University of Virginia grad Joshua Adams believes that if you want to understand the recent violence there, look back at history and the school’s complicated founder.
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Posted inCurrent Events, History, Nonfiction, Story
American Dolchstoss
The German “stab-in-the-back” myth springs back to life in America, this time through scapegoating over lost jobs.
Posted inNonfiction, Video
Why is the AIDS Epidemic So Severe in the United States?
The nice thing about videos is that you can present a ton of information without having to explain each data point.
Posted inArts & Culture, Nonfiction, Story, Uncategorized
A History of American Protest Music: How The Hutchinson Family Singers Achieved Pop Stardom with an Anti-Slavery Anthem
“Get Off the Track!” borrowed the melody of a racist hit song and helped give a public voice to the abolitionist movement.
Posted inCurrent Events, Nonfiction
Trump Revives a Shameful Tradition: Targeting a Minority Group with Crime Reports
The president’s executive orders and inflammatory rhetoric follow a predictable path.
Posted inBlog Post, Nonfiction
What We Get Wrong about Hannah Arendt
The lessons we are drawing from her work may not be the one we most need to learn.
Posted inCurrent Events, Nonfiction, Story
Trump Revives a Shameful Tradition: Targeting a Minority Group with Crime Reports
The president’s executive orders and inflammatory rhetoric follow a predictable path.
Posted inBlog Post, Nonfiction
What We Get Wrong about Hannah Arendt
The lessons we are drawing from her work may not be the one we most need to learn.
Posted inNonfiction, Op-Ed, Story
What Thomas Jefferson Taught Me About Charlottesville and America
University of Virginia grad Joshua Adams believes that if you want to understand the recent violence there, look back at history and the school’s complicated founder.
Posted inEditor's Pick
Inside the Collapse of the New Republic
Admittedly impartial, but thorough, breakdown by Lizza (a former contributing editor for TNR) on what happened when owner Chris Hughes attempted to replace the editor he hired, Franklin Foer, and reinvent the 100-year-old magazine as a digital media company.
