Our top story picks in COVID-19 reporting this year.
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Posted inNonfiction
My Body Is Not a Temple
All the good habits and self-optimization in the world don’t give you real control over your body. Back away from the bread starter.
Posted inArts & Culture, Essays & Criticism, Feature, Story, Writing
Find Yourself
From way back in ’80s Philadelphia, Elizabeth Isadora Gold remembers her first writing teacher, the mail art artist/lyricist Stu Horn.
Posted inArts & Culture, Current Events, Essays & Criticism, Nonfiction, Sports, Story
Be a Good Sport
Competitive sports can mean professional and financial success — if they don’t compromise your mental health first. ‘Cheer’ and ‘Killer Inside: The Mind of Aaron Hernandez’ show how athletics can hurt as much as they can heal.
Posted inEssays & Criticism, Feature, Nonfiction, Story
Heartbreaker
Beatrix M. Rooney discovers a tragic secret that may explain her brother’s descent into cruelty and violence.
Posted inEssays & Criticism, Feature, Nonfiction, Story
Why I Wanted To Finish My Father’s Life’s Work
Karen Brown recalls the pain and joy of fulfilling a deathbed promise.
Posted inNonfiction
‘Horror Is a Soothing Genre … It’s Upfront About How Scary It Is To Be a Woman.’
Sady Doyle discusses the connection she draws between society’s monstrous treatment of women and woman’s archetypal monstrosity.
Posted inArts & Culture, Essays & Criticism, Story
Death Proof
With ‘Once Upon a Time… in Hollywood,’ Quentin Tarantino slakes his thirst for nostalgia while he plays god with another piece of history.
Posted inNonfiction, Story
Playing with History: What Sid Meier’s Video Game Empire Got Right and Wrong About ‘Civilization’
Twenty-five years ago, Meier turned human history into a video game, and sold 33 million copies along the way. With the launch of Civilization VI, Kanishk Tharoor takes a closer look at its impact.
Posted inStory
The Erotic Thriller’s Little Death
What/If references the celebrated steamy genre of the 80s and 90s, but lacks its guts. Why can’t any of the new neo-noirs go all the way?
