Farmers like sixth-generation Illinois farmer Ethan Cox can’t wait for policymakers to protect them from climate change. To survive, they have to adapt their operations now, if they can.
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‘Victims Become This Object of Fascination… This Silent Symbol.’
Rachel Monroe talks about the pitfalls of the true crime genre. “I had this feeling like I can see the whole thing and nobody else understands… That’s a real trap that we as reporters can fall in.”
Critics: Endgame
If there’s no earth, there’s no art. How do you engage in cultural criticism at the end of the world?
Women and Pain: A Reading List
“…how do we begin to change the narrative of how women’s pain is perceived, understood, and treated?”
Frailty, Thy Name Is Immigration Control
Quoting Shakespeare isn’t new, but using it in court to fight Trump’s immigration control is.
When American Media Was (Briefly) Diverse
An economic downturn in 2008 shuttered numerous publications and further marginalized people of color in an already minimally integrated industry. But in the 90’s and early-aughts, multicultural publications flourished, providing an alternative model for journalism that bears remembering.
Faith and Reproductive Justice Are Not in Opposition
Black women face outsized threats if Roe v. Wade is overturned.
What’s The Matter With Texas? How Long Do You Have?
Look to Texas for the future of electoral politics, writes Lawrence Wright. Unfortunately, the future is already here.
Sarah Moss on Brexit, Borders, Bog Bodies, and the ‘Foundation Myths of a Really Damaged Country’
Sarah Moss’s tale of Iron Age reenactors and parental abuse is her way of addressing Brexit. “Putting the skulls of the ancestors up in some attempt to hold back history never works.”
Shelved: Jimi Hendrix’s Black Gold Suite
The genius guitarist’s autobiographical, multi-song fantasy album sat in his drummer’s apartment for twenty years. Now in the care of the Hendrix estate, will it ever see the light of day?
