Search Results for: Mary Gaitskill

‘If You Want to Be Famous, Don’t Be a Writer’

I’m always curious about the relationship between ambition and fame. On one hand, the desire to be a famous writer can be useful—you have to have drive, ambition. You need to be balls-out doing what you’re going to do to have any hope of success. But on the other hand, so many writers conflate ambition with wanting to be famous. Particularly in the era of internet fame, whatever that is. Did you aspire to being a famous writer?

I want be recognized for beautiful work, for good work, for real work. I really want to be recognized for that. Which is different than saying I want to be famous.

If you want to be famous, don’t be a writer. When I was first thinking of myself as a writer back in my teens, the shorthand for that was fame. But then I started to really understand what writing was and who writers were. Who were the writers I valued the most as a young woman learning to write? They were people like Alice Munro, Raymond Carver, Richard Ford, Mary Gaitskill, Toni Morrison.

Those people I just named are super famous in our world, but most of the world doesn’t know them. So pretty quickly, to me it wasn’t about fame—it was about accomplishment. Once you let go of that fame thing, it’s the first step in really being able to focus on doing good work.

Because you can’t fake it. That’s the deal with writing. You can’t fake it. You read an Alice Munro story—it’s there or it’s not, you know? So I let that go pretty early on.

With fame, you have to get over it. You do. Because you will actually not succeed because of it.

Scratch Magazine interviews best-selling author Cheryl Strayed. (The interview is free to read after logging in.)

Read the interview

Photo: Sam Beebe

(Not single-page) A writer recalls the disappearance of her adopted cat, and links the event to other experiences of loss in her life.

Six months after Gattino disappeared my husband and I were sitting in a restaurant having dinner with some people he had recently met, including an intellectual writer we both admired. The writer had considered buying the house we were living in and he wanted to know how we liked it. I said it was nice but it had been partly spoiled for me by the loss of our cat. I told him the story and he said, ‘Oh, that was your trauma, was it?’

“I said yes. Yes, it was a trauma.

“You could say he was unkind. You could say I was silly. You could say he was priggish. You could say I was weak.

“Lost Cat.” — Mary Gaitskill, Granta, 2009

See more #longreads from Mary Gaitskill

Alexander Chee's Top 5 Longreads of 2011: #Fiction and #Nonfiction

Alexander Chee is the author of the novels Edinburgh and the forthcoming The Queen of the Night. (See more on his Longreads page.)

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My Top Fiction Longreads for 2011:

 Mary Gaitskill’s “The Other Place”, The New Yorker, Feb. 11, 2011: Beautiful, seemingly casual, smart and terrifying, it is the story of a man worried his child will grow up to be a killer. Gaitskill at her best.

• Justin Torres, “Reverting to a Wild State”, The New Yorker, August 1, 2011: What better could you hope for than a story that begins with a beautiful man in a diaper? And for money? 

• Lauren Groff’s “Above and Below”, The New Yorker (subscription required), June 13, 2011: A young woman who slides right out of the educated class into homelessness. 

• Deborah Eisenberg’s “Recalculating”, July 14, 2011, The New York Review of Books: If you hear people tell you about short stories that do what novels do, and you don’t believe it, read Eisenberg. This is one of those stories.

• Yang Sok-Il’s “In Shinjuku” at Granta Online, April 14, 2011: A rare glimpse of the life of a Japanese Korean from a writer who is largely unknown to us in the West for being under-translated.

My Top Nonfiction Longreads for 2011

• Porochista Khakpour’s “Camel Ride” at Guernica, Feb. 15, 2011: “I learned English through watching the Twilight Zone.” Porochista is a friend and also a favorite writer, and this, I think, is one of her best of the memoirs she is publishing.

• John Jeremiah Sullivan’s “Mr. Lytle” at the Paris Review is the record of an extraordinary apprenticeship. 

• Paul Ford’s “Facebook and the Epiphinator” at New York Magazine was a revelatory essay on Facebook’s impact on our lives but also our narratives. A lot of people try to write about “what Facebook means” but Paul really did it.

• Eileen Myles’ “Being Female”, at The Awl: ”When I think about being female I think about being loved.” Amazing. The sentences just blow everything up.

• Nell Boeschenstein’s “Now That Books Mean Nothing”, at The Morning NewsShe is a new favorite of mine, and this is a powerful essay about the author’s discovery that books have lost their ability to console her in difficult times.

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