What does the rise of the drone mean for justice, for the ethics of heroism, for psychology? Most important of all, who is dying and why?
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Posted inNonfiction, Profiles & Interviews
Celebrating Singlehood and Reclaiming the Word ‘Spinster’
An interview with Kate Bolick about the single women in history who helped her understand how she could live on her own terms.
Posted inBooks, Nonfiction
Tennessee Williams on His Women, His Writer’s Block, and Whether It All Mattered
Tennessee Williams tasked James Grissom with seeking out each of the women (and few men) who had inspired his work—Maureen Stapleton, Lillian Gish, Marlon Brando and others—so that he could ask them a question: had Tennessee Williams, or his work, ever mattered?
Posted inMember Pick, Nonfiction
Budd & Leni
The story of Hollywood screenwriter Budd Schulberg’s unlikely collaboration with Nazi propagandist Leni Riefenstahl.
Posted inNonfiction
The Cost
“I want to tell you something: it is nearly impossible for a young black man to stay out of trouble in a country where skin color is the marker for suspicion and violence and grief.”
Posted inNonfiction
A Birth Story
Meaghan O’Connell had a perfect pregnancy and the perfect birth plan—and then she went into labor.
Posted inMember Pick, Nonfiction
Untangling the Knot: My Search for Democracy in the Modern Family
Sabine Heinlein grew up in a family where everyone was treated as equals. It didn’t work out like they hoped.
Posted inBooks, Nonfiction, Story
Theorizing the Drone
What does the rise of the drone mean for justice, for the ethics of heroism, for psychology? Most important of all, who is dying and why?
Posted inNonfiction, Profiles & Interviews, Story
Celebrating Singlehood and Reclaiming the Word ‘Spinster’
An interview with Kate Bolick about the single women in history who helped her understand how she could live on her own terms.
Posted inBooks, Nonfiction, Story
Tennessee Williams on His Women, His Writer’s Block, and Whether It All Mattered
Tennessee Williams tasked James Grissom with seeking out each of the women (and few men) who had inspired his work—Maureen Stapleton, Lillian Gish, Marlon Brando and others—so that he could ask them a question: had Tennessee Williams, or his work, ever mattered?
