We can all remember a time when the wind touched us when we needed touching, pushed us along when we were unsure.
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The Ugly History of Beautiful Things: Orchids
Sometimes a flower is just a flower, and sometimes it’s a powerful vehicle for giving free rein to our worst colonialist and misogynist impulses.
The Occupation of a Woman Writer
Our inherited biases about who should write what live deeper than most of us realize or want to acknowledge.
Editors Thinking About Editing at the AWP Conference
The only way to work as an editor and a writer is to continue learning from other editors and writers.
Mary Beard’s Voyage Into ‘Herland’
In “Women in Power” Beard uses Charlotte Perkins Gilman’s “Herland” to look at why powerful women don’t appear in our collective imagination.
‘London Was, But Is No More’
A loving, fascinating, melancholy, rollicking look at how technology and globalization are transforming urban spaces.
The Last London
“And now it feels, in the addiction and vertigo of the digital revolution, as if this ancient organism is wheezing, drawing its final breaths. We were never more than an extension of the geology of the Thames Valley.”
The Women Characters Rarely End Up Free: Remembering Rachel Ingalls
The recently re-appreciated novelist Rachel Ingalls passed away last month. She was among a cohort of twentieth-century women writers who were ‘famous for not being famous.’
‘Brokenness and Holiness Really Go Together’: Darcey Steinke on Menopause
Darcey Steinke says that most menopause memoirs “end with this come-to-Jesus moment of, ‘Then I accepted hormones.’ I’m not against it, but … I wanted to hear what it’s like for other women.”
Guy Gunaratne on the ‘Push-Pull of Ancestry and Meaning’ in London
Guy Gunaratne’s Man Booker-longlisted “In Our Mad and Furious City” recognizes multiple, overlapping versions of London and its inhabitants, examining the ways violence can bubble up through the city’s fissures.
