Sometimes a flower is just a flower, and sometimes it’s a powerful vehicle for giving free rein to our worst colonialist and misogynist impulses.
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‘London Was, But Is No More’
A loving, fascinating, melancholy, rollicking look at how technology and globalization are transforming urban spaces.
What Does It Mean To Be Moved?
We can all remember a time when the wind touched us when we needed touching, pushed us along when we were unsure.
The Occupation of a Woman Writer
Our inherited biases about who should write what live deeper than most of us realize or want to acknowledge.
Mary Beard’s Voyage Into ‘Herland’
In “Women in Power” Beard uses Charlotte Perkins Gilman’s “Herland” to look at why powerful women don’t appear in our collective imagination.
Editors Thinking About Editing at the AWP Conference
The only way to work as an editor and a writer is to continue learning from other editors and writers.
The Women Characters Rarely End Up Free: Remembering Rachel Ingalls
The recently re-appreciated novelist Rachel Ingalls passed away last month. She was among a cohort of twentieth-century women writers who were ‘famous for not being famous.’
Guy Gunaratne on the ‘Push-Pull of Ancestry and Meaning’ in London
Guy Gunaratne’s Man Booker-longlisted “In Our Mad and Furious City” recognizes multiple, overlapping versions of London and its inhabitants, examining the ways violence can bubble up through the city’s fissures.
‘Brokenness and Holiness Really Go Together’: Darcey Steinke on Menopause
Darcey Steinke says that most menopause memoirs “end with this come-to-Jesus moment of, ‘Then I accepted hormones.’ I’m not against it, but … I wanted to hear what it’s like for other women.”
Conversations with My Loveliest
Melissa Berman recalls what was said, and not said, between her and her beloved aunt as they approached her final year.
