How the songwriter’s abandoned third album became two albums.
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Our Words Will Save Us and Set Us Free
In the wake of having his writing career belittled, Jackson Bliss becomes an interpreter for a refugee and comes to see words, translations, and storytelling as important acts of resistance.
Our Words Will Save Us and Set Us Free
In the wake of having his writing career belittled, Jackson Bliss becomes an interpreter for a refugee and comes to see words, translations, and storytelling as important acts of resistance.
Putting a New Stone on the Grave: Sjón Brings the Golem to Iceland
Sjón’s “CoDex 1962” is the fulfillment of a pact he made with the Maharal of Prague in the Old Jewish Cemetery almost three decades ago.
Bundyville: The Remnant, Chapter Five: The Remnant
The Kingdom of Heaven, borne out of blood
Honey Bees, Worker Bees, and the Economic Violence of Land Grabs
Melissa Chadburn challenges her own belief that environmental justice issues are reserved for people of privilege.
Hellhound on the Money Trail
Standard recording contracts screwed Bluesmen out of royalties in the early 1900s, and the system was no different when Columbia released “Robert Johnson: The Complete Recordings in 1990.”
The Last of the Live Reviewers: An Interview with Nate Chinen
Nate Chinen may have been the last full-time jazz reviewer at any American newspaper. He says jazz hasn’t been in a better place since the ’60s — but the commercial infrastructure is broken.
The World of Nora Ephron: A Reading List
Seven stories about the journalist and director, on the 20th anniversary of the release of the film, “You’ve Got Mail.”
Selling Vintage Records in Tokyo
Listening to music with a Tokyo record store owner forges a deeper bond than any shared language.
