Faylita Hicks considers what it means to be a Black nonbinary activist in the age of Trump — and questions how the social justice movement has changed the way they have sex.
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Why We Write Memoir: A Reading List
“I have spent innumerable afternoon hours with the essays below, each writer’s words a lifeline pulling me from the deep.”
The Top 5 Longreads of the Week
This week, we’re sharing stories from Sabine Heinlein, Leslie Jamison, Ijeoma Oluo, Eric Newcomer with Brad Stone, and Jill Lepore.
I Used to Insist I Didn’t Get Angry. Not Anymore.
An essay examining women’s long-standing conditioning away from owning and expressing anger, instead often sublimating their rage in sadness, which has historically been more acceptable.
An Ocean Away From the Sanctuary of Manhattan, Signs of Peaceful Coexistence
As a Jewish New Yorker, Candy Schulman is surprised to find a small town in Andalusia celebrating the coexistence of Christian, Muslim, and Jewish cultures, despite the area’s dark racist history.
Looking for Carolina Maria de Jesus
For a brief period in the 1960s, the Afro-Brazilian author of the memoir “Child of the Dark” was one of the most well-known writers in the world.
Is ‘RuPaul’s Drag Race’ the Most Radical Show on TV?
In her first cover piece for the New York Times magazine, Jenna Wortham profiles RuPaul, making note of the ways in which he — and his 9-year-old reality competition TV show — have had to evolve along with shifting understandings of gender, and the politics around it.
On Silence (or, Speak Again)
Elissa Bassist breaks her silence about everything she’s not supposed to talk about and comes out alive.
The Proving Grounds: Charley Crockett and the Story of Deep Ellum
Generations of musicians got their start busking the streets of the Deep Ellum neighborhood of Dallas, Texas. After a decade of ‘hobo-ing’ around cities like New Orleans, Paris, and New York, Charley Crockett discovered it was his turn.
The Psychiatrist in My Writing Class and His ‘Gift’ of Hate
Rani Neutill recalls a literary workshop in which a white man critiqued her ability to write in “proper” English.

