Search Results for: Harper's

My Undertaker, My Pimp

Photo: Wikimedia Commons (edited)

Jay Kirk | Harper’s | March 2002 | 29 minutes (7,333 words)

This essay by Jay Kirk first appeared in the March 2002 issue of Harper’s, where it was edited by John Jeremiah Sullivan. Our thanks to Kirk for allowing us to reprint it here.

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For a year I worked in an office where I spoke to dying people on the telephone every day. The office was that of a funeral-consumer watchdog, which meant that we kept an eye on the funeral industry and helped the imminently bereaved and imminently deceased to make affordable funeral plans. Above my desk I kept an index card with a Faulkner quotation, “Between grief and nothing I will take grief.” On a particularly bad day I scratched out the last word and changed it to “nothing.” Read more…

A Collection of Stories About Not Choosing Motherhood

Here’s the thing: Moms, on an individual basis, may be taken for granted throughout much of the year, but motherhood itself is a status symbol. It’s a time-honored, accepted, even revered, path. Having children is, supposedly, one of the most fulfilling, important, life-affirming things a person could ever do.

So I wanted to write about women (rather, people—not everyone with a uterus identifies as a woman) choosing, actively, not to be mothers. I wanted to find joy in a countercultural narrative. And, yes, I wanted to write about this on Mother’s Day. Because it’s a day some well-meaning family member or total stranger might say, “So, when are you going to have kids?” It’s none of their business, but also, not everyone wants to have kids, and that’s totally okay. These folks have given their decisions a lot of thought—choosing not to parent at all is as big a decision as choosing to have a baby, or two, or five. It isn’t flippant, or silly, or selfish, as you’ll read in these essays and interviews.

• Author Meghan Daum has done her part in bringing childless-by-choice into the contemporary public consciousness; she edited the anthology Selfish, Shallow, and Self-Absorbed: Sixteen Writers on the Decision Not to Have KidsThe table of contents boasts essays from Lionel Shriver, Geoff Dyer, Daum herself and a host of other authors. I enjoyed this interview with Daum at Jezebel, especially this line: “Choosing not to have kids is actually a way of showing respect for parenting (at least good parenting) and is ultimately good for kids because it creates a society in which kids are truly wanted”. Peep her own essay, “Opting Out of Motherhood,” at Harper’s. And if you’re intrigued by the anthology, I recommend Courtney Hodell’s beautiful piece on chosen childlessness at Elle. She’s a great storyteller. Read more…

The Boy Who Loved Transit

Photo via mtaphotos (Edited)

Jeff Tietz | Harper’s | May 2002 | 35 minutes (8,722 words)

 

This essay by Jeff Tietz first appeared in the May 2002 issue of Harper’s and was later anthologized in The Best American Crime Writing: 2003 Edition. Tietz has written for Rolling Stone, Harper’s, The New Yorker, The Atlantic and Vanity Fair. He has been a finalist for the National Magazine Award, the Pushcart Prize, and the Livingston Journalism Award. His work has appeared in Best American Magazine Writing, Best American Crime Writing, Best American Business Writing, and The CAFO Reader. Our thanks to Tietz for allowing us to reprint it here. For those interested in an update on Darius McCollum’s story, see this 2013 The Wall Street Journal piece (subscription req’d).

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Before leaving his girlfriend’s apartment in Crown Heights, on the morning of his nineteenth arrest for impersonating and performing the functions of New York City Transit Authority employees, Darius McCollum put on an NYCTA subway conductor’s uniform and reflector vest. Over his feet he pulled transit-issue boots with lace guards and soles designed to withstand third-rail jolts. He took transit-issue work gloves and protective goggles. He put a transit-issue hard hat on his head. In his pockets he carried NYCTA work orders and rerouting schedules and newspaper clippings describing his previous arrests: for driving subway trains and buses and various other vehicles without authorization, possessing stolen property, flagging traffic around NYCTA construction sites, forging documents. He also carried a signed letter on NYCTA letterhead:

To: All Concerned Departments

From: Thomas Calandrella Chief Track Officer

Re: Darius McCollum Effective this date of January 10, 2000, Darius McCollum is a member of a special twelve member Special Study Group; and will analyze the operations of track safety and track operations. SSG will report directly to this office and will be issued all related gear for the respected purposes of this department and will receive assistance of any relating department.

To his belt Darius clipped a flashlight and a key ring the size of a choker. From this ring six smaller rings hung like pendants. Along the curves of the small rings, 139 keys climbed symmetrical and fanlike. Each key granted access to a secure area of the train, bus, or subway system of the New York City Transit Authority. The collection was equivalent to the number of keys an employee would acquire through forty years of steady promotions. Just before he left the apartment, Darius picked up an orange emergency-response lantern.

Six weeks earlier, Darius had been paroled from the Elmira Correctional Facility, near Binghamton, New York, where he had served two years for attempted grand larceny—”attempted” because he had signed out NYCTA vehicles for surface use (extinguishing track fires, supervising maintenance projects) and then signed them back in according to procedure. Darius has never worked for the NYCTA; he has never held a steady job. He is thirty-seven and has spent a third of his adult life in prison for victim-less offenses related to transit systems. Read more…

Fact-Checking ‘The Anarchist Cookbook’

[William] Powell quit his job and began writing for up to ten hours a day. Despite the title, there is nothing about anarchism as a political theory in the book, which focuses on drugs, surveillance, weapons, and explosives. About drugs, Powell knew plenty. He had overcome a speed habit, smoked lots of pot, consumed his fair share of LSD, and seen lives destroyed by heroin. What he didn’t know he borrowed from underground publications like the Berkeley Barb, passing on tips that hadn’t been fact-checked. As it turns out, one cannot get high by eating banana peels that have been boiled and baked, or smoking crushed peanut shells. (Powell was right, however, about nutmeg’s hallucinogenic potential.) Nor had the city’s sewer system been taken over by “New York white,” the giant marijuana plants said to be the result of people flushing seeds to avoid arrest. “The sewer plants usually reach a height of between 12 and 15 feet and are bleached white because of the lack of sunlight,” Powell wrote, in the authoritative voice that permeates the book.

He researched the other sections at the main branch of the New York Public Library, flipping through the card catalogue and returning with books such as the U.S. Army Field Manual for Physical Safety and Homemade Bombs and Explosives. He holed up in the building for months, reading about wristlocks and tear gas and nitroglycerine. Most of the book is a cut-and-paste creation; when Powell’s voice does emerge beneath the technical-manual speak, it’s usually in the form of a cocky young man trying to sound streetwise beyond his years. About explosives, he wrote: “This chapter is going to kill and maim more people than all the rest put together, because people just refuse to take things seriously.”

Gabriel Thompson, writing in Harper’s about The Anarchist Cookbook and it’s author, William Powell. The book was published in 1971 when Powell was an angry and disaffected nineteen-year-old; today, he is a sixty-five-year-old grandfather. Powell has spent much of the last four decades fighting to take the book out of print. For further reading, check out Powell’s 2013 op-ed on the topic, which ran in The Guardian.

Read the story

Slither and Hiss: Four Stories About Snakes

This week, I’m sharing four stories about snakes and the people who love, hate, and tolerate them in equal measure. But first, a haiku:

Scary, beautiful
Important to religion
Slithering and scaled.

1. “The Pentecostal Serpent.” (Asher Elbein, The Bitter Southerner, September 2014)

An Atlanta zoo. A dusty office at the University of Tennessee. The mountains of Appalachia. A small church in Alabama. How has the life of the handled snake touched each of these? Read more…

For the Public Good: The Shameful History of Forced Sterilization in the U.S.

Belle Boggs | The New New South | August 2013 | 62 minutes (15,377 words)

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We’re proud to present, for the first time online, “For the Public Good,” Belle Boggs‘s story for The New New South about the shocking history of forced sterilizations that occurred in the United States, and the story of victims in North Carolina, with original video by Olympia Stone.

As Boggs explained to us last year: 

“Last summer I met Willis Lynch, a man who was sterilized by the state of North Carolina more than 65 years earlier, when he was only 14 years old and living in an institution for delinquent children. Willis was one of 7,600 victims of North Carolina’s eugenics program, and one of the more outspoken and persistent advocates for compensation.

“At the time I was struggling with my own inability to conceive, and the debate within my state—how much is the ability to have children worth?—was something I thought about a lot. It’s hard to quantify, the value of people who don’t exist. It gets even more complicated when you factor in public discomfort over a shameful past, and a present-day political climate that marginalizes the poor.”

Thanks to Boggs and The New New South for sharing this story with the Longreads Community, and thanks to Longreads Members for your helping us bring these stories to you. Join us.

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Interview: ‘Poor Teeth’ Writer Sarah Smarsh on Class and Journalism

Julia Wick | Longreads | November 7, 2014 | 11 minutes (2,674 words)

 

“I am bone of the bone of them that live in trailer homes.” That’s the first line of Sarah Smarsh’s essay “Poor Teeth,” which appeared on Aeon earlier this month. Like much of Smarsh’s work, “Poor Teeth” is a story about inequity in America. It is also a story about teeth, hers and her grandmother’s and also the millions of Americans who lack dental coverage.

Smarsh has written for Harper’s, Guernica and The Morning News, among other outlets. Her perspective is very much shaped by her personal experiences: She grew up in a family where most didn’t graduate from high school, and she later chaired the faculty-staff Diversity Initiative as a professor at Washburn University in Topeka. I spoke with her about her own path to journalism and how the media cover issues of class.  Read more…

Coming Oct. 29, NYC: A Night of Storytelling with This Land Press

Present

A special night of storytelling with
This Land

Featuring:

Mark Singer (The New Yorker)

Rilla Askew (author, “Fire in Beulah”)

Ginger Strand (author, “Inventing Niagara”)

Kiera Feldman (writer, “Grace in Broken Arrow,” “This Is My Beloved Son”)

Marcos Barbery (journalist and documentarian, writer, “From One Fire”)

Wednesday, Oct. 29th, 7:00 p.m.
Free Admission


Housing Works Bookstore Cafe
126 Crosby Street
New York, NY 10012

RSVP on our Facebook page

Bios

Mark Singer has been a staff writer for The New Yorker since 1974. Singer’s account of the collapse of the Penn Square Bank of Oklahoma City appeared in The New Yorker in 1985 and was published as a book, Funny Money.

Rilla Askew is an Oklahoma-born writer and author of the novel Fire in Beulah, set against the backdrop of the Tulsa Race Riot of 1921.

Ginger Strand is the author of Inventing Niagara, the untold story of America’s waterfall. Her essays and fiction have appeared in Harper’s, The Believer, The Iowa Review, and the New York Times. Her articles for This Land magazine span fracking, Oklahoma’s water wars, and homicidal truck drivers.

Kiera Feldman is a Brooklyn-based reporter whose story “Grace in Broken Arrow” earned Longreads’ Best Non-Fiction article of the year in 2012. She’s written for n+1, The New York Times, Mother Jones, and a number of other publications.

Marcos Barbery is a journalist and documentarian. His This Land article “From One Fire” tells the story of an unlikely civil rights leader in the Cherokee Nation.

Photo by Jesse Chan-Norris (Flickr)

Interview: Vela Magazine Founder Sarah Menkedick on Women Writers and Sustainable Publishing

Cheri Lucas Rowlands | Longreads | Oct. 2 2014 | 10 minutes (2,399 words)

 

Three years ago, Sarah Menkedick launched Vela Magazine in response to the byline gender gap in the publishing industry, and to create a space that highlights excellent nonfiction written by women. Last week, Menkedick and her team of editors launched a Kickstarter campaign to grow Vela as a sustainable publication for high-quality, long-form nonfiction, to pay their contributors a competitive rate, and to continue to ensure that women writers are as recognized and read as their male counterparts. Menkedick chatted with Longreads about her own path as a writer, the writer’s decision to work for free, building a sustainable online publication, and the importance of featuring diverse voices in women’s nonfiction.

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Let’s talk about Vela’s origins. You created Vela in 2011 as a space for women writers in response to the byline gender gap — yet it’s not a “women’s magazine.” Can you explain?

Like so many women writers, I was discouraged by the original VIDA count in 2011. I was also a bit disenchanted with a certain narrowness of voice and focus in mainstream magazine publishing, which tended to be very male, because men tend to dominate mainstream magazine publishing. Talking about the alternative to that gets really dicey, because it’s icky to talk about a “womanly” or “female” voice. I wanted to say: nonfiction and literary journalism written by women doesn’t have to sound like this sort of swaggering male writing, or like the loveable snarky-but-sweet meta writing of John Jeremiah Sullivan or David Foster Wallace. It can be like . . . and there we run short on models, because there aren’t very many women being widely published whose work falls into that middle zone between “creative nonfiction” — which tends to be more academic, more experimental, more the types of essays appearing in literary magazines — and traditional journalism.

Read more…

The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

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