In two recent books about immigrant families seeking asylum in the U.S., the authors’ attempts to help become part of their subjects’ stories.
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Posted inNonfiction, Quotes
Cat Marnell’s Rehab Writing Retreat
At The Cut, Emily Gould profiles Cat Marnell, the famously self-destructive former beauty editor who miraculously managed to complete a compelling, well-written memoir, How to Murder Your Life — despite first blowing her entire advance on drugs.
Posted inEssays & Criticism, Nonfiction, Story
At Home on Carmine Street
Abigail Rasminsky thought she’d survived a robbery unscathed. Then she realized it was following her everywhere.
Posted inNonfiction, Quotes
The Fuzzy Chinese Face That Transcends Political Divisions
Carl Swanson investigated the Panda Ball — a hoity toity event geared to raising $50 million to ensconce a pair of pandas in New York’s Central Park.
Posted inEditor's Pick, Essays & Criticism, Nonfiction
Marriage Proposal Follies
After she proposes to her girlfriend, Amy Deneson rethinks what it means to wed.
Posted inEssays & Criticism, Nonfiction, Story
Marriage Proposal Follies
After she proposes to her girlfriend, Amy Deneson rethinks what it means to wed.
Posted inNonfiction
Just a Spoonful of Siouxsie
Surviving seventh grade with a practically perfect punk nanny.
Posted inCrime, investigations, Quotes
In Just 40 Hours, You Too Can Be an Expert
Pamela Colloff took the same 40-hour course that is the sum total of the training many blood spatter experts claim… and it did not inspire confidence in the reliability of this particular forensic “science.”
Posted inUncategorized
Flagrant Foul: Benching Teen Moms Before Title IX
As a high schooler and new mom, Jane Rubel didn’t consider herself a feminist. She just knew that if husbands and fathers were eligible to play high school basketball, she should have been, too.
Posted inNonfiction, Quotes, Unapologetic Women
Rachel Cusk on Eschewing her ‘Cuskness’ For Her Alter-Ego in ‘Outline’ and ‘Transit’
Rachel Cusk talks to Heidi Julavits about the “trench” she digs between herself and representations of herself, in both memoir and “autofiction.”
