Search Results for: Joan Acocella
Arundhati Roy Doesn’t Care What You Think

Seven thousand, three hundred days. Twenty years. Judging by the response to the release of Arundhati Roy’s long-anticipated follow-up to her first novel, 1997’s The God of Small Things, you’d think it had been two hundred. Reviews of The Ministry of Utmost Happiness are almost as ecstatic as the ones that accompanied Roy’s first book — and they almost always include a lament that it took her so damn long to produce.
The God of Small Things received a Man Booker Prize, bestseller status, and a whirlpool of accolades, but after its publication, Roy opted out of fiction altogether, pursuing a career as a political activist-cum reporter, unearthing the stories of society’s rebels and outcasts, advocating for a non-nuclear India, the independence of Kashmir, and criticizing prime minister Narendra Modi.
How dare she?
That’s the underlying question in nearly every interview with Roy that’s followed. Who wouldn’t give just about anything for a fawning debut New York Times book review, a public clamoring for the next book? Doesn’t she owe her readers another glimpse into her imagination? Read more…
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A look at how Jacob and Wilhelm Grimm put together their famous book of fairy tales, Nursery and Household Tales, and how folklore and stories have evolved over time:
The Grimms, however, changed more than the style of the tales. They changed the content. Their first edition was not intended for the young, nor, apparently, were the tales told at rural firesides. The purpose was to entertain grownups, during or after a hard day’s work, and rough material was part of the entertainment. But the reviews and the sales of the Grimms’ first edition were disappointing to them. Other collections, geared to children, had been more successful, and the brothers decided that their second edition would take that route. In the introduction, they dropped the claim of fidelity to folk sources. Indeed, they accurately said more or less the opposite: that, while they had been true to the spirit of the original material, the ‘phrasing’ was their own. Above all, any matter unsuitable for the young had been expunged.
As with the rating committee of the Motion Picture Association of America, what they regarded as unsuitable for the young was information about sex. In the first edition, Rapunzel, imprisoned in the tower by her wicked godmother, goes to the window every evening and lets down her long hair so that the prince can climb up and enjoy her company. Finally, one day, when her godmother is dressing her, Rapunzel wonders out loud why her clothes have become so tight. ‘Wicked child!’ the godmother says. ‘What have you done?’ What Rapunzel had done goes unmentioned in the second edition. Such bowdlerizing went on for a half century. By the final edition, the stories were far cleaner than at the start.
“The Lure of the Fairy Tale.” — Joan Acocella, The New Yorker
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However much the book was revised, it should have been revised more. The opening may have been reworked, as Gedin says, but it still features an episode—somebody telling somebody else at length (twelve pages!) about a series of financial crimes peripheral to the main plot—that, by wide consensus, is staggeringly boring. Elsewhere, there are blatant violations of logic and consistency. Loose ends dangle. There are vast dumps of unnecessary detail. When Lisbeth goes to IKEA, we get a list of every single thing she buys. The jokes aren’t funny. The dialogue could not be worse. The phrasing and the vocabulary are consistently banal.
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