“With a drink in my hand and earplugs responsibly in place, I’m very aware that I’ve spent more than half my life essentially standing in the same spot: off to one side of the stage (close but not too close), eyes forward, shifting weight from foot to foot.”
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The Strange True Tale of ‘Castro’s No. 1 Killer’
Herman Marks, a drifter from Milwaukee, took a boat to Cuba with nothing but a Colt .45 revolver and $400 in cash. His plan? To join the revolution.
Soli/dairy/ty
As a nursing mother newly exposed to the harsh realities of milk production, Liza Monroy reconsiders the dairy cow, and questions the meaning of compassion.
A Box of Meat and $100 For Your Life
“Workers who worked Monday through Saturday without missing a day were given a bonus of $50, later raised to $100, which was accompanied by a box of meat valued at $200 to $300.”
On Vanishing
Dementia is a kind of erasure, a death before death, where the living discount the infirmed long before they’re gone.
Shelved: Yoko Ono
On Yoko Ono’s 1974 album “A Story,” and stepping out from behind the ever-present shadow of John Lennon.
‘I’m a Big Fan of Writing To Find Out What You Don’t Know.’
Mark Haber discusses “Reinhardt’s Garden” and its protagonist’s quest for a true understanding of melancholy: “not a feeling but a mood, not a color but a shade, not depression but not happiness either…”
‘Almost Home’: On Place, Legacy, Growing Up in Atlanta, and Symbols of White Supremacy
An essay on growing up in the South, legacy, and a place rooted in white supremacy.
“We’re All Still Cooking…Still Raw at the Core”: An Interview with Jacqueline Woodson
“When I look at that dress and how much intention went into the making of it…it’s like we want to have something that can’t be destroyed, because so much of the past has been destroyed…”
Telling Stories In Order to Live: On Writing and Money
Sarah Menkedick examines the perils inherent in trying to earn a living as a full-time writer.
