Harmony Holiday remembers her mother’s years of trauma-bonding in search of new love, after the death of her mercurial yet brilliant father.
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The Erotic Thriller’s Little Death
What/If references the celebrated steamy genre of the 80s and 90s, but lacks its guts. Why can’t any of the new neo-noirs go all the way?
The New Old Hollywood
The Hollywood establishment used to be dominated by old white men, but that’s changing fast.
None of the President’s Men
Journalism now is a lot more fear and insecurity and a lot less corduroy and Robert Redford, but you’d never know it from what is projected.
Wait, What?
It’s surprising when stodgy institutions award progressive artists, and surprises, even good ones, are alarming — so we immediately burden the winners with the weight of symbolism.
Recalling the Making of ‘Go,’ 20 Years Later
Director Doug Liman and screenwriter John August look back on the production of their indie film Go, 20 years after its release.
Writing for the Movies: A Letter from Hollywood, 1962
In this classic essay about a classic American art form, legendary screenwriter Daniel Fuchs reflects on his lifetime learning the trade.
Riding the Highs and Lows with My Mom
On a night out in the Hollywood hills, Valentina Valentini’s lifelong role-reversal with her mother becomes upended.
Menace Too Society
Cancel culture suggests we can change the world from the outside in, but the misogyny and racism are coming from inside the house.
Hollywood and the New Female Grotesque
Actresses are being lauded for pushing their supposed undesirability to the extreme, and it’s redefining how we see women.
