With physical distancing the order of the day as COVID-19 spreads, cultural locales — sites for communal experiences, like museums and theaters — are emptying out. What are we sharing if we’re not sharing these spaces? And were we really sharing them to begin with?
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Shelved: The Velvet Underground’s Fourth Album
The story of the Velvet Underground’s fourth album that almost never was.
On Vanishing
Dementia is a kind of erasure, a death before death, where the living discount the infirmed long before they’re gone.
Longreads Best of 2020: Arts and Culture
Our top editors’ picks in arts and culture writing this year.
Weird in the Daylight
The story of Sadlack’s Heroes, the Raleigh dive bar that helped galvanize the alternative country scene in the 1990s.
No Time Like the Present
You don’t know what day it is, do you? Robert Burke Warren digs into ‘the Oddball Effect’ and fascinating brain data that may help explain why.
Vessel of Antiquity
For musical performance artist Leon Redbone, the past was all the material he needed, except his own, which he replaced with a persona. “I don’t have a past,” he said. “The past begins tomorrow.” Strange enough to earn comparisons to Frank Zappa and Tom Waits, Redbone often got shelved in record stores’ rock sections, even […]
“We’re All Still Cooking…Still Raw at the Core”: An Interview with Jacqueline Woodson
“When I look at that dress and how much intention went into the making of it…it’s like we want to have something that can’t be destroyed, because so much of the past has been destroyed…”
Raised by Hip-Hop
In hip-hop and skateboarding, one young man finds an outlet for his aggression.
This Gen X Mess
A fun, ranging package about Generation X. It includes essays on Evan Dando, The Rules, John Singleton, Grunge music and fashion, CK One, among other 90s touchstones, plus a piece in which Caity Weaver rewinds 25 years to 1994 and spends a week only using what limited technologies existed then.
