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Tuesdays and Thursdays, we'll send you our latest originals and all our editor's picks—and Fridays, go even deeper with our Top 5 of the Week.
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For 15 years, Longreads has published and curated the best longform writing on the web—and we wouldn’t exist without dedicated readers like you. Give today and ensure that quality journalism continues to flourish.
Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist. Sign up to receive this list free every Friday in your inbox. *** 1. The Truth About Chicago’s Crime Rates David Bernstein, Noah Isackson | Chicago Magazine | April 7, 2014 | 27 minutes (6,980 words) The city’s […]
“Like most cultural shifts in language, the rise of white, upper-middle class women who call themselves ‘mama’ seemed to happen slowly, and then all at once.” Elissa Strauss explores how the use of “mama” helped rebrand motherhood for the modern mother.
Elaine Brown was the first and only woman to lead the male-dominated Black Panther Party. She looks back on Jean Seberg, COINTELPRO, and internal divisions within the organization.
The illustrated story of California, and what happens when the water runs out.
Over the past 20 years, medical researchers have found new ways to quantify the effects of the relentless violence on America’s inner cities. They surveyed residents who had been exposed to violence in cities such as Detroit and Baltimore and noticed symptoms of post-traumatic stress disorder (PTSD): nightmares, obsessive thoughts, a constant sense of danger. […]
“I have consciously tried to refocus my attention away from being a film critic and toward being a film historian.”
Art, commerce, and the battle for the soul of My Little Pony.
When I moved from a small town in Northern California to Brooklyn, New York in the summer of 2010, I felt the pang of an inarticulable loneliness. Unable to string together words to describe this complicated feeling, I found Olivia Laing’s Aeon essay, “Me, Myself and I,” to be a starting point that began to […]
Tennessee Williams tasked James Grissom with seeking out each of the women (and few men) who had inspired his work—Maureen Stapleton, Lillian Gish, Marlon Brando and others—so that he could ask them a question: had Tennessee Williams, or his work, ever mattered?
In the 1950s, a musical adaptation of J. M. Barrie’s ‘Peter Pan’ starring Mary Martin became a sensation, attracting the fourth biggest audience of all time for a scripted TV show when a live production was broadcast on NBC.
