The Top 5 Longreads of the Week

This week, we’re sharing stories from Jay Caspian Kang, Ryan Goldberg, Brendan I. Koerner, Andrew Richdale, and Ferris Jabr.
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This week, we’re sharing stories from Jay Caspian Kang, Ryan Goldberg, Brendan I. Koerner, Andrew Richdale, and Ferris Jabr.
Sign up to receive this list free every Friday in your inbox. Read more…

For the New York Times Magazine, Kim Tingley profiles the nine flight-team engineers of the 1977 Voyager mission, who have been putting off retirement to see through one of NASA’s most successful missions all the way to the end. They estimate Voyager will run out of energy by 2030 at the latest, marking the end of an era when deepest space was seen by the government, and the public at large, as a mystery worth exploring.
The two Voyager spacecraft famously carried a “golden record” to the deepest reaches of the universe, which contain sounds and images of Earth, selected by a committee helmed by Carl Sagan, should Voyager encounter any intelligent life. The mission was one of optimism and wonder. But with the end of the shuttle program in 2011, and NASA under threat of severe cuts from the Trump Administration, the wonder of space is under attack from those who would commodify it. What is the purpose of space if you can’t make money from it?
The mission quite possibly represents the end of an era of space exploration in which the main goal is observation rather than commercialization. In internal memos, Trump-administration advisers have referred to NASA’s traditional contractors as ‘‘Old Space’’ and proposed refocusing its budget on supporting the growth of the private ‘‘New Space’’ industry, Politico reported in February. ‘‘Economic development of space’’ will begin in near-Earth orbit and on the moon, according to the president’s transition team, with ‘‘private lunar landers staking out de facto ‘property rights’ for Americans on the moon, by 2020.’’
All explorations demand sacrifices in exchange for uncertain outcomes. Some of those sacrifices are social: how many resources we collectively devote to a given pursuit of knowledge. But another portion is borne by the explorer alone, who used to be rewarded with adventure and fame if not fortune. For the foreseeable future, Voyager seems destined to remain in the running for the title of Mankind’s Greatest Journey, which might just make its nine flight-team engineers — most of whom have been with the mission since the Reagan administration — our greatest living explorers. They also may be the last people left on the planet who can operate the spacecraft’s onboard computers, which have 235,000 times less memory and 175,000 times less speed than a 16-gigabyte smartphone. And while it’s true that these pioneers haven’t gone anywhere themselves, they are arguably every bit as dauntless as more celebrated predecessors. Magellan never had to steer a vessel from the confines of a dun-colored rental office, let alone stay at the helm long enough to qualify for a senior discount at the McDonald’s next door.

Kate Daloz | Longreads | August 2017 | 11 minutes (2700 words)
The posters began to appear around the city just after New Year’s, 1967. “A Gathering of the Tribes for a Human Be-in…Bring food to share, bring flowers, beads, costumes, feathers, cymbal flags.” On Saturday, January 14, a crowd of young people began to form on the open fields of Golden Gate Park. Throughout the day, local bands — not yet famous — took turns on the stage: The Grateful Dead, Jefferson Airplane, Janis Joplin’s Big Brother and the Holding Company. Poets Allen Ginsberg and Gary Snyder led Hindu chants to the bouncing rhythm of finger cymbals. Timothy Leary addressed the crowd, urging them for the first time ever to “turn on, tune in, and drop out.” Owsley Stanley, the rogue chemist credited with manufacturing the period’s highest-quality LSD, donated 75 turkeys for sandwiches — the bread was sprinkled lightly with crushed White Lightning acid. At one point, a skydiver descended gently into the crowd, borne by a white parachute.

This week, we’re sharing stories from Libby Copeland, Patrick Blanchfield, Taffy Brodesser-Akner, Cory Taylor, and Tabitha Blankenbiller.
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Choosing a name for your baby is a culturally fraught decision. So much is at stake: will it invite bullying? Does it correctly channel the parents’ attitude toward the cultural zeitgeist? Is it optimized for relatability and uniqueness? In the New Yorker, Lauren Collins shares the story behind her second child’s name, a boy whose mixed Franco-American heritage added several layers of complexity to the process (who knew that a Kevin could never be taken seriously in Paris?). She also looks at the broader context of naming conventions in the U.S. — yet another realm in which American exceptionalism has played out in bizarre and unexpected ways.
In the U.S., as the law professor Carlton F. W. Larson has written, the selection of a child’s name falls within “a legal universe that has scarcely been mapped, full of strange lacunae, spotty statutory provisions, and patchy, inconsistent case law.” Generally, you can’t use a pictograph, an ideogram, a number, an obscenity, or a name that is excessively long, but the regulations vary wildly from state to state and are often the domain of randomly applied “desk-clerk law.” It’s unclear whether you can call your son Warren Edward Buffett, Jr., when you have not actually procreated with Warren Edward Buffett. There are stricter and clearer criteria for naming dogs and horses than there are for naming people. (The American Kennel Club prohibits, among other things, the words “champ,” “champion,” “sieger,” “male,” “stud,” “sire,” “bitch,” “dam,” and “female,” while the Jockey Club recently went to court to block the registration of a filly named Sally Hemings, which has since been rebaptized Awaiting Justice.) Some of the rules have more to do with keyboards than with child protection. In California, amazingly, you can be Adolf Hitler Smith, but not José Smith, because of a ban on diacritics.
The exuberance of American names has been one of the country’s hallmarks since its founding. In sixteenth-century England, the Puritans started using their children’s birth certificates as miniature sermons. They produced some doozies: Humiliation Hynde, Kill-sin Pimple, Praise-God Barebone (whose son, If-Christ-had-not-died-for-thee-thou-hadst-been-damned Barebone, eventually went by Nicholas Barbon). Charles II largely stamped out the trend during the Reformation, but the Puritans continued the practice in the New World. The Claps—a Roger and Johanna who immigrated to Dorchester in 1630—produced a virtue-themed progeny that included Experience, Waitstill, Preserved, Hopestill, Wait, Thanks, Desire, Unite, and Supply, making them perhaps the Kardashians of Colonial Massachusetts.

Aaron Gilbreath | This Is: Essays on Jazz | Outpost19 | August 2017 | 21 minutes (5,900 words)
In 1960, four years after the venerable Blue Note Records signed pianist Jutta Hipp to their label, she stopped performing music entirely. Back in her native Germany, Hipp’s swinging, percussive style had earned her the title of Europe’s First Lady of Jazz. When she’d moved to New York in 1955, she started working at a garment factory in Queens to supplement her recording and performing income. She played clubs around the City. She toured. Then, with six albums to her name and no official explanation, she quit. She never performed publicly again, and she told so few people about her life in music that most of her factory coworkers and friends only discovered it from her obituary. For the next forty-one years, Jutta patched garments for a living, painted, drew and took photos for pleasure, all while royalties accrued on Blue Note’s books.

Noura Jackson spent nine years in prison after being convicted of murdering her mother, despite a complete lack of physical proof — and other evidence that could have been used to support her claim of innocence was withheld by prosecutor Amy Weirich. This isn’t the first time Weirich has been found to have withheld evidence. And according to other lawyers who spoke with Emily Bazelon, whose impressively deep dive into the case appears in The New York Times Magazine, the convict-or-else attitude that drives prosecutorial misconduct is alive and well in Weirich’s office.
Weirich is now the district attorney, overseeing all prosecutions in Shelby County, Tennessee.
When Amy Weirich learned to try cases in Shelby County in the 1990s, her office had a tradition called the Hammer Award: a commendation with a picture of a hammer, which supervisors or section chiefs typically taped on the office door of trial prosecutors who won big convictions or long sentences. When Weirich became the district attorney six years ago, she continued the Hammer Awards. I spoke to several former Shelby County prosecutors who told me that the reward structure fostered a win-at-all-costs mind-set, fueled by the belief that ‘‘everyone is guilty all the time,’’ as one put it. ‘‘The measure of your worth came down to the number of cases you tried and the outcomes,’’ another said. (They asked me not to use their names because they still work as lawyers in Memphis.) One year, the second former prosecutor told me, he dismissed the charges in multiple murder cases. ‘‘The evidence just didn’t support a conviction,’’ he said. ‘‘‘But no, I didn’t get credit from leadership. In fact, it hurt me. Doing your prosecutorial duty in that office is not considered helpful.’’ Weirich disagrees, saying ‘‘Every assistant is told to do the right thing every day for the right reasons.’’

Broadway World reports today that Oscar-nominated actor and Pulitzer-winning playwright Sam Shepard has died at 73 of complications from ALS, AKA Lou Gherig’s disease.
In recent years, Shepard was best known as an actor, in the last few years appearing as the Rayburn family patriarch in the Netflix drama Bloodline. But he was a prolific, ground-breaking playwright, and a key player in the Off-Broadway movement of the ’60s and ’70s. According to The New York Times, Shepard won a Pulitzer in 1979 for The Curse of the Starving Class, and received nominations for two others, True West, and Fool for Love.
His work examined toxic masculinity at a time when that was rare. The son of an alcoholic farmer, he explored male aggression as it is often passed down from fathers to sons. In 2010, critic John Lahr touched on this in a profile of Shepard in The New Yorker, as part of a review of Ages of the Moon, Shepard’s most recent play at the time — his 40th of 42 — which was being staged at the Atlantic Theater in Manhattan.
Shepard attributes part of his father’s downfall to postwar trauma. “My dad came from an extremely rural farm community . . . and the next thing he knows he’s flying B-24s over the South Pacific, over Romania, dropping bombs and killing people he couldn’t even see,” he said. “These men returned from this heroic victory . . . and were devastated in some basic way . . . that’s mysterious still. . . . The medicine was booze.” The booze often led to abuse. “Those Midwestern women of the forties suffered an incredible psychological assault,” Shepard recalled. “While growing up, I saw that assault over and over again, and not only in my own family.” In 1984, Rogers was hit by a car, after a drunken quarrel with a girlfriend in a New Mexico bar. “You either die like a dog or you die like a man. And if you die like a dog you just go back to dust,” Shepard, who had his father cremated, said later. After the ceremony, Shepard picked up the leather container holding the ashes. “It was so heavy,” he said. “You wouldn’t think the ashes of a man would be so heavy.”

On Wednesday, President Donald Trump announced, via Twitter, a ban on transgender people serving in the United States military.
His tweeted justification was that “our military must be focused on decisive and overwhelming victory and cannot be burdened with the tremendous medical costs and disruption that transgender in the military [sic] would entail.”
It was, several Twitter users noted, an odd way to mark the 69th anniversary of President Harry Truman signing an executive order that ended racial discrimination in the military. There are currently thousands of transgender people serving in the nation’s all-volunteer military.
A chapter excerpted from Vanishing New York: How a Great City Lost its Soul, by Vanishing New York blogger “Jeremiah Moss” (the pseudonym for activist and psychoanalyst Griffin Hansbury). Moss traces the current wave of what he calls hyper-gentrification back to the Koch era.
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