Journalism’s one percent would rather make up a fake feud than address the reality of the industry’s pay disparity, which benefits them and no one else.
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Posted inBooks, Culture, Story
Lindy West is Preaching to the Choir
Sara Fredman talks to author Lindy West on women and likability, the evolution of pop culture, and navigating conversations in a complex, messy world.Â
Posted inCurrent Events, Quotes
Sometimes a Coat Is Just a Coat, and Sometimes It Ruins a Kid’s Life
Sixteen-year-old Sanders, an autistic high school student, was put through an extensive “threat assessment” (aka, “We think you might be the next school shooter”).
Posted inEssays & Criticism, Feature, Nonfiction, Story
Coming Home, One Word at a Time
Upon returning to India, a course in Urdu helps Sharanya Deepak embrace the rich and turbulent history of her native country.
Posted inArts & Culture, Nonfiction, Story
The Laws of the Awards Podium Protest
Stars are increasingly using Hollywood awards podiums as sites of protest, but few of them are men, and even fewer are white men.
Posted inCrime, Current Events, Nonfiction, Quote Posts, Quotes, Uncategorized
How the Border Patrol Threatens Civil Liberties Far from the Border
While ICE makes headlines, the U.S. Customs and Border Protection agency continues to detain and search American citizens far from the actual border, and it doesn’t need a warrant.
Posted inNonfiction
Learning from Perimenopause and a Kpop Idol
Struggling with fluctuating hormones, Wendy Gan is inspired by the musician Mino to stop muting herself and return to writing.
Posted inNonfiction
Editors Thinking About Editing at the AWP Conference
The only way to work as an editor and a writer is to continue learning from other editors and writers.
Posted inArts & Culture, Essays & Criticism, Story
The View From 5-Foot-3 (and a Half)
Maybe we can’t transcend height, but can we transcend the internalized misogyny that causes us to limit ourselves and judge other women?
Posted inNonfiction
‘People Can Become Houses’
In her debut memoir, Sarah Broom builds her “obsession” with her family home — destroyed in 2005 by Hurricane Katrina — into a story of how families decide who they are, how they got here, and how they reconstruct themselves over and over again.
