is whether there any rules, or any sense of decorum around our experiences. Does anyone pause before making this type of work, or have reverence for it? Do they consider who may be hurt or exhausted by it if it is rendered incompletely? What are the goals of the work? The work that the 1955 photographs of Emmet Till did in Jet is clearly different from the work Open Casket could do at the Whitney. I wonder, what is the point? I also wonder, what is sacred?

I don’t know why Smith seems so removed in her Harper’s piece. When she talks about the paranoia of blacks, an “indulgence” that Get Out exploits, or says that white people revile black bodies less in 2017 than they did a half century ago, I honestly don’t know what to think. I do not know what white folks in America think of me now — some times it feels like nothing and sometimes it feels like utter disdain. When I hear of a young black woman from my university waking up to bananas strung up on her campus with nooses, when I hear Diamond Reynolds crying “You just killed my boyfriend,” despite all of my attempts to avoid that footage, I know it isn’t as simple as love and happiness and friendship and being the “same people.” So when Hannah Black got together with a bunch of other art world folks to stage their intervention, I listened because it felt like care.

Zadie Smith is entitled to her experiences; her writerly exploration of race can be rendered how she feels it must and I will still think of her as my sister. But I wished she had engaged this subject matter with her heart. I needed her to think of the logic of Black’s letter from a place of shared pain, shared experiences, and shared anger. I needed her to really listen to it, before dismantling it.

To Win in Georgia, Ignore the Data and Follow the Signs

(Photo by Joe Raedle/Getty Images)

A few days ago, a colleague encouraged me to check out the donation page of Jon Ossoff, the 30-year-old Democratic candidate for Georgia’s 6th district. The graphics were simple and clear, the Apple Pay checkout appeared to be smooth, the increments of pay accessible to all. It was a slick operation. “But whatever you do, DON’T sign up for the emails,” he warned. “I get, like twelve a day.” Read more…

The American Dental Refugees of Mexico’s ‘Molar City’

Visitors from the United States walk past a dental office in downtown Los Algodones in February, 2017. (Guillermo Arias /AFP/Getty Images)

A mouthful of healthy teeth has become a luxury in America, and the divide between rich teeth and poor teeth has become a stark symbol of inequality. Poor dental care can be both humiliating and life-threatening, and those who wait in lines for hours at free clinics in tents or local stadiums are often given the chance to fix one thing, and little else.

Los Algodones, Mexico — tucked into the sharp corner where California and Arizona meet at the border near Yuma — has 600 dentists among its 6,000 residents, giving it the nickname “Molar City.” As Republican senators cobble together a plan to repeal Obamacare behind closed doors, little has been done to address the dental crisis currently unfolding in the United States, where 114 million Americans don’t have dental insurance.

Dental insurance has only been commonplace for about thirty years in America. As a 34 year old, I remember trips to the dentist in the mid-1980s as intense and frequent. Fluoride was a cure-all at the time; I was given extra-fluoridated chewables on top of our already-fluoridated town water supply, which left my teeth strong but streaked with white stains. When I lost my four adult front teeth in a playground accident at ten, I didn’t get porcelain veneers until I was 18. They cost $1000 each, so we had to save.

In Los Algodones, porcelain metal crowns that can cost $1500 in the states are just $180 each — one patient got fourteen in a single go. “We’re helping the United States take care of the people they are not able to,” the mayor of Los Algodones told Buzzfeed in their recent profile of the city.  And many of those people the US is unable to take care of just put the new president in office.

Jennifer Ure smiles sheepishly through the numbing agent as we stand on the sidewalk outside her dentist’s office. She’s just had her first round of surgery to replace three crowns on the right side of her mouth and is speaking with a lisp. The crown would have cost $600 back home in Ashland, Oregon; here, it’s $190. Her sister, Dana Gross, is here, too. Both are retired, both lack dental insurance, and both have been coming to Molar City for years.

“I’m on Medicare, and I can’t afford dental insurance,” Ure says as she starts to choke up. “I just can’t afford to pay.”

Both sisters warn that to get quality care in Molar City, you have to get recommendations from people you know and trust.

“You really need to do your research,” Ure, 61, tells me. “You can get some who don’t know what they’re doing, which happened to me.” Her first procedure here seven years ago didn’t go well — the implants a dentist put in fell apart soon after Ure returned to the US.

Ure, like most of the Americans I spoke with in Molar City, voted for Trump. The president’s dark warnings of Mexican rapists and gangsters coming into the US haven’t deterred his supporters from coming to Mexico for dental care.

Of course, that’s not to say the Mexicans providing care don’t see the irony.

David Gil, the manager of TLC Dental, says he’s become Facebook friends with many of the patients, and “everything is Trump, Trump, Trump.” But so far, he hasn’t seen a drop-off in customers who support the president — and he hasn’t had any problems with visiting Americans. “I think when it comes to racism, people hide it … [but] why else would you vote for him?”

“I think it’s a little bit odd, but we can’t judge them on how they voted, so we just try to respect them,” says Margo Carilla, who works as a translator for a dentist in town.

Read the story