If there’s no earth, there’s no art. How do you engage in cultural criticism at the end of the world?
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Here at the End of All Things
On losing oneself in the geography of fantasy worlds, from Middle Earth to Westeros.
My Year on a Shrinking Island
Former baker Michael Mount explores the interplay of community, cookie dough, and changing terrain on Martha’s Vineyard
If Only There Were Someone Who Would Listen
Dror Burstein’s “Muck” sets a difficult course through themes of power, pita bread, and invasion, mixing up the biblical past and the just-as-lamentable present.
The Fantasy of an Enemy
“It’s still raining in Houston, and Game of Thrones is not a show about climate change, not really, because it’s possible to win The Game of Thrones.”
Deconstructing Disney: Motherhood and the Taming of Maleficent
Last week, Maleficent: Mistress of Evil, was released on Disney+. Jeanna Kadlec takes this opportunity to explore how Disney has dealt with their most powerful of witches.
Deconstructing Disney: The Princess Problem of ‘Frozen II’
Audiences wanted Disney to give Elsa a girlfriend. But the Frozen franchise is at the center of the corporation’s latest princess project, whose nationalist concerns are decidedly here for the gay agenda.
‘If an Animal Talks, I’m Sold’: An Interview with Ann and Jeff Vandermeer
Ann and Jeff Vandermeer discuss talking animals, the weird/fantasy divide, and the ‘rate of fey’ as an organizing principle in their new anthology of classic fantasy.
Notes for a Post-apocalyptic Novel
When things get hard, we look to our most fundamental relationships. This is the story of a son, a father, a camper van, a pandemic, and the ties that bind.
Let’s Talk About Sex Scenes
Countless women have been mistreated ever since sex became common on our screens. Hollywood’s newfound awareness of intimacy choreography can help change things.
