Search Results for: Maria Bustillos

Friends 4 Ever: Five Stories About Friendship

Longreads Pick

Inspired by Maria Bustillos’s “Friendship is Complicated,” this week’s Reading List is about the joy, power and struggles of friendship.

Source: Longreads
Published: Feb 1, 2015

Friendship Is Complicated

Illustration by Pat Barrett

Maria Bustillos | Longreads | January 2015 | 15 minutes (3,706 words)

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Video Games and Their Potential for Storytelling

At The Awl, Maria Bustillos talks to Adventure Time creator Pendleton Ward about the magic behind his wildly popular cartoon series that’s beloved by both children and adults. Here, Ward talks about his love of video games and their potential for storytelling:

Oh man, the intensely emotional storytelling in games like ‘Gone Home’… it’s through the roof! The wild goosebumps I experienced after ‘Gone Home,’ I felt like I was in the body of a different person… a VERY different person haha! I don’t want to spoil it, but it was wild to feel so intimately connected with the character in that game. Movies and books transport you to a place where you’re along for the ride, games make you drive the thing forward. That’s especially true in scary games, because instead of shouting “Don’t go in that room!” …you’re the one taking the steps forward towards that room. It’s huge. I think games are a thing you can’t fully appreciate until you play them.

I’ve been to game conventions where games are being projected on screens all around you, they all look nice and it’s fun to see how visually appealing they are… but unless you wait in line and play them… you’ll leave there without knowing how they can pull so many good feelings out of yah. But for emotional storytelling in games, Gone Home is the front runner at the moment…. There’s plenty of games play on moral decision making… in ‘Red Dead Redemption,’ a hermit sent me on a quest to decimate the wild Bigfoots who were terrorizing him. I sought out and killed all of the Bigfoots…. I killed them from a distance, they never attacked me. Then I found the final Bigfoot who was sitting by a tree and crying… he told me that I had murdered his ENTIRE FAMILY!!! I still feel HORRRRRIBLE ABOUT IT! He wanted me to SHOOT HIM because he no longer WANTED TO LIVE! It was miserable!!!

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Photo: Wikimedia Commons

The Los Angeles Review of Cups

Longreads Pick

Maria Bustillos reviews Chipotle’s new literary series, curated by Jonathan Safran Foer:

Jonathan Safran Foer’s new Cultivating Thought: Author Series at Chipotle has a slightly uncomfortable name. It suggests that we Chipotle patrons had just kind of been sitting here, mowing down our lunches, blankly existing, uncultivated, thought-less, until Foer came along with his “brainchild”: to provide us all with short works from famous writers printed right on our soda cups and burrito bags. But so many literary lions participated that I was instantly wild to read Chipotle’s whole catalog. I have now done so, and will review each publication below.

Published: May 20, 2014
Length: 6 minutes (1,672 words)

The Top 5 Longreads of the Week

Photo by Jessica Rinaldi / Boston Globe staff

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One Thing We'll Miss About Blockbuster

“The death of Blockbuster is the death of the employee favorite shelf. With Netflix and Hulu and Amazon having rightfully eclipsed video rental stores, the recommendation is now largely accomplished by algorithm. If you didn’t agree with my taste in movies, there was definitely another employee you would agree with. There was someone for every customer to talk about movies with working at every video store in the country. Now we have Neflix’s ‘Top Picks for Erik,’ nearly always insultingly off-base. There’s some human involvement behind the scenes for these streaming services—at Netflix, 40 freelancers tag metadata, making associations between movies and TV shows that no computer can yet make on its own—but that person is so buried behind the work of 800 engineers that he or she doesn’t exist for modern consumers in any meaningful sense.”

Erik Bryan, in the Awl, on his early years working for Blockbuster and the death of the video-store chain (via Maria Bustillos). Read more from The Awl.

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Photo: dno1967b, Flickr

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Longreads Best of 2012: David Roth

David Roth is a co-founder of, writer for and editor at the sports website The Classical. He writes columns for Sports On Earth and Vice, co-writes The Daily Fix blog-column for the Wall Street Journal online, and writes for The Awl, GQ and other places when there’s time and when they’ll have him. He’s on Twitter, a lot, @david_j_roth.

I don’t keep track, although I probably should, but I’m fairly certain that I read more words in 2012 than I have in any of the previous years of my life. Some of this is because I think that’s the best thing to do when presented with words and most of it is because I’ve read so much stuff for The Classical, which I started with some other people a little over a year ago; a really healthy (or unhealthy, depending) percentage of the words I’ve read have been for that site, and I’ve read a lot of them as an editor. I suppose I should recuse myself from mentioning any of these pieces, and I’ll do so after acknowledging that the majority of my favorite new writers of 2012 were people I worked with on essays written for The Classical. That’s all the plugging-of-site I can do without getting embarrassed.

Best Crime Story

The New Yorker is The New Yorker, and generally seems to operating at a level a tick or two above virtually any other magazine. I am always amazed at the way it turns itself into an ultra-fatuous luxury publication, all drollery about shopping and famous people’s kids and whatever, for a couple of issues a year, but the depth of the talent on that invisible masthead, and the quality of the work that all those people do, is astonishing. The stories that have stuck with me the most from the magazine over the past year, and which are thus pretty much the best thing I read in a magazine over that period, both have to do with crime. One is Sarah Stillman’s piece on the unconscionably irresponsible misuse and exploitation of wildly unprepared (and very much in danger) informants by law enforcement. The other is Nadya Labi’s story on the bleak, wild life of Detroit hit-man Vincent Smothers. (The latter is, sadly, only available to subscribers in the magazine’s online archive.)

There are several larger critiques embedded within each piece—the drug war and its warping effect on a wide array of priorities, in both cases—all of which emerge organically and forcefully through the simple forward movement of the stories. There isn’t necessarily a dazzling sentence or an image or anything similarly flashy that still sizzles in the memory months or even days after reading, but the stories stick all the same. So, yeah: two great New Yorker stories, in a year that had a great many.

Best Political/Media/Political Media Story

There was, certainly, a great deal of good political writing done during the endless election season. I don’t remember any of it, and what I remember I don’t remember particularly fondly, but given the number of words written—all those anonymous strategists and undermine-y underlings speaking tartly off-the-record; the reverent profiles and irreverent takedowns; the trends and themes and memes and so on—it would be surprising if some long piece or two in there wasn’t especially good. Much better and more illuminating, at least to me, was Alex Pareene’s essay for The Baffler on the pervasive and mostly pernicious influence of the repellent and vexingly influential Politico seemed to distill all the things that were infuriating, facile and otherwise wrong about the way we read the election, day by day. It was also a lot of fun to read. Which, about that:

Best Stylistic Trend

There’s no fixed way to write anything, of course. There’s a way that some types of pieces generally sound—a profile reads like this, a review reads like that—and many magazines have a house intonation and perspective, if not necessarily a house style. What I’ve enjoyed most about the essays I’ve most enjoyed over the last year, though, is the way in which they reflect an emerging style of colloquial, unpretentious, deceptively erudite writing that’s flourishing on the web. This is there in Pareene’s essay on Politico or John Lanchester’s consideration (it’s adapted from a speech) of Karl Marx at 193 years of age in the London Review of Books. It’s also in Adrian Chen’s dazzling piece for Gawker on Reddit, its troll culture and the man who was its foremost embodiment, or in the writing of Maria Bustillos at The Awl—start with her thumbnail history of James Thurber’s Walter Mitty and its weird afterlife, or on the deathless and wearying discursive concern with irony.

Of those, only the latter two live entirely on the web. They’re not about similar things, or written for similar publications or audiences, or really even written in ways that outwardly have much in common. But there’s an energy and vitality to all of them, a sense that the people writing respect their obligation to tell the stories they’ve chosen, but also that they’re intensely into those stories. There are some good jokes and striking sentences and a great deal of elegant (or infuriating) and illusion-free (or opinionated) thought in all of them, but there is not show-offery or grandiosity or stuffiness. They’re stories told and arguments made by people who seem impassioned and informed, and told in the voices—different-sounding, as they should be—of people alive in and engaged with the world and the ideas loose in it, and conversant with both in the fast, open way of the web. I don’t know, maybe it’s just good writing.

Read more guest picks from Longreads Best of 2012.

Our latest Exclusive comes from writer and Longreads Member Maria Bustillos, whose own work has been featured on Longreads in the past. She’s chosen Chapter 8 from Pulitzer Prize winner Ernest Becker’s 1975 book Escape from Evil. See it here.

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Member Exclusive: Escape from Evil

Longreads Pick

Our latest Exclusive comes from writer and Longreads Member Maria Bustillos, whose own work has been featured on Longreads in the past. She’s chosen Chapter 8 from Pulitzer Prize winner Ernest Becker’s 1975 book Escape from Evil. Maria explains:

“Becker won a Pulitzer for his previous book, The Denial of Death, but this one, published posthumously and building on ideas from that earlier work, is far, far better, to my mind, more compact, more advanced, more compelling. This book is pragmatic synthesis of multiple disciplines in the science of man, the place where humanities and science collide. Theories about Becker’s work abound, but for me his great gift was the way he seemed to have led us to the threshold of a new enlightenment, clear-eyed, undeceived, ready to take the next step. It’s a step the reader may be able to intuit, and perhaps even gain, and make practical use of in his or her own life: ‘[W]e have to take a full look at the worst in order to begin to get rid of illusions. Realism, even brutal, is not cynicism.'”

Source: Free Press
Published: Jan 1, 1975
Length: 51 minutes (12,899 words)

“Rising Together: A Corrective to Rosin’s ‘The End of Men’.” — Maria Bustillos, Los Angeles Review of Books

More by Maria Bustillos